Sherko Bekas's rebellion poetic language in the volume of: Now a girl is my country
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herko Bekas holds a unique
position in literature due to the contribution he has made to the poetry of
Kurdish language. The research paper is an attempt to present "Sherko
Bekas's rebellion poetic language in the volume of: Now a girl is my country".
The researcher seeks to study a specific aspect of the volume in which he
investigated how the poet used a different language in order to manifest and
deliver his mission. Sherko Bekas used a particular language in this volume
which is unique in terms of artistic images, tone of words as well as content
and form. One of the great hallmarks of this volume is that the poet gives an
outstanding role to the common words which are used daily in his community. To
ensure that his mission is received, he did not take the barriers of language
use into account and he used a form of language which goes parallel with that
type of life fashion he wanted to create in this volume. In the volume
"now a girl is my country", Sherko Bekas announced his revolt against
the harsh realities of life in his country through using a "rich
language" which allows him for much freedom in expressing his thought. In
this paper we intend to make a detailed and comprehensive analysis of the
idiosyncrasies of the rebellion language lies behind Sherko Bekas's language
use in the volume.
Anahtar Kelimeler
References
- Abbas, E. (2011). Art of poetry, second edition, Dar Al-shruq for publishing and distribution, Jordan. Agreen, A. (2013). Reading for several literature topics, Kurdish Academy's Publishing, Erbil. Ali, B. (2017). Murdered Narsis, Cultural and Artistic center of Andesha, Sulaimaniyah, Iraq. Al-Jadi, S. (2004). Science of prose language. Cairo. Al-Kandi, M. (2003), Symbols in new Arabic Poetry, first edition, Beirut, Lebanon. Al-Maatwq, A. (2006). The upper language (Critical study of poetic language), first edition, Dar Al-baiza of Arab culture center, Morocco. Eisa, H.(2009). Construction of Art Images in Sherko Bekas's Poetry, first edition, Sardam for printing and publishing, Sulaimaniyah. Ghilfan, M. (2010). In genaral linguistics (Its history, its nature, its theme, its concepts), first edition, Beirut, Lebanon. Hassan, N. (2014). Sherko Bekas and poetic language, Journal of New Galawezh, No. (64). Ismael, A. (2003). Kurdish poetry property after the rebellion from 1992-2002, Sardam for printing and publishing, Sulaimaniyah. Karim, Z. & Masti, N. (2017). Different dimension in Sherko Bekas's "Now a girl is my country", first edition, Sulaimaniyah. Kohen, J. Problem of poetry, (Barzinji, A. & Abdulwahid, A., Trans.), journal of Gzing, No. (44). January (2007). Kohein, J. (2008). Construction of Poetic language, (Karim, A. & Barzinji, A. Trans.), Kurdish union of writers, Kirkuk. Mohammed, Q. (Prof.). (2016). The lecture of literature theory, 17/1/2016, 24/1/2016. Rauf, L. (2009). Modern disciplines in Sherko Bekas's Poetry, first edition Sardam for printing and publishing, Sulaimaniyah. Rauf, L. (2017). Identity of Sherko Bekas's Poetry, Karo Press, Sulaimaniyah. Sherko Bekas. (2009). Poetry volume, Sweden. Sherko Bekas. (2011). Now a girl is my country. Sulaimaniyah, volume six, Sardam for printing and publishing.
Details
Primary Language
English
Subjects
-
Journal Section
Research Article
Publication Date
August 25, 2018
Submission Date
March 7, 2018
Acceptance Date
April 15, 2018
Published in Issue
Year 2018 Volume: 4 Number: 2
Cited By
Reflection of culture in the stories of Sherzad Hassan
Halabja University Journal
https://doi.org/10.32410/huj-10433