Araştırma Makalesi
BibTex RIS Kaynak Göster

Tying Memories into a Pattern: William Golding’s Free Fall as Autobiografiction and Trauma Narrative

Yıl 2022, Cilt: 28 Sayı: 109, 155 - 168, 01.02.2022
https://doi.org/10.22559/folklor.1966

Öz

William Golding’s Free Fall depicts the narrator/character Samuel Montjoy’s retrospective interrogation of his past in his “non-chronological” autobiography to understand his present self. His first-person narration is a journey into his memories presented according to their importance for him at different stages of his life (the narrated self) and shows the role of memory in shaping the present self (the narrating self). The narrator regulates his memories to conceive a coherent pattern in his autobiographical account which will also give meaning to his life and help construct a unified identity. However, he adopts a structure that has to rely on his remembering/forgetting, which problematizes the idea of constructing the self through unreliable memory. With this quality of the novel as an early example of a fiction of memory, Golding’s text is inventive and looks forward to contemporary narrative approaches to autobiographical writing. The aim of this study is to analyse Golding’s work as autobiografiction and trauma narrative where the text presents an account of the protagonist’s attempt for reconstructing the self through memories subject to his modifications and offers the therapeutic use of his self-narration.

Kaynakça

  • Aktari-Sevgi, S. (2021). Unweaving the shroud of mourning: Don DeLillo’s The Body Artist. Çankaya University Journal of Humanities and Social Sciences, 15.1: 163-174.
  • Barnes, J. (2011). The sense of an ending. London: Vintage.
  • Boyd, S. J. (1990). The novels of William Golding. London: The Harvester Press.
  • Caruth, C. (1996). Unclaimed experience: Trauma, narrative, and history. Baltimore: Johns Hopkins University Press.
  • Eagleton, T. (1990). Marxist criticism. In Dennis Walder (Ed.), Literature in the modern world: Critical essays and documents (pp. 207-215). Oxford: Oxford University Press.
  • Fernyhough, C. (2012). Pieces of light. London: Profile Books.
  • Friedman, S. L. (1993). William Golding. New York: Continuum.
  • Golding, W. (1961). Free Fall. London-Boston: Faber and Faber.
  • Golding, W. (1970). The Hot Gates. London: Faber and Faber.
  • Johnson, B. R. (1988). Golding’s first argument: Theme and structure in Free Fall. In James R. Baker (Ed.), Critical essays on William Golding (pp. 61-73). Massachusetts: G. K. Hall & Co.
  • Kermode, F. (1985). Golding’s intellectual economy. In Norman Page (Ed.), William Golding: Novels, 1954-67 (pp.50-66). London: Macmillan.
  • King, N. (2000). Memory, narrative, identity: Remembering the self. Edinburgh: Edinburgh University Press.
  • Kumbaroglu, A. B. (2021). The absurd quest of Sammy Mountjoy in the implied William Golding’s Free Fall. Academic Perspective, 1(1): 71-102.
  • McAdams, D. P. (1993). The stories we live by: Personal myths and the making of the self. New York: Guilford Press.
  • Monod, S. (1985). Golding’s view of the human condition in Free Fall. In Norman Page (Ed.), William Golding: Novels, 1954-67 (pp. 133-145). London: Macmillan.
  • Page, N. (1985). William Golding: Novels, 1954-67. London: Macmillan.
  • Pamuk, Ç. A. (2020). The sense of an ending as the story of aging. Çankaya University Journal of Humanities and Social Sciences, 14.2: 229-239.
  • Raine, C. (1986). Belly without blemish: Golding’s sources. In John Carey (Ed.), William Golding the man and his books: A tribute on his 75th birthday (pp. 101-109). London: Faber and Faber.
  • Redpath, P. (1986). William Golding: A structural reading of his fiction. London: Barnes & Noble.
  • Rooke, C. (1992). Old age in contemporary fiction: A new paradigm of hope. In Thomas R. Cole, David D. Van Tassel, Robert Kastenbaum (Ed.), Handbook of the humanities and aging (pp. 241-257). New York: Springer Publishing Company.
  • Sweatt, J. D. (2010). Mechanisms of memory. New York: Academic Press.
  • Whitley, J. S. (1988). “Furor Scribendi”: Writing about writing in the later novels of William Golding. In James R. Baker (Ed.), Critical essays on William Golding (pp. 176-195). Massachusetts: G. K. Hall & Co.

William Golding’in Serbest Düşüş Romanının Kurgusal Otobiyografi ve Travma Anlatısı Olarak İncelemesi

Yıl 2022, Cilt: 28 Sayı: 109, 155 - 168, 01.02.2022
https://doi.org/10.22559/folklor.1966

Öz

William Golding’s 1959 Free Fall depicts the narrator/character Samuel Montjoy’s
retrospective interrogation of his past in his “non-chronological” autobiography
to understand his present self. His first-person narration is a journey into his
memories presented according to their importance for him at different stages of
his life (the narrated self) and shows the role of memory in shaping the present self
(the narrating self). The narrator regulates his memories to conceive a coherent
pattern in his autobiographical account which will also give meaning to his life
and help construct a unified identity. However, he adopts a structure that has to
rely on his remembering/forgetting, which problematizes the idea of constructing
the self through unreliable memory. With this quality of the novel as an early

example of the “fiction of memory,” Golding’s text is inventive and looks forward
to contemporary narrative approaches to autobiographical writing. Free Fall has
been widely studied as an existentialist novel due to the novelist’s questioning
the concepts of freedom to choose and fall through the protagonist’s quest for
self-knowledge. However, the aim of this study is to analyse Golding’s work as
autobiografiction and trauma narrative where the text presents an account of the
protagonist’s attempt for reconstructing the self through memories subject to his
modifications and offers the therapeutic use of his self-narration.

Kaynakça

  • Aktari-Sevgi, S. (2021). Unweaving the shroud of mourning: Don DeLillo’s The Body Artist. Çankaya University Journal of Humanities and Social Sciences, 15.1: 163-174.
  • Barnes, J. (2011). The sense of an ending. London: Vintage.
  • Boyd, S. J. (1990). The novels of William Golding. London: The Harvester Press.
  • Caruth, C. (1996). Unclaimed experience: Trauma, narrative, and history. Baltimore: Johns Hopkins University Press.
  • Eagleton, T. (1990). Marxist criticism. In Dennis Walder (Ed.), Literature in the modern world: Critical essays and documents (pp. 207-215). Oxford: Oxford University Press.
  • Fernyhough, C. (2012). Pieces of light. London: Profile Books.
  • Friedman, S. L. (1993). William Golding. New York: Continuum.
  • Golding, W. (1961). Free Fall. London-Boston: Faber and Faber.
  • Golding, W. (1970). The Hot Gates. London: Faber and Faber.
  • Johnson, B. R. (1988). Golding’s first argument: Theme and structure in Free Fall. In James R. Baker (Ed.), Critical essays on William Golding (pp. 61-73). Massachusetts: G. K. Hall & Co.
  • Kermode, F. (1985). Golding’s intellectual economy. In Norman Page (Ed.), William Golding: Novels, 1954-67 (pp.50-66). London: Macmillan.
  • King, N. (2000). Memory, narrative, identity: Remembering the self. Edinburgh: Edinburgh University Press.
  • Kumbaroglu, A. B. (2021). The absurd quest of Sammy Mountjoy in the implied William Golding’s Free Fall. Academic Perspective, 1(1): 71-102.
  • McAdams, D. P. (1993). The stories we live by: Personal myths and the making of the self. New York: Guilford Press.
  • Monod, S. (1985). Golding’s view of the human condition in Free Fall. In Norman Page (Ed.), William Golding: Novels, 1954-67 (pp. 133-145). London: Macmillan.
  • Page, N. (1985). William Golding: Novels, 1954-67. London: Macmillan.
  • Pamuk, Ç. A. (2020). The sense of an ending as the story of aging. Çankaya University Journal of Humanities and Social Sciences, 14.2: 229-239.
  • Raine, C. (1986). Belly without blemish: Golding’s sources. In John Carey (Ed.), William Golding the man and his books: A tribute on his 75th birthday (pp. 101-109). London: Faber and Faber.
  • Redpath, P. (1986). William Golding: A structural reading of his fiction. London: Barnes & Noble.
  • Rooke, C. (1992). Old age in contemporary fiction: A new paradigm of hope. In Thomas R. Cole, David D. Van Tassel, Robert Kastenbaum (Ed.), Handbook of the humanities and aging (pp. 241-257). New York: Springer Publishing Company.
  • Sweatt, J. D. (2010). Mechanisms of memory. New York: Academic Press.
  • Whitley, J. S. (1988). “Furor Scribendi”: Writing about writing in the later novels of William Golding. In James R. Baker (Ed.), Critical essays on William Golding (pp. 176-195). Massachusetts: G. K. Hall & Co.
Toplam 22 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Sanat ve Edebiyat
Bölüm Araştırma Makaleleri - Research Articles
Yazarlar

Mustafa Kırca 0000-0003-1437-4567

Yayımlanma Tarihi 1 Şubat 2022
Yayımlandığı Sayı Yıl 2022 Cilt: 28 Sayı: 109

Kaynak Göster

APA Kırca, M. (2022). Tying Memories into a Pattern: William Golding’s Free Fall as Autobiografiction and Trauma Narrative. Folklor/Edebiyat, 28(109), 155-168. https://doi.org/10.22559/folklor.1966

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Alan Editörleri/ Field Editörs

Halkbilimi/Folklore
Prof.Dr. Hande Birkalan-Gedik (JohannWolfgang-Goethe İniversitet-birkalan-gedik@m.uni-frankfurt.de)
Prof.Dr. Ali Yakıcı (Gazi Üniversitesi-yakici@gazi.edu.tr)
Prof.Dr. Aynur Koçak (Yıldız Teknik Üniversitesi-nurkocak@yildiz.edu.tr)
Prof.Dr. Işıl Altun ( (Regensburg Üniversitesi/Kocaeli Üniversitesi-İsil.Altun@zsk.uni-regensburg.de)
Edebiyat/Literature
Prof.Dr. Abdullah Uçman (Mimar Sinan Güzel Sanatlar Üniversitesi -emekli-29 MayısÜniversitesi-abdullahucman@29mayis.edu.tr
Prof. Dr. Ramazan Korkmaz (Ardahan Üniversitesi-emekli-Kafkasya Üniversiteler Birliği -KÜNİB-r_korkmaz@hotmail.com)
Prof.Dr. Emel Kefeli (Marmara Üniversitesi-emekli-İstanbul 29 Mayıs Üniversitesi-ayseemelkefeli @gmail.com)
Antropoloji/Anthropology
Prof.Dr. Hanife Aliefendioğlu (Doğu Akdeniz Üniversitesi-hanife.aliefendioglu@emu.edu.tr)
Prof. Dr. Şebnem Pala Güzel (Başkent Üniversitesi-sebnempa@baskent.edu.tr)
Prof.Dr. Derya Atamtürk Duyar (İstanbul Üniversitesi-datamturk@istanbul.edu.tr)
Prof.Dr. Meryem Bulut (Ankara Üniversitesi-meryem.bulut@gmail.com)
Dil-Dilbilim/Language-Linguistics
Prof.Dr. Nurettin Demir (Hacettepe Üniversitesi-demir@hacettepe.edu.tr)
Prof. Dr. Aysu Erden (Maltepe Üniversitesi-aysuerden777@gmail.com)
Prof.Dr. Sema Aslan Demir (Hacettepe Üniversitesi-semaaslan@hacettepe.edu.tr)