Tragedy has been studied and reworked by theorists from ancient Greece through
Renaissance and into the modern age. Hans Thies Lehmann examines task of
tragedy in his last work Tragedy and Dramatic Theatre (2016). In his detailed
study, Lehmann classifies periods of tragedy such as predramatic, pure dramatic and
postdramatic. In the beginning of twenty first century dramatic and postdramatic
tragedies have been placed with the plays of Sarah Kane, Mark Ravenhill, and
Simon Stephens. Simon Stephens’s play Motortown (2006), written over four
days, represents signs of dramatic and postdramatic tragedies. The play consists
of eight scenes which have structural order with each other; however Simon
Stephens, choosing monologues, deconstructs hierarchical structure and diverges
from the dramatic text. Stage structure of the performance is deconstructed by the
explanation at the beginning of the play: “the play should be performed as far as
possible without decor”. At this point, Motortown puts forth a new approach to
tragedy in dramatic theatre, which conventionally depicts overt physical acts and
suffering on stage, and in postdramatic theatre which unconventionally depicts
overt non-hierarchical structure and irruption of the real. This paper considers how traits of dramatic and postdramatic theatre are determined and how aspects
of dramatic and postdramatic tragedy are experienced in Simon Stephens’s
contemporary performance.
Primary Language | English |
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Subjects | Creative Arts and Writing |
Journal Section | Articles |
Authors | |
Publication Date | August 1, 2019 |
Published in Issue | Year 2019 Volume: 25 Issue: 99 |
Journal website: https://folkloredebiyat.org
The journal’s publication languages are both English and Turkish. Also despite articles in Turkish, the title, abstract, and keywords are also in English. Turkish articles approved by the reviewers are required to submit an extended summary (750-1000 words) in English.
The journal is indexed by TR-Dizin, Web of Science (ESCI), DOAJ, and many other indexes and datebases.
Within the scope of TR DIZIN 2020 Ethical Criteria and as of the year 2020, studies requiring ethics committee approval must indicate Ethics Committee Approval details (committe-date-issue) in the article’s methods section. With this in mind, we request from our author candidates to edit their article accordingly before sending it to the journal.
Field EdItors
Folklore:
Prof.Dr. Hande Birkalan-Gedik
(Frankfurt University- birkalan-gedik@em.uni.frankfurt.de)
Prof. Dr. Arzu Öztürkmen
(Bosphorus University- ozturkme@boun.edu.tr)
Edebiyat-Literature
Prof. Dr. G. Gonca Gökalp Alpaslan (Hacettepe University - ggonca@
hacettepe.edu.tr)
Prof. Dr. Ramazan Korkmaz
(President, Caucasus University Association- r_korkmaz@hotmail.com)
Antropoloji-Anthropology
Prof. Dr. Akile Gürsoy
(Beykent University - gursoyakile@gmail.com)
Prof.Dr. Serpil Aygün Cengiz
(Ankara University - serpilayguncengiz@gmail.com)
Dil-Dilbilim/Linguistics
Prof.Dr. Aysu Erden
(Maltepe University - aysuerden777@gmail.com)
Prof. Dr. V. Doğan Günay
(Dokuz Eylul University- dogan.gunay@deu.edu.tr)