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Interpretation of Multiple Personality Perception in Women through the Cinematic Universe

Year 2024, , 199 - 210, 08.07.2024
https://doi.org/10.26650/Filmvisio.2024.0010

Abstract

Daldry, S. (Director). (2002). The Hours [Film]. Miramax Films, Scott Rudin Productions.

References

  • Brown, B. (2011). Cinematography: Theory and practice image making for cinematographers and directors. Routledge. google scholar
  • Cavarero, A. (2000). Relating narratives: Storytelling and selfhood. Routledge. google scholar
  • Cianconi, V. (2009). Hour’s end: A quest towards death in Michael Cunningham’s The Hours. Memento, 1(1), 32-38. google scholar
  • Cunningham, M. (1998). The Hours. Farrar, Straus and Giroux. google scholar
  • Daldry, S. (Director). (2002). The Hours [Film]. United States: Paramount Pictures. Netflix, https://www.netflix. com/tr-en/title/60025007 google scholar
  • Doane, M. A. (1982). Film and the masquerade: Theorising the female spectator. Screen, 23(3-4), 74-88. https:// doi.org/10.1093/screen/23.3-4.74 google scholar
  • Grosz, E. (1994). Volatile bodies toward a corporeal feminism. Indiana University Press. google scholar
  • Hughes, M. J. (2004). Michael Cunningham’s The Hours and postmodern artistic re-presentation. Critique: Studies in Contemporary Fiction, 45(4), 349-361. https://doi.org/10.3200/CRIT.45.4.349-361 google scholar
  • Hunter. (2015, July 2). The Hours. The Soul of the Plot. https://thesouloftheplot.wordpress.com/2015/05/18/the-hours/ google scholar
  • Irigaray, L. (1974/1985). Speculum of the other woman. Cornell University Press. google scholar
  • Kinney, M. E. (2006). Linda Hutcheon’s a theory of adaptation, by Linda Hutcheon. Critical Voices: The University of google scholar
  • Guelph Book Review Project, Fall 2013, 7-15. google scholar
  • Mekas, J. (2016). Movie journal: The rise of the new American cinema 1959-1971. Columbia University Press. google scholar
  • Pisters, P. (2003). The matrix of visual culture: Working with Deleuze in film theory. Stanford University Press. google scholar
  • Rich, A. (1972). When we dead awaken: Writing as revision. College English, 34(1), Women, Writing and Teaching (Oct., 1972), 18-30. https://doi.org/10.2307/375215 google scholar

Sinematik Evren Aracılığıyla Kadınlarda Çoklu Kişilik Algısının Yorumu

Year 2024, , 199 - 210, 08.07.2024
https://doi.org/10.26650/Filmvisio.2024.0010

Abstract

Daldry, S. (Director). (2002). The Hours [Film]. Miramax Films, Scott Rudin Productions.

References

  • Brown, B. (2011). Cinematography: Theory and practice image making for cinematographers and directors. Routledge. google scholar
  • Cavarero, A. (2000). Relating narratives: Storytelling and selfhood. Routledge. google scholar
  • Cianconi, V. (2009). Hour’s end: A quest towards death in Michael Cunningham’s The Hours. Memento, 1(1), 32-38. google scholar
  • Cunningham, M. (1998). The Hours. Farrar, Straus and Giroux. google scholar
  • Daldry, S. (Director). (2002). The Hours [Film]. United States: Paramount Pictures. Netflix, https://www.netflix. com/tr-en/title/60025007 google scholar
  • Doane, M. A. (1982). Film and the masquerade: Theorising the female spectator. Screen, 23(3-4), 74-88. https:// doi.org/10.1093/screen/23.3-4.74 google scholar
  • Grosz, E. (1994). Volatile bodies toward a corporeal feminism. Indiana University Press. google scholar
  • Hughes, M. J. (2004). Michael Cunningham’s The Hours and postmodern artistic re-presentation. Critique: Studies in Contemporary Fiction, 45(4), 349-361. https://doi.org/10.3200/CRIT.45.4.349-361 google scholar
  • Hunter. (2015, July 2). The Hours. The Soul of the Plot. https://thesouloftheplot.wordpress.com/2015/05/18/the-hours/ google scholar
  • Irigaray, L. (1974/1985). Speculum of the other woman. Cornell University Press. google scholar
  • Kinney, M. E. (2006). Linda Hutcheon’s a theory of adaptation, by Linda Hutcheon. Critical Voices: The University of google scholar
  • Guelph Book Review Project, Fall 2013, 7-15. google scholar
  • Mekas, J. (2016). Movie journal: The rise of the new American cinema 1959-1971. Columbia University Press. google scholar
  • Pisters, P. (2003). The matrix of visual culture: Working with Deleuze in film theory. Stanford University Press. google scholar
  • Rich, A. (1972). When we dead awaken: Writing as revision. College English, 34(1), Women, Writing and Teaching (Oct., 1972), 18-30. https://doi.org/10.2307/375215 google scholar
There are 15 citations in total.

Details

Primary Language English
Subjects Communication and Media Studies (Other)
Journal Section Film İncelemesi
Authors

Tuba Meltem Pekol 0000-0003-1449-5959

Publication Date July 8, 2024
Submission Date May 1, 2024
Acceptance Date June 14, 2024
Published in Issue Year 2024

Cite

APA Pekol, T. M. (2024). Interpretation of Multiple Personality Perception in Women through the Cinematic Universe. Filmvisio(3), 199-210. https://doi.org/10.26650/Filmvisio.2024.0010