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Görünenin Ötesi: Sanatta X-ışını Estetiği

Year 2024, Issue: 37, 221 - 248, 15.10.2024
https://doi.org/10.54600/igdirsosbilder.1494045

Abstract

X-ışınları, beden ve nesnelerin içyapısını görüntüleme kabiliyetleriyle geniş bir kullanım alanına sahiptir. Kemikler, iç organlar ve dişler gibi birçok tıbbi durumun teşhisinin yanı sıra endüstriyel alanda, kalite kontrolü ve malzemenin test edilmesinde; havaalanı, alışveriş merkezi gibi yerlerde ise güvenlik kontrolü amacıyla kullanılmaktadır. Bunun yanı sıra sanat alanında bazı sanatçılar estetik ifade için X-ışınları gibi teknoloji tercihleri ile yenilikçi yaklaşımlar sunmaktadırlar. X-ışınlarının sanat alanındaki kullanımı iki şekilde gerçekleşir. Birincisi, sanat eserlerinin alt katmanlarına inerek tarihlendirme, kökenlerin, orijinalliğin ve eserdeki olası hasarların belirlenmesi ve kullanılan malzemelerin tespiti gibi amaçlarla kullanılır. İkincisi ise X-ışınları görsel ifade amacıyla doğrudan kullanılır ve nihai görüntünün ortaya çıkmasına olanak tanır. Bu araştırma, X-ışınlarının sanat alanında kullanımı üzerine odaklanmış olup, konuyla ilgili literatür taraması yöntemine dayanmaktadır. Araştırmanın amacı, X-ışınlarının sanat alanındaki rolünü ve etkilerini incelemek ve sanat-teknoloji ilişkisi bağlamında bu alandaki yenilikleri çözümlemektir. X-ışınları ve dolayısıyla görünenin ardındakine duyulan merak, farklı disiplinlerde çalışan radyologlar ve sanatçılar arasında etkileşimi sağlar. Araştırma sonuçları, radyologlar arasında X-ışınlarını yalnızca tıbbi teşhis ve tedavi için değil, aynı zamanda sanatsal fotoğraflar çekmek gibi farklı amaçlarla kullananların da mevcut olduğunu göstermektedir. Diğer yandan, bazı sanatçılar, X-ışınlarının teknik özelliklerini kullanarak, radyolojik görüntülerin estetik nitelikleri, kompozisyon ve ton değerleriyle birlikte sembolik, kavramsal veya duygusal anlamlara da odaklanırlar.

References

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Beyond the Visible: X-ray Aesthetics in the Art

Year 2024, Issue: 37, 221 - 248, 15.10.2024
https://doi.org/10.54600/igdirsosbilder.1494045

Abstract

X-rays have a wide range of applications due to their ability to visualise the internal structure of bodies and objects. As well as diagnosing many medical conditions such as bones, internal organs and teeth, it is used in industry for quality control and materials testing, and for security checks in places such as airports and shopping centres. In addition, in the field of art, some artists offer innovative approaches with technological preferences such as X-rays for aesthetic expression. The use of X-rays in art is realised in two ways. Firstly, it is used for purposes such as dating by penetrating to the lower layers of artworks, determining the origin, originality and possible damage in the work, and determining the materials used. Secondly, X-rays are used directly for visual expression, allowing the final image to emerge. This research focuses on the use of X-rays in the field of art and is based on literature review on the subject. The aim of the research is to examine the role and impact of X-rays in the field of art and to analyse innovations in this field in the context of the relationship between art and technology. X-rays, and with them the curiosity about what lies behind the visible, allow for interaction between radiologists and artists working in different disciplines. The research findings indicate that among radiologists, there are those who use X-rays not only for medical diagnosis and treatment but also for various purposes such as taking artistic photographs. On the other hand, some artists use the technical characteristics of X-rays to focus on the aesthetic qualities, composition and tonal values of radiological images, as well as their symbolic, conceptual or emotional meaning.

References

  • Abruzzese, A. (t.y.). Renato Meneghetti: Painting-great masters. The offical web cite of Renato Meneghetti. http://www.meneghettirenato.com/pittura/grandi_maestri/grandi_maestri_eng.php adresinden 29.04.2024 tarihinde alınmıştır.
  • Akademik Bilim Terimleri Sözlüğü. (t.y.). Fraunhofer çizgileri. https://terimler.org/terim/fraunhofer-cizgileri adresinden 26.04.2024 tarihinde alınmıştır.
  • Ali, O. (2024, 9 Ocak). XRF for authenticating metallic objects in the art world. AZoOptics [Network Site]. https://www.azooptics.com/Article.aspx?ArticleID=2527 adresinden 17.04.2024 tarihinde alınmıştır.
  • Art Madrid. (2018, 20 Kasım). Curiosity + X-Rays + Art: The perfect combination. https://www.art-madrid.com/En/Post/Curiosidad-Rayos-X-Y-Arte-Newnew adresinden 16.04.2024 tarihinde alınmıştır.
  • Assmus, A. (1995). Early History of X Rays. Beam Line, 25(2), 10-24. https://www.slac.stanford.edu/pubs/beamline/25/2/25-2-assmus.pdf
  • Bergeron, L. (2007, 11 Eylül). Students, physicians say X-ray exhibit drives home human toll of terrorism. Stanford Medicine. https://med.stanford.edu/news/all-news/2007/09/students-physicians-say-x-ray-exhibit-drives-home-human-toll-of-terrorism adresinden 21.04.2024 tarihinde alınmıştır.
  • Brinton, C. (1913). Evolution not Revolution in Art. The International Studio, LXIX(194), xxvıı-xxxv. https://doi.org/10.11588/diglit.43452
  • Casini, S. (2010). The Aesthetics of Magnetic Resonance Imaging (MRI): From the Scientific Laboratory to an Artwork. Contemporary Aesthetics, 8. http://hdl.handle.net/2027/spo.7523862.0008.022
  • Clark, N. (2016, 18 Şubat). X-ray exhibition marks artist's return to health after serious illness. Independent. https://www.independent.co.uk/arts-entertainment/art/news/boo-beaumont-xray-exhibition-marks-artist-s-return-to-health-after-serious-illness-a6882556.html adresinden 22.04.2024 tarihinde alınmıştır.
  • Collins, R. ve Villis, C. (2020, 20 Temmuz). Beneath the surface: X-rays reveal a different story. NGV (National Gallery of Victoria). https://www.ngv.vic.gov.au/essay/beneath-the-surface-x-rays-reveal-a-different-story/ adresinden 14.04.2024 tarihinde alınmıştır.
  • Cooperman, J. (2014, 14 Kasım). Art that gets under your skin. St. Louis Magazine. https://www.stlmag.com/health/art-that-gets-under-your-skin/ adresinden 21.04.2024 tarihinde alınmıştır.
  • Cox, S. (Ed.). (2015, 20 Nisan). (Updated 2018, 5 Şubat). X-Ray art reveals the ınternal beauty of everyday objects. All That’s Interesting. https://allthatsinteresting.com/x-ray-art adresinden 17.04.2024 tarihinde alınmıştır.
  • Dorfles, G. (2000). X-rays of a destiny. http://www.meneghettirenato.com/antologia_critica/ac_eng/013_Gillo_Dorfles_eng.php adresinden 22 Kasım 2014 tarihinde alınmıştır.
  • Faldi, M. ve Paolini, C. (t.y.). X-ray radiography. Artis (Art and Restoration Techniques Interactive Studio). https://artenet.it/en/x-ray-radiography/ adresinden 16.04.2024 tarihinde alınmıştır.
  • Ferrante, M. (t.y.). Hand plays...(text). Official web cite of Marc Ferrante. http://www.marcferrante.com/p2744/ adresinden 23.04.2024 tarihinde alınmıştır.
  • For The Edge. (2016, 11 Şubat). From x-rays to canvas. The Intelligencer. https://www.theintelligencer.com/entertainment/article/From-x-rays-to-canvas-10431283.php adresinden 21.04.2024 tarihinde alınmıştır.
  • Gallo, F. (t.y.). Vedere Oltre: Renato Meneghetti-Grandi Maestri. [Katalog]. http://www.meneghettirenato.com/pittura/_cataloghi_pdf/catalogo_grandi_maestri.pdf adresinden 28.04.2024 tarihinde alınmıştır.
  • Gambino, M. (Senior Ed.). (2014, 3 Şubat). X-Ray art: A deeper look at everyday objects: Brit Hugh Turvey adds his artistic touch to x-rays of suitcases, old shirts and a host of other subjects. Smithsonian Magazine. https://www.smithsonianmag.com/arts-culture/x-ray-art-deeper-look-everyday-objects-180949540/?no-ist adresinden 17.04.2024 tarihinde alınmıştır.
  • Geraghty, K. (t.y.). X-Ray of Meret Oppenheim’s Skull. Peter Freeman Inc. https://viewingroom.peterfreemaninc.com/viewing-room/x-ray-of-meret-oppenheims-skull adresinden 16.04.2024 tarihinde alınmıştır.
  • Gomez, A. (2021, 11 Temmuz). Nick Veasey’s X-ray art: See things as they really are. Arte & Lusso. https://arte8lusso.net/art/nick-veasey-xray-art/ adresinden 16.04.2024 tarihinde alınmıştır.
  • Guillaume, C.-E. (1896). Les Rayons X et la Photographie a Travers Les Corps Opaques (1. Baskı). Gauthier-Villars et fils, Imprimeurs-Libraires.
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There are 61 citations in total.

Details

Primary Language Turkish
Subjects Visual Cultures, Painting History, Art History, Theory and Criticism (Other)
Journal Section Research Article
Authors

Figen Girgin 0000-0002-5747-6769

Early Pub Date October 12, 2024
Publication Date October 15, 2024
Submission Date June 1, 2024
Acceptance Date August 6, 2024
Published in Issue Year 2024 Issue: 37

Cite

APA Girgin, F. (2024). Görünenin Ötesi: Sanatta X-ışını Estetiği. Iğdır Üniversitesi Sosyal Bilimler Dergisi(37), 221-248. https://doi.org/10.54600/igdirsosbilder.1494045