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A Late Victorian Interference of Genres: Aestheticism Reshaping the Faust Myth in the Picture of Dorian Gray

Year 2019, Volume: 7 Issue: 14, 337 - 357, 15.10.2019
https://doi.org/10.20304/humanitas.563477

Abstract

The theoretician of Aestheticism in English literature, Walter Pater, materializes the principles and concepts of Aestheticism in his novel Marius the Epicurean. His student and follower Oscar Wilde expresses the ideas of Aestheticism in his own novel The Picture of Dorian Gray, which also revives and rewrites the myth of Faust with regard to the character representation strategies in the work. The present study, on comparative grounds of analysis, attempts to reveal the ways in which Wilde’s novel unites in one fictional discourse the principles of an artistic theory with those of a literary myth in order to build a distinct world vision and provide a point of view reified by both an aesthetic and a mythic context. 

References

  • Abrams, M. H. and G. G. Harpham. (2009). A Glossary of Literary Terms. Belmont: Wadsworth Publishing Company.
  • Dawson, T. (2016) The Effective Protagonists in the Nineteenth-Century British Novel. Scott, Bronte, Eliot, Wilde. Oxon: Routledge.
  • Francke, Kuno. (2009) Lectures on the Classics from the Five Foot Shelf of Classics. Vol. L1. New York: Cosimo Classics.
  • Gagnier, R. (2004). The Victorian fin de siècle and decadence. The Cambridge History of Twentieth Century English Literature. Eds. L. Marcus and P. Nicholls. Cambridge: Cambridge University Press. 30-49.
  • Goethe, Johann Wolfgang. (2015). Faust. Bucharest: Humanitas.
  • Golban, P. (2013). The Foundations of English Literary Criticism: From Philip Sidney to Henry James. Lampeter: The Edwin Mellen Press.
  • Golban, Tatiana. (2014). Rewriting the Hero and the Quest: Myth and Monomyth in Captain Corelli’s Mandolin by Louis de Bernières. Frankfurt am Main: Peter Lang GmbH.
  • Graves, R. (1979). Legitimate Criticism of Poetry. The Idea of Literature: The Foundations of English Criticism. Ed. D. M. Urnov. Moscow: Progress Publishers. 276-281.
  • Habib, M. A. R. (2005). A History of Literary Criticism: From Plato to the Present. Oxford: Blackwell Publishing.
  • Highet, G. (1976). The Classical Tradition: Greek and Roman Influences on Western Literature. Oxford: Oxford University Press.
  • Lodge, D. (2000). Modern Criticism and Theory. London: Longman.
  • Matz, J. (2001). Literary Impressionism and Modernist Aesthetics. Port Chester: Cambridge University Press.
  • Regan, R. (1967). Poe: A Collection of Critical Studies. Englewood Cliffs: Prentice-Hall.
  • Rossi, Dominick. (1969).Parallels in Wilde’s the Picture of Dorian Gray and Goethe’s Faust. College Language Association Journal. Baltimore. 188-91.
  • Sanders, A. (1994). The Short Oxford History of English Literature. Oxford: Clarendon Press.
  • Scott, C. (1991). Symbolism, Decadence and Impressionism. Modernism 1890-1930. Eds. M. Bradbury and J. McFarlane. London: Penguin Books. 206-227.
  • Van der Laan, J.M. (2007). Seeking Meaning for Goethe’s Faust. London: Continuum International Publishing Group.
  • Wilde, Oscar. (1992). The Picture of Dorian Gray. Ware: Wordsworth Editions Limited.
  • Willoughby, Guy. (1993). Art and Christhood: The Aesthetics of Oscar Wilde. London: Associated University Press.

Geç Viktoryen Döneminde Türlerin Etkileşimi: Dorian Gray’in Portesi’nde Faust Mitinin Tekrar Şekillendirilmesi

Year 2019, Volume: 7 Issue: 14, 337 - 357, 15.10.2019
https://doi.org/10.20304/humanitas.563477

Abstract

İngiliz Edebiyatında
Estetizmin kuramcısı, Walter Pater, Epikürosçu
Marius
isimli romanında Estetikçiliğin ilkelerini ve kavramlarını ortaya koymuştur.
Öğrencisi ve takipçisi olan Oscar Wilde ise Estetikçilik ile ilgili fikirlerini,
karakter betimleme stratejilerine bağlı olarak Faust mitini yeniden oluşturan
ve yeniden yazan romanı Dorian Gray’in Portresi’nde açıklar. Bu çalışma,
Wilde’ın romanının farklı bir dünya görüşü oluşturmak ve hem estetik hem mitik
bağlamda somutlaştırılmış bir bakış açısı sağlamak amacıyla tek bir kurgusal
söylemde sanatsal bir teorinin ilkeleriyle edebi bir mitin prensiplerini
birleştirdiği yolları ortaya çıkarmayı amaçlar

References

  • Abrams, M. H. and G. G. Harpham. (2009). A Glossary of Literary Terms. Belmont: Wadsworth Publishing Company.
  • Dawson, T. (2016) The Effective Protagonists in the Nineteenth-Century British Novel. Scott, Bronte, Eliot, Wilde. Oxon: Routledge.
  • Francke, Kuno. (2009) Lectures on the Classics from the Five Foot Shelf of Classics. Vol. L1. New York: Cosimo Classics.
  • Gagnier, R. (2004). The Victorian fin de siècle and decadence. The Cambridge History of Twentieth Century English Literature. Eds. L. Marcus and P. Nicholls. Cambridge: Cambridge University Press. 30-49.
  • Goethe, Johann Wolfgang. (2015). Faust. Bucharest: Humanitas.
  • Golban, P. (2013). The Foundations of English Literary Criticism: From Philip Sidney to Henry James. Lampeter: The Edwin Mellen Press.
  • Golban, Tatiana. (2014). Rewriting the Hero and the Quest: Myth and Monomyth in Captain Corelli’s Mandolin by Louis de Bernières. Frankfurt am Main: Peter Lang GmbH.
  • Graves, R. (1979). Legitimate Criticism of Poetry. The Idea of Literature: The Foundations of English Criticism. Ed. D. M. Urnov. Moscow: Progress Publishers. 276-281.
  • Habib, M. A. R. (2005). A History of Literary Criticism: From Plato to the Present. Oxford: Blackwell Publishing.
  • Highet, G. (1976). The Classical Tradition: Greek and Roman Influences on Western Literature. Oxford: Oxford University Press.
  • Lodge, D. (2000). Modern Criticism and Theory. London: Longman.
  • Matz, J. (2001). Literary Impressionism and Modernist Aesthetics. Port Chester: Cambridge University Press.
  • Regan, R. (1967). Poe: A Collection of Critical Studies. Englewood Cliffs: Prentice-Hall.
  • Rossi, Dominick. (1969).Parallels in Wilde’s the Picture of Dorian Gray and Goethe’s Faust. College Language Association Journal. Baltimore. 188-91.
  • Sanders, A. (1994). The Short Oxford History of English Literature. Oxford: Clarendon Press.
  • Scott, C. (1991). Symbolism, Decadence and Impressionism. Modernism 1890-1930. Eds. M. Bradbury and J. McFarlane. London: Penguin Books. 206-227.
  • Van der Laan, J.M. (2007). Seeking Meaning for Goethe’s Faust. London: Continuum International Publishing Group.
  • Wilde, Oscar. (1992). The Picture of Dorian Gray. Ware: Wordsworth Editions Limited.
  • Willoughby, Guy. (1993). Art and Christhood: The Aesthetics of Oscar Wilde. London: Associated University Press.
There are 19 citations in total.

Details

Primary Language English
Journal Section Tüm Sayı
Authors

Patricia Denisa Dita 0000-0002-3908-2109

Publication Date October 15, 2019
Published in Issue Year 2019 Volume: 7 Issue: 14

Cite

APA Dita, P. D. (2019). A Late Victorian Interference of Genres: Aestheticism Reshaping the Faust Myth in the Picture of Dorian Gray. HUMANITAS - Uluslararası Sosyal Bilimler Dergisi, 7(14), 337-357. https://doi.org/10.20304/humanitas.563477