Year 2013, Volume 4 , Issue 10, Pages 48 - 71 2013-09-30

Belgrade and Cinema in a Post-Yugoslav Context
Post-Yugoslav Bağlamda Belgrad ve Sinema

Özgür YAREN [1]


This paper deals film production centered in Belgrade, which transformed into Serbian national cinema along with long, painful and violent disintegration process, Yugoslavia experienced during 1990’s. It also inquires how does this Belgrade centered cinema relate to disintegration of Yugoslavia, totalitarian and militarist

 

Milošević regime and breakdown in Belgrade and rest of the country caused by war and clashes.

Belgrade is both capital city of a nation state and a sophisticated metropolis beyond national culture. The study particularly focuses on films with a Belgrade centered point of view, dealing themes such as militarism, totalitarianism, culture of violence, economic crisis, moral decadence, urban-rural rupture, politic opposition, post- Milošević era, settling and apology.

Bu çalışma Yugoslavya’nın 1990’lar boyunca yaşadığı uzun, sancılı ve şiddetli dağılma sürecine paralel olarak Belgrad merkezli film yapımının, Sırp ulusal sinemasına dönüşürken Yugoslavya’nın dağılışına, totaliter ve militarist Milošević rejimine, savaş ve çatışmaların kentte ve ülkede neden olduğu çöküntüye nasıl tepki verdiğini ele alır.

 

Belgrad hem bir ulus devletin başkenti hem de ulusal kültürün ötesinde sofistike bir metropoldür.  Çalışma özellikle Belgrad merkezli bir bakış açısıyla militarizm, totalitarizm, şiddet kültürü, ekonomik kriz, ahlaki dekadans, kentli-köylü yarılması,  politik muhalefet, Milošević sonrası dönem, yüzleşme ve apoloji gibi temaları kullanan filmlere odaklanır.

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  • Zavet/ Söz Ver (Emir Kusturica, 2007)
  • Ubistvo s predumišljajem/Taammüden Cinayet (Gorčin Stojanović, 1995)
  • Kordon (Goran Marković, 2002)
  • Profesionalac/Profesyonel (Dušan Kovacević, 2003)
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  • Klopka/Tuzak (Srdjan Golubović, 2007)
  • Točkovi/Tekerlekler (Djordje Milosavljević, 1998)
  • Poludeli Ljudi/Delirmiş İnsanlar (Goran Marković, 1997)
  • Vidimo se u citulji/Ölüm İlanlarında Görüşürüz (Janko Baljak, 1995)
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  • Zivot i smrt porno bande/Yaşam ve Ölüm Porno Kumpanyası (Mladen Djordjević, 2009)
  • Sivi Kamion, Crvene Boje/Kırmızı Renkli Gri Kamyon (Srdjan Koljević, 2004)
  • Bal-Can-Can (Darko Mitrevski, 2005)
  • Bure Baruta/Barut Fıçısı (Goran Paskaljević, 1998)
Primary Language tr
Journal Section Articles
Authors

Author: Özgür YAREN
Institution: ANKARA ÜNİVERSİTESİ, İLETİŞİM FAKÜLTESİ
Country: Turkey


Dates

Publication Date : September 30, 2013

Bibtex @research article { idealkent417593, journal = {İDEALKENT}, issn = {1307-9905}, eissn = {2602-2133}, address = {Nasuh Akar Mahallesi 1403. Cad. 110/5 Balgat-Çankaya/Ankara}, publisher = {ADAMOR Toplum Araştırmaları Merkezi}, year = {2013}, volume = {4}, pages = {48 - 71}, doi = {}, title = {Post-Yugoslav Bağlamda Belgrad ve Sinema}, key = {cite}, author = {Yaren, Özgür} }
APA Yaren, Ö . (2013). Post-Yugoslav Bağlamda Belgrad ve Sinema. İDEALKENT , 4 (10) , 48-71 . Retrieved from https://dergipark.org.tr/en/pub/idealkent/issue/36683/417593
MLA Yaren, Ö . "Post-Yugoslav Bağlamda Belgrad ve Sinema". İDEALKENT 4 (2013 ): 48-71 <https://dergipark.org.tr/en/pub/idealkent/issue/36683/417593>
Chicago Yaren, Ö . "Post-Yugoslav Bağlamda Belgrad ve Sinema". İDEALKENT 4 (2013 ): 48-71
RIS TY - JOUR T1 - Post-Yugoslav Bağlamda Belgrad ve Sinema AU - Özgür Yaren Y1 - 2013 PY - 2013 N1 - DO - T2 - İDEALKENT JF - Journal JO - JOR SP - 48 EP - 71 VL - 4 IS - 10 SN - 1307-9905-2602-2133 M3 - UR - Y2 - 2013 ER -
EndNote %0 İDEALKENT Post-Yugoslav Bağlamda Belgrad ve Sinema %A Özgür Yaren %T Post-Yugoslav Bağlamda Belgrad ve Sinema %D 2013 %J İDEALKENT %P 1307-9905-2602-2133 %V 4 %N 10 %R %U
ISNAD Yaren, Özgür . "Post-Yugoslav Bağlamda Belgrad ve Sinema". İDEALKENT 4 / 10 (September 2013): 48-71 .
AMA Yaren Ö . Post-Yugoslav Bağlamda Belgrad ve Sinema. İDEALKENT. 2013; 4(10): 48-71.
Vancouver Yaren Ö . Post-Yugoslav Bağlamda Belgrad ve Sinema. İDEALKENT. 2013; 4(10): 71-48.