A FREUDIAN ANALYSIS OF INDIVIDUAL AND THE CHURCH IN THE MONK BY MATTHEW LEWIS

Year 2022, , 48 - 55, 30.06.2022

Muzaffer Zafer Ayar

https://doi.org/10.51540/ijof.1078359

Abstract

Kilise ve aristokrasideki var olan sosyal, ahlaki ve dini problemleri resmeden Gotik roman neoklasik dönemin estetik anlayışına eleştirel bir tutum sergiler. Yazıldığı dönemde bir zaman kayması yaşayarak Mathew Lewis The Monk adlı romanında orta çağın kötü insanlarını, baskı altındaki din adamlarını, yoldan çıkmış şeytanı ve günahkâr rahip ve rahibeleri konu alır ve olay örgüsü de kilise ve aristokrat toplumlarında yaşayan insanların karanlık ve problemli yanlarına odaklanır. Lewis sadece görüneni değil aynı zamanda kilisenin hastalıklı ve çelişkili yanlarını da gözler önüne serer. Orta Çağ kilisesinin en sorunlu ve en karanlık yanlarını 18 yy okurlarına anlatmaya çalışır. Bu bağlamda, çalışmamız bu sarmal ilişkiyi Freud’un psikanaliz teorisi kapsamında insanın derin ve karanlık yanlarını ortaya çıkarmak için id (bilinçaltı) ve süper ego terimleri kapsamında inceleyecektir.

Keywords

Gotik Roman, Freud, Kötü Karakter, İd, Süperego

SUBCONSCIOUS VILLAIN OF INDIVIDUAL AND INSTITUTIONAL CHURCH IN MATTHEW LEWIS’S THE MONK: FREUDIAN PERSPECTIVE

Abstract

Depicting the existence of social, ethical, and religious problems in institutional church and aristocracy, many of the novels written in Gothic tradition are critical of the aesthetics of the neoclassical period. Being an anachronistic representation of the period, The Monk by Matthew Lewis is highly critical of the Medieval representation of the Church covering incestuous villains, oppressed religious characters like a villainous monk, seducing demon and evil nuns, the plot structure is an extensive presentation of the dark side of the human and problematic issues taking place in and around the Church along with the presentation of aristocratic life. Lewis presents not only what is visible but also highlights contradictory applications of the Church. This deep and dark relationship is one of the main issues of the Medieval period portrayed by Lewis in the late 18th century. In this context, this study intends to shed light on this interwoven and complicated relationship from a Freudian perspective by highlighting connections, especially between id and superego to reveal hidden and deeper feelings inside human beings.

Keywords

Gothic novel, Villain, Freud, İd, Superego

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