Araştırma Makalesi
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“Parametrik Mimar”ların Virtüelliği Üzerine

Yıl 2024, , 1236 - 1274, 30.10.2024
https://doi.org/10.31198/idealkent.1483648

Öz

Bu makale, mimarlık ve matematik arasındaki içkinlik hakkındadır. Dijital tasarım araçlarının kullanımının zirvesinde, herkes tarafından artık bilindiği düşünülen “parametrik mimar” tanımını açıklamaya çalışmak bu yazının hedefidir. Parametrik mimarlık tanımının mimarlığın matematikle kurduğu ilişkide arandığı bu çalışmada ilk olarak, matematiğin platonik boyutlarından akıp mimarlığın mükemmellik arayışına; hassasiyet (precision) ve doğruluk (accuracy) ihtiyacına; geometrik ve grafik sezgilerin temsile dönüşümüne kadar farklı konseptler üzerinden “parametrik mimar” kavramının türeyişini anlatan tarihsel bir sunuşa yer verilmiştir. Sonrasında Zaha Hadid ve Antoni Gaudí gibi farklı zaman, yer ve teknolojilere ait virtüöz mimarların sunduğu temsiller üzerinden “parametrik mimarlar”ın virtüellik zemini tartışılmaktadır. Bunu da mimari manipülasyonların materyalist taleplerini karşılamak için çalışan “parametrik mimar”a gerekli kılınan matematiksel dönüşümü, bir kompütasyon düşüncesi (computational thinking) üretim alanı olarak tartışmaya açmaktadır. Star mimar ve Tanrı’nın mimarı gibi erk üreten pozisyonlara sıkıştırmak yerine, bu yazıda altı çizilmek istenen virtüalite tartışması, her iki virtüöz mimar ile ortaklıklar edinmiş, Patrik Schumacher ve Mark Burry’nin üzerinden “parametrik mimar”ın yeniden yaratımına odaklanmaktadır. Sonuç olarak, bu araştırmadan elde edilen iç görüler, tasarı geometrinin sınırlarına sıkışan klasik mimarlık pratiğini aşmanın bir yolu olarak görünen “parametrik mimarlık” tanımını matematik ile kurulan yaratıcılık odaklı ilişki üzerinden yeni ve gelişen virtüel zemin kayması/birleştirmesi olarak yapmaktadır. Böylece mimarlık pratiği ve teorisi için çıkarımlar sunmaktadır.

Kaynakça

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On the Virtuality of “Parametric Architects”

Yıl 2024, , 1236 - 1274, 30.10.2024
https://doi.org/10.31198/idealkent.1483648

Öz

This paper is about the immanence between architecture and mathematics. At the peak of the use of digital design tools, the aim of this paper is to explain the definition of “parametric architect”, which is thought to be known by everyone. In this study, where the definition of parametric architecture is sought in the relationship that architecture establishes with mathematics, firstly, a historical projection is cast to explain the derivation of the concept of “parametric architect” through different concepts, from the platonic dimensions of mathematics to architecture's search for perfection; the need for precision and accuracy; and the transformation of geometric and graphic intuition into representation. The virtuosity of “parametric architects” is then discussed through the representations of virtuoso architects such as Zaha Hadid and Antoni Gaudí. This is followed by a discussion of the mathematical transformation required of the “parametric architect” working to meet the materialist demands of architectural manipulations as a field of computational thinking. Instead of compressing it into power-producing positions such as the starchitect and God's architect, the discussion of virtuosity, which this paper seeks to underline, gives place to the re-creation of the “parametric architect” through Patrik Schumacher and Mark Burry. As a result, the insights gained from this research define “parametric architecture”, which seems to be a way to overcome the architectural practice trapped in the limits of descriptive geometrical thinking, as a new and evolving virtual ground shift/joining through the creativity-oriented relationship established with mathematics. Thus, it offers implications for architectural practice and theory.

Kaynakça

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  • Baudrillard, J. and Lotringer, S. (1987). Forget foucault. (N. Dufresne and P. Beitchman, Trn.). New York, NY: Semiotext(e).
  • — (2005). The conspiracy of art: manifestos, interviews, essays. Semiotext(e) foreign agents series. New York: Semiotext(e).
  • Betsky, A. (Ed.). (2016). The complete zaha hadid. New York, NY: Thames & Hudson.
  • Bourbaki, N. (1950). The architecture of mathematics. The American Mathematical Monthly, 57(4), 221–232. https://doi.org/10.1080/00029890.1950.11999523
  • Burry, J. and Burry, M. (2010). The new mathematics of architecture. London: Thames & Hudson.
  • Burry, M. (2011a). Scripting cultures: architectural design and programming. Chichester: Wiley.
  • — (2011b). Geometry working beyond effect. Architectural Design, 81(4), 80–89. https://doi.org/10.1002/ad.1272
  • — (Der.). (2020). Digital architecture: critical concepts in architecture. London; New York: Routledge.
  • Burry, M., Burry, J. and Faulí, J. (2001). Sagrada família rosassa: global computer-aided dialogue between designer and craftsperson (overcoming differences in age, time and distance) (ss. 76–86). ACADIA 2001: Reinventing the discourse, sunulmuş bildiri, Buffalo (New York), USA. https://doi.org/10.52842/conf.acadia.2001.076
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  • Butrica, A. J. (2015). The mind’s eye: technical education, drawing and meritocracy in France, 1800-1850. Icon, 21, 1–23. 20 Ağustos 2024 tarihinde, https://www.jstor.org/stable/24721691 adresinden erişildi.
  • Canestrino, G. (2024). Luigi Moretti’s formalised methods and his use of mathematics in the design process of architettura parametrica’s swimming stadiums. Nexus Network Journal. https://doi.org/10.1007/s00004-024-00784-x
  • Cantley, B. (2023). Speculative coolness: architecture, media, the real, and the virtual. P. J. Baldwin (Ed.). London; New York: Routledge.
  • Carpo, M. (2003). Drawing with numbers: geometry and numeracy in early modern architectural design. Journal of the Society of Architectural Historians, 62(4), 448–469. https://doi.org/10.2307/3592497
  • — (2012). Digital darwinism: mass collaboration, form-finding, and the dissolution of authorship. Log, 26, 97–105. 20 Ağustos 2024 tarihinde, https://www.jstor.org/stable/41765764 adresinden erişildi.
  • — (Ed.). (2013). The digital turn in architecture 1992–2012. London: Wiley. https://doi.org/10.1002/9781118795811
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  • Carpo, M. and Lemerle, F. (Ed.). (2008). Perspective, projections, and design: technologies of architectural representation. London: Routledge.
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  • Işıker, F. (2024). Jacques-françois blondel’in “yeni” mimar yetiştirme projesi: école des arts. İdealkent, 16(44), 641–668. https://doi.org/10.31198/idealkent.1484867
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  • Jodidio, P. (2020). Zaha hadid: zaha hadid architects complete works 1979-today. Köln: Taschen.
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  • Kulper, P. (2019). Avant‐garde legacies: a spirited flâneur. Architectural Design, 89(4), 62–69. https://doi.org/10.1002/ad.2458
  • Lee, Y. (2015). The parametric design genealogy of zaha hadid. Journal of Asian Architecture and Building Engineering, 14(2), 403–410. https://doi.org/10.3130/jaabe.14.403
  • Legendre, G. L. (2011). The mathematics of sensible things. Architectural Design, 81(4), 8–17. https://doi.org/10.1002/ad.1263
  • Lenz, M. (2009). The squinch of anet. H. Nowacki and W. Lefèvre (Ed.), Creating shapes in civil and naval architecture: A cross-disciplinary comparison içinde (Cilt. 2, ss. 368–388). Leiden, The Netherlands: Brill. https://doi.org/10.1163/ej.9789004173453.i-447.76
  • Long, P. O. (2017). Architecture and the sciences. H. F. Mallgrave (Ed.), Companion to the history of architecture içinde (ss. 1–29). London: Wiley. https://doi.org/10.1002/9781118887226.wbcha008
  • Lu, P. J. and Steinhardt, P. J. (2007). Decagonal and quasi-crystalline tilings in medieval islamic architecture. Science, 315(5815), 1106–1110. https://doi.org/10.1126/science.1135491
  • March, L. (2015). Mathematics and architecture since 1960. K. Williams and M. J. Ostwald (Ed.), Architecture and mathematics from antiquity to the future içinde (ss. 553–578). Cham: Birkhäuser. https://doi.org/10.1007/978-3-319-00143-2_38
  • March, L. and Steadman, P. (2020). The geometry of environment: an introduction to spatial organization in design. London: Routledge. (Orijinal eserin yayın tarihi 1971). https://doi.org/10.4324/9780429343346
  • Milgram, P. and Kishino, F. (1994). A taxonomy of mixed reality visual displays. IEICE Transactions on Information and Systems, 77, 1321–1329.
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  • Oxman, R. (2006). Theory and design in the first digital age. Design Studies, 27(3), 229–265. https://doi.org/10.1016/j.destud.2005.11.002
  • Oxman, R. and Oxman, R. (Ed.) (2014). Theories of the digital in architecture. London: Routledge.
  • Papalexopoulos, V. and Psaltoglou, A. (2014). The virtualisation of architecture in the digital era. D. Moser ve S. Dun (Ed.), A digital Janus: looking forward, looking back içinde (ss. 119–129). Leiden: BRILL. https://doi.org/10.1163/9781848883055_012
  • Park, J.-H. (2005). Early shape morphing: the metamorphosis of polygons in antoni gaudí’s sagrada familia cathedral and le corbusier’s firminy chapel. Journal of Asian Architecture and Building Engineering, 4(1), 25–30. https://doi.org/10.3130/jaabe.4.25
  • Philipp, K. J. (2020). Architecture- drawn: from the middle ages to the present. Basel: Birkhauser.
  • Picon, A. (2011). Architecture and mathematics: between hubris and restraint. Architectural Design, 81(4), 28–35. https://doi.org/10.1002/ad.1265
  • Picon, A. and Ponte, A. (Ed.) (2003). Architecture and the sciences: exchanging metaphors. New York, NY: Princeton Architectural Press.
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  • Scolari, M. (2015). Oblique drawing: a history of anti-perspective. Cambridge, MA: The MIT Press.
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  • Schumacher, P. (2004). Digital hadid: landscapes in motion. Boston: Birkhäuser.
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  • Shelden, D. R. and Witt, A. J. (2011). Continuity and rupture. Architectural Design, 81(4), 36–43. https://doi.org/10.1002/ad.1266
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  • Yalınay Çinici, Ş. (2012). Computation|Çevirisi ve anlaması kolay olmayan-dil, düşünce ve mimarlık. Dosya, Hesaplamalı tasarım, (29), 12-19. 20 Temmuz 2024 tarihinde http://www.mimarlarodasiankara.org/index.php?Did=3209 adresinden erişildi.
  • Yazar, T. (2018). The relationship between gaussian curvature and surface panelization approaches in architecture. Megaron, 19(1), 18–30. https://dx.doi.org/10.5505/megaron.2018.50103
  • Vaíllo Martínez, G. (2022, 15 Eylül). The ineffable and the knowable: a design theory on the double unknown side of the architectural project. (Doktora tezi). Archivo Digital UPM, Universidad Politecnica de Madrid. https://doi.org/10.20868/UPM.thesis.72065
  • Zaha Hadid. (t.y.). Google Arts & Culture. 19 Mayıs 2024 tarihinde, https://artsandculture.google.com/story/zaha-hadid/BAVxPkgneqK3KQ adresinden erişildi.
Toplam 100 adet kaynakça vardır.

Ayrıntılar

Birincil Dil Türkçe
Konular Mimari Bilgi İşlem ve Görselleştirme Yöntemleri, Mimari Bilim ve Teknoloji, Mimari Tarih, Teori ve Eleştiri, Mimari Tasarım, Mimarlık ve Tasarımda Bilgi Teknolojileri, Mimarlıkta Malzeme ve Teknoloji
Bölüm Makaleler
Yazarlar

Serdar Aydın 0000-0001-6445-8879

Erken Görünüm Tarihi 25 Ekim 2024
Yayımlanma Tarihi 30 Ekim 2024
Gönderilme Tarihi 6 Eylül 2024
Kabul Tarihi 26 Eylül 2024
Yayımlandığı Sayı Yıl 2024

Kaynak Göster

APA Aydın, S. (2024). “Parametrik Mimar”ların Virtüelliği Üzerine. İDEALKENT, 16(45), 1236-1274. https://doi.org/10.31198/idealkent.1483648