Research Article
The Reflections of American Dream and Postmodern Consumerism: Mark Ravenhill’s Shopping and F***ing and Faust Is Dead
Abstract
This study aims to focus on Mark Ravenhill’s some significant plays in which the concept of American dream and contemporary consumerist culture are seen. Ravenhill puts forward the perception of American dream and consumerism by emphasizing the dissatisfaction of contemporary postmodern milieu. In his plays, Ravenhill refers to the concept of American dream that enables to establish a bound between much more consumerism and opportunities that it served. Therefore, this study tries to put forward how American dream and contemporary society is mirrored within the current theatre perspective.
References
- BOLES, William (1999). “Violence at the Royal Court, Martin McDonagh’s The Beauty Queen of Leenare and Mark Ravenhill’s Shopping and F***ing” Theatre and Violence, 1999: 125-135.
- DE BUCK, Gerty (2009). Homosexuality and Contemporary Society in Mark Ravenhill’s Works, Master Thesis Ghent University, Ghent, (Unpublished Master Thesis).
- DOGAN, Çağlayan (2016). “The Changing Perception of Contemporary British Theatre Aesthetic and Mark Ravenhill,” Mavi Atlas, (7): 113-128. DOI:10.18795/ma.70519.
- INNES, Cristopher (1992). Modern British Drama: 1890-1990, Cambridge, Cambridge University Press.
- JAMESON, Frederic (1998). The cultural Turn: Selected Writings on the Postmodern, London: Verso, 1983-1998: 41-49.
- MONFORTE, Enric (2007). Mark Ravenhill”in British Theatre of the 1990s, Ed. Mireia Aragay, Hildegard Klein, Enric Monforte, Pilar Zozoya, New York: Palgrave Macmillan.
- Oxford English Dictionary. (http://en.oxforddictionaries.com/definition/us/american_dream).
- RAVENHILL, Mark (2001). Plays 1: Shopping and F***ing, Faust is Dead, Handbag, Some Explicit Polaroids, London: Methuen Drama.
- RAVENHILL, Mark (2006). “The Beauty of Brutality, in The Guardian,” available online, http://www.guardian.co.uk/stage/2006/oct/28/theatre.stage/print, London.
- SIERZ, Aleks (2001). In-yer-face Theatre: British Drama Today, London: Faber and Faber.
- THIJS, Goethals (2010). “A Comparative Study on Mark Ravenhill’s Shopping and F***ing and John Osborne’s Look Back in Anger,” Ghent University, Ghent. (Unpublished Master Thesis).
- URBAN, Ken (2007). “Cruel Britannia,” in Cool Britannia: British Political Drama in the 1990s, Eds. Graham Saunders and Rebecca D’Monte, London: Palgrave.
- WADE, Leslie A. (1999). Postmodern Violence and Human Solidarity: Sex and Forks in Shopping and F***ing, Theatre and Violence, 7: 109-115.
- WALLACE, Clare (2005). Responsibility and Postmodernity: Mark Ravenhill and 1990s British Drama, Universitas Masarykiana, in Proceedings from the Eight Conference of British, American and Canadian Studies, Theory and Practice in English 4.
Postmodern Tüketim ve Amerikan Rüyasının Yansımaları: Mark Ravenhill’in Shopping and F***ing ve Faust Is Dead Adlı Oyunları
Abstract
Bu çalışma bazı önemli eserlerinde Amerikan rüyası ve
çağdaş tüketim kültürünün görüldüğü Mark Ravenhill’in ilgili oyunları üzerine
odaklanmayı amaçlar. Ravenhill tüketim algısını çağdaş postmodern ortamın
doyumsuzluğuna vurgu yaparak anlatır. Amerikan rüyası algısı sunduğu imkanlara
ve daha fazla tüketim ile doğrudan bir bağ kurulmasına olanak tanıdığı için
Ravenhill tarafından kullanılıyor. Bu nedenle bu çalışmada Amerikan rüyası
algısının ve çağdaş toplumun yeni tiyatro perspektifinden nasıl göründüğü
ortaya çıkarılmaya çalışılacaktır.
References
- BOLES, William (1999). “Violence at the Royal Court, Martin McDonagh’s The Beauty Queen of Leenare and Mark Ravenhill’s Shopping and F***ing” Theatre and Violence, 1999: 125-135.
- DE BUCK, Gerty (2009). Homosexuality and Contemporary Society in Mark Ravenhill’s Works, Master Thesis Ghent University, Ghent, (Unpublished Master Thesis).
- DOGAN, Çağlayan (2016). “The Changing Perception of Contemporary British Theatre Aesthetic and Mark Ravenhill,” Mavi Atlas, (7): 113-128. DOI:10.18795/ma.70519.
- INNES, Cristopher (1992). Modern British Drama: 1890-1990, Cambridge, Cambridge University Press.
- JAMESON, Frederic (1998). The cultural Turn: Selected Writings on the Postmodern, London: Verso, 1983-1998: 41-49.
- MONFORTE, Enric (2007). Mark Ravenhill”in British Theatre of the 1990s, Ed. Mireia Aragay, Hildegard Klein, Enric Monforte, Pilar Zozoya, New York: Palgrave Macmillan.
- Oxford English Dictionary. (http://en.oxforddictionaries.com/definition/us/american_dream).
- RAVENHILL, Mark (2001). Plays 1: Shopping and F***ing, Faust is Dead, Handbag, Some Explicit Polaroids, London: Methuen Drama.
- RAVENHILL, Mark (2006). “The Beauty of Brutality, in The Guardian,” available online, http://www.guardian.co.uk/stage/2006/oct/28/theatre.stage/print, London.
- SIERZ, Aleks (2001). In-yer-face Theatre: British Drama Today, London: Faber and Faber.
- THIJS, Goethals (2010). “A Comparative Study on Mark Ravenhill’s Shopping and F***ing and John Osborne’s Look Back in Anger,” Ghent University, Ghent. (Unpublished Master Thesis).
- URBAN, Ken (2007). “Cruel Britannia,” in Cool Britannia: British Political Drama in the 1990s, Eds. Graham Saunders and Rebecca D’Monte, London: Palgrave.
- WADE, Leslie A. (1999). Postmodern Violence and Human Solidarity: Sex and Forks in Shopping and F***ing, Theatre and Violence, 7: 109-115.
- WALLACE, Clare (2005). Responsibility and Postmodernity: Mark Ravenhill and 1990s British Drama, Universitas Masarykiana, in Proceedings from the Eight Conference of British, American and Canadian Studies, Theory and Practice in English 4.
There are 14 citations in total.
Details
| Journal Section | Research Article |
|---|---|
| Authors | |
| Publication Date | November 30, 2017 |
| Submission Date | November 25, 2017 |
| Published in Issue | Year 2017 Volume: 5 Issue: 2 |
e-ISSN: 2148-5232