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Chopin’s Piano Sonatas

Year 2020, Volume: 3 Issue: 1, 105 - 125, 30.06.2020

Abstract

The term ‘Sonata’ defines a genre, which played a decisive and significant
role in the historical evolution of classical music and has been used by all
foremost composers since Baroque era; and ‘sonata allegro’ refers to a specific
structure, mostly utilised in the first movements of sonatas. The aim
of this study is – besides explaining these terms – to analyse the piano sonatas
by Frédéric Chopin, who composed primarily for this instrument,
and to underline their value in the music literature.

References

  • Badura-Skoda, Eva (2004). “Nineteenth-Century Piano Music (Second Edition)” içindeki “The Piano Works of Schubert” makalesi. Todd, Larry R. (ed.). New York, NY: Routledge. ISBN: 0415968909.
  • Beck, Lukas (2017). “Chopin’s Wildest Children: The Piano Sonatas”. “Chopin: Complete Piano Sonatas Nos. 1 – 3; Wolfram Schmitt-Leonardy, piano” adlı CD kaydı içindeki kitapçık notu. Brilliant Classics LC 09421.
  • Berger, Melvin (1991). Guide to Sonatas: Music for One or Two Instruments (First Anchor Books Edition). New York: Anchor Books, Doubleday. ISBN: 0-385-41302-5.
  • Caplin, William E. (2013). Analysing Classical Form: An Approach for the Classroom. New York, NY: Oxford University Press. ISBN: 978-0-19-974718-4.
  • Dietel, Gerhard (ed.) (2000). Wörterbuch Musik. München: Deutscher Taschenbuch Verlag GmbH & Co. KG. ISBN: 3-423-32519-4.
  • Dorner, Leo (2005). Das Philosophon: Essays zur Musik. Würzburg: Verlag Königshausen & Neumann GmbH. ISBN: 3-8260-3070-2.
  • Dömling, Wolfgang (2011). Franz Liszt. München: Verlag C.H.Beck oHG. ISBN: 978 3 406 61195 7.
  • Drăgulin, S.; Popa, L. (2012). “Crystallization of the Sonata Form in Frederic Chopin’s Vision”. Bulletin of the Transilvania University of Braşov, Series VIII: Art • Sport • Vol. 5 (54) No. 2, 53-66.
  • Einstein, Alfred (1996). A Short History of Music (Third American Edition, Fully Revised). New York: Barnes & Noble, Inc. by arrangement with Alfred A. Knopf, Inc. ISBN: 0-8829-097-8.
  • Esser, Brigitte; Möller, Christian; Stübler, Klaus (ed.) (2008). Harenberg Kulturführer Klaviermusik – Dritte völlig neu bearbeitete Auflage. Mannheim: MEYERS LEXIKONVERLAG. ISBN: 978-3-411-07 103-6.
  • Finck, Henry T. (1889). Chopin and Other Musical Essays. New York: Charles Scribner’s Sons.
  • Gorlinski, Virginia (2012). “Encyclopædia Britannica” içindeki “Idée fixe” maddesi. https://www.britannica.com/art/idee-fixe (Erişim Tarihi 17.09.2019).

Chopin’in Piyano Sonatları

Year 2020, Volume: 3 Issue: 1, 105 - 125, 30.06.2020

Abstract

Klasik müziğin tarihsel gelişimi içinde önemli ve belirleyici bir rol oynayan
‘sonat’ terimi, Barok dönemden bu yana önde gelen tüm bestecilerin eser
verdiği bir türü ifade etmektedir. Daha spesifik bir anlam içeren ‘sonat allegro’
ise, çoğunlukla sonat türündeki eserlerin ilk bölümlerinde kullanılan
formun adıdır. Bu çalışmada, bu kavramların açıklamalarını sunmanın yanında,
piyano özelinde akla gelen ilk bestecilerden biri olan Frédéric Chopin’in
bu enstrüman için yazdığı sonatların incelenmesi ve bu eserlerin müzik
literatüründeki değerlerinin vurgulanması amaçlanmıştır.

References

  • Badura-Skoda, Eva (2004). “Nineteenth-Century Piano Music (Second Edition)” içindeki “The Piano Works of Schubert” makalesi. Todd, Larry R. (ed.). New York, NY: Routledge. ISBN: 0415968909.
  • Beck, Lukas (2017). “Chopin’s Wildest Children: The Piano Sonatas”. “Chopin: Complete Piano Sonatas Nos. 1 – 3; Wolfram Schmitt-Leonardy, piano” adlı CD kaydı içindeki kitapçık notu. Brilliant Classics LC 09421.
  • Berger, Melvin (1991). Guide to Sonatas: Music for One or Two Instruments (First Anchor Books Edition). New York: Anchor Books, Doubleday. ISBN: 0-385-41302-5.
  • Caplin, William E. (2013). Analysing Classical Form: An Approach for the Classroom. New York, NY: Oxford University Press. ISBN: 978-0-19-974718-4.
  • Dietel, Gerhard (ed.) (2000). Wörterbuch Musik. München: Deutscher Taschenbuch Verlag GmbH & Co. KG. ISBN: 3-423-32519-4.
  • Dorner, Leo (2005). Das Philosophon: Essays zur Musik. Würzburg: Verlag Königshausen & Neumann GmbH. ISBN: 3-8260-3070-2.
  • Dömling, Wolfgang (2011). Franz Liszt. München: Verlag C.H.Beck oHG. ISBN: 978 3 406 61195 7.
  • Drăgulin, S.; Popa, L. (2012). “Crystallization of the Sonata Form in Frederic Chopin’s Vision”. Bulletin of the Transilvania University of Braşov, Series VIII: Art • Sport • Vol. 5 (54) No. 2, 53-66.
  • Einstein, Alfred (1996). A Short History of Music (Third American Edition, Fully Revised). New York: Barnes & Noble, Inc. by arrangement with Alfred A. Knopf, Inc. ISBN: 0-8829-097-8.
  • Esser, Brigitte; Möller, Christian; Stübler, Klaus (ed.) (2008). Harenberg Kulturführer Klaviermusik – Dritte völlig neu bearbeitete Auflage. Mannheim: MEYERS LEXIKONVERLAG. ISBN: 978-3-411-07 103-6.
  • Finck, Henry T. (1889). Chopin and Other Musical Essays. New York: Charles Scribner’s Sons.
  • Gorlinski, Virginia (2012). “Encyclopædia Britannica” içindeki “Idée fixe” maddesi. https://www.britannica.com/art/idee-fixe (Erişim Tarihi 17.09.2019).
There are 12 citations in total.

Details

Primary Language Turkish
Subjects Music
Journal Section SERBEST TEMALAR
Authors

Emre Elivar

Publication Date June 30, 2020
Submission Date May 25, 2020
Published in Issue Year 2020 Volume: 3 Issue: 1

Cite

APA Elivar, E. (2020). Chopin’in Piyano Sonatları. Etnomüzikoloji Dergisi, 3(1), 105-125.