Book Review

Heterotopia, and the Subjectivity of Space in Jo Nesbo’s Macbeth

Number: 1 June 30, 2026
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Heterotopia, and the Subjectivity of Space in Jo Nesbo’s Macbeth

Abstract

This article offers a spatial analysis of Jo Nesbø’s Macbeth, a contemporary adaptation of Macbeth by William Shakespeare. Overall, this article holds the belief that space in the novel plays a pivotal role, and a scrutinized analysis on the elements of space is believed to reveal the complete meaning of the novel. Focusing on the research question of how spatial settings in Nesbø’s Macbeth impact character growth and the tension of the novel between power, utopia, and dystopia, this article applies a qualitative close reading built upon the analytical framework of Michel Foucault’s concept of “heterotopia”, supplemented by the theoretical perspectives of Gilles Deleuze and Felix Guattari based on “deterritorialization” and “reterritorialization”. To this end, considering the concrete elements which constitute the concept of space, public buildings in the novel, Inverness Casino and Obelisk Casino are to be comparatively analyzed within the scope of “heterotopia theory” by Michel Foucault. As it is to be discussed, Foucault presents various classifications of “heterotopia”, and each type is to be connected to certain characters so as to present the function of the casinos as the heterotopic spaces. Following this, the concept of binary opposition of “utopia” and “dystopia” will be applied in surfacing the relationship between the space and the characters in the novel. In this way, the second part of this article is to highlight the “subjectivity of space”, since the characters with their different means and ends are the sole differentiators in designating a space as “utopia” or “dystopia”. For this reason, the imaginary post-industrial Fife in relation to Macbeth, Banquo, Hecate and Lady (Lady Macbeth in the original play) is to be evaluated. As a final remark, the spatial theories of “deterritorialization” and “reterritorialization” by Deleuze and Guattari are to be used by focusing on Kenneth, Duncan and Bertha in relation to the constant interchange between “utopia” and “dystopia”. This research enhances current academic discourse by illustrating that space serves as the central means for conveying power structures, the shaping of identity, and ethical dilemmas within Nesbø’s adaptation of Macbeth.

Keywords

References

  1. Deleuze, Gilles, and Felix Guattari. Anti-Oedipus: Capitalism and Schizophrenia. Trans. Rubert Hurley, Mark Seem, and Helen R. Lane. Minneapolis: University of Minnesota Press, 1983. Print.
  2. Eliot, T.S. “Hamlet and His Problems.” The Sacred Wood and Major Early Essays. Mineola, NY: Dover Publications, 1997. 95-103. Print.
  3. Foucault, Michel. “Of Other Spaces.” The Visual Culture Reader. Ed. Nicholas Mirzoeff. 2nd ed. London: Routledge, 2002. 229-237. Print.
  4. Lanier, Douglas M. “The Hogarth Shakespeare Series: Redeeming Shakespeare’s Literariness”. Shakespeare and Millennial Fiction. Ed. Andrew James Hartley. Cambridge: Cambridge University Press, 2018. 230-50. Print.
  5. Nesbø, Jo. Macbeth. Random House LLC, 2018. Print Philips, John. “Agencement/Assemblage.” Theory, Culture & Society 23.2-3 (2006): 108-109. Print.
  6. Porter, Robert. Deleuze and Guattari: Aesthetics and Politics. Cardiff: University of Wales Press, 2009. Print.
  7. Ronen, Ruth. “Space in Fiction”. Poetics Today 7.3 (1986): 421-438. Print.

Details

Primary Language

English

Subjects

British and Irish Language, Literature and Culture

Journal Section

Book Review

Publication Date

June 30, 2026

Submission Date

April 30, 2026

Acceptance Date

June 23, 2026

Published in Issue

Year 2026 Number: 1

APA
Demirtaş, A. O. (2026). Heterotopia, and the Subjectivity of Space in Jo Nesbo’s Macbeth. Harran Üniversitesi Sosyal Bilimler Dergisi, 1, 32-44. https://izlik.org/JA23JT53WP
AMA
1.Demirtaş AO. Heterotopia, and the Subjectivity of Space in Jo Nesbo’s Macbeth. Harran Üniversitesi Sosyal Bilimler Dergisi. 2026;(1):32-44. https://izlik.org/JA23JT53WP
Chicago
Demirtaş, Arif Okan. 2026. “Heterotopia, and the Subjectivity of Space in Jo Nesbo’s Macbeth”. Harran Üniversitesi Sosyal Bilimler Dergisi, no. 1: 32-44. https://izlik.org/JA23JT53WP.
EndNote
Demirtaş AO (June 1, 2026) Heterotopia, and the Subjectivity of Space in Jo Nesbo’s Macbeth. Harran Üniversitesi Sosyal Bilimler Dergisi 1 32–44.
IEEE
[1]A. O. Demirtaş, “Heterotopia, and the Subjectivity of Space in Jo Nesbo’s Macbeth”, Harran Üniversitesi Sosyal Bilimler Dergisi, no. 1, pp. 32–44, June 2026, [Online]. Available: https://izlik.org/JA23JT53WP
ISNAD
Demirtaş, Arif Okan. “Heterotopia, and the Subjectivity of Space in Jo Nesbo’s Macbeth”. Harran Üniversitesi Sosyal Bilimler Dergisi. 1 (June 1, 2026): 32-44. https://izlik.org/JA23JT53WP.
JAMA
1.Demirtaş AO. Heterotopia, and the Subjectivity of Space in Jo Nesbo’s Macbeth. Harran Üniversitesi Sosyal Bilimler Dergisi. 2026;:32–44.
MLA
Demirtaş, Arif Okan. “Heterotopia, and the Subjectivity of Space in Jo Nesbo’s Macbeth”. Harran Üniversitesi Sosyal Bilimler Dergisi, no. 1, June 2026, pp. 32-44, https://izlik.org/JA23JT53WP.
Vancouver
1.Arif Okan Demirtaş. Heterotopia, and the Subjectivity of Space in Jo Nesbo’s Macbeth. Harran Üniversitesi Sosyal Bilimler Dergisi [Internet]. 2026 Jun. 1;(1):32-44. Available from: https://izlik.org/JA23JT53WP