Interpretation of Multiple Personality Perception in Women through the Cinematic Universe

Yıl 2024, , 199 - 210, 08.07.2024

Tuba Meltem Pekol

https://doi.org/10.26650/Filmvisio.2024.0010

Öz

Daldry, S. (Director). (2002). The Hours [Film]. Miramax Films, Scott Rudin Productions.

Anahtar Kelimeler

Cinematic, Women, Multiple Personality

Sinematik Evren Aracılığıyla Kadınlarda Çoklu Kişilik Algısının Yorumu

Öz

Daldry, S. (Director). (2002). The Hours [Film]. Miramax Films, Scott Rudin Productions.

Anahtar Kelimeler

Sinematik, Kadın, Çoklu Kişilik

Kaynakça

• Brown, B. (2011). Cinematography: Theory and practice image making for cinematographers and directors. Routledge. google scholar
• Cavarero, A. (2000). Relating narratives: Storytelling and selfhood. Routledge. google scholar
• Cianconi, V. (2009). Hour’s end: A quest towards death in Michael Cunningham’s The Hours. Memento, 1(1), 32-38. google scholar
• Cunningham, M. (1998). The Hours. Farrar, Straus and Giroux. google scholar
• Daldry, S. (Director). (2002). The Hours [Film]. United States: Paramount Pictures. Netflix, https://www.netflix. com/tr-en/title/60025007 google scholar
• Doane, M. A. (1982). Film and the masquerade: Theorising the female spectator. Screen, 23(3-4), 74-88. https:// doi.org/10.1093/screen/23.3-4.74 google scholar
• Grosz, E. (1994). Volatile bodies toward a corporeal feminism. Indiana University Press. google scholar
• Hughes, M. J. (2004). Michael Cunningham’s The Hours and postmodern artistic re-presentation. Critique: Studies in Contemporary Fiction, 45(4), 349-361. https://doi.org/10.3200/CRIT.45.4.349-361 google scholar
• Hunter. (2015, July 2). The Hours. The Soul of the Plot. https://thesouloftheplot.wordpress.com/2015/05/18/the-hours/ google scholar
• Irigaray, L. (1974/1985). Speculum of the other woman. Cornell University Press. google scholar
• Kinney, M. E. (2006). Linda Hutcheon’s a theory of adaptation, by Linda Hutcheon. Critical Voices: The University of google scholar
• Guelph Book Review Project, Fall 2013, 7-15. google scholar
• Mekas, J. (2016). Movie journal: The rise of the new American cinema 1959-1971. Columbia University Press. google scholar
• Pisters, P. (2003). The matrix of visual culture: Working with Deleuze in film theory. Stanford University Press. google scholar
• Rich, A. (1972). When we dead awaken: Writing as revision. College English, 34(1), Women, Writing and Teaching (Oct., 1972), 18-30. https://doi.org/10.2307/375215 google scholar