Research Article
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Year 2020, Volume: 4 Issue: 1, 11 - 21, 11.11.2020

Abstract

References

  • Anspaks, J.(2006). Mākslas pedagoģija 2. Raka, Rīga.
  • Ashcraft, M.H.(2006). Cognition. 4th ed. Upper Saddle River. NewJersey: Pearson.
  • Bebre, R. (1982). Ievads daiļrades psiholoģijā. LPSR Kultūras ministrija, Rīga.
  • Briška, I. (2011) Topošo skolotāju profesionālo vērtību veidošanās mākslinieciski radošā darbībā. Promocijas darbs Augstskolu Pedagoģijā. Rīga: Latvijas Universitāte.
  • Hodes, S (1959). A Map of making dances. New York Grove Press
  • Kroplijs un Raščevska (2004). Kvalitatīvās pētniecības metodes sociālajās zinātnēs. Rīga: RaKa.
  • Maslow, A. H. (1999). Towards a psychology of being (3nd ed.). New York, NY: John Wiley & Sons. (original work published in 1962)
  • Rogers, C. (1967). Modern approach to Values: maturity. The Macmillan company, New York, 40 – 54
  • Runco M. A. (2009). Tactics and strategies of creativity. Encyclopedia of creativity. Vol.2 Academic Press, Sasn-Diego, London, pp. 611 - 616.
  • Spalva, R. (2004). Tēls un dejas kompozīcija. Raka. Rīga.
  • Starko, A. J. (1995). Creativity in the classroom: Schools of curious delight. New York: Longman.
  • Spranger, E. (1928) Types of men: the Psychology and ethics of personality. M.Niemeyer. Halle.
  • Steinberg, L., Dustin, L.( 2011). Judgment and Decision Making in Adolescence. Journal of Research on Adolscence. Volume21, Issue1.
  • Sternberg, R. J. (2006). The Nature of Creativity. Creativity Research Journal, Vol. 18, No. 1, p. 87–98.
  • Smith Autard J. (1992) Dance composition. London A&C Black
  • Torrance, E. P. (1988). The Nature of Creativity as Manifesti n its Testing. In: Sternberg, R. I. (Ed.) The Nature of Creativity. New-Yo: Cambridge University Press, p. 43-75
  • Zeile, P. (1987). Mākslinieciskās daiļrades subjektīvie faktori. LPSR Kultūras ministrija, Rīga.
  • Apнxeйм Pyдoльф (1974). Искусствo и визуaльное восприятие. Прогресс, Москва.
  • Бурцева Г.А. (2000) Управление развитием творческого мышления студентов- хореографов в процессе вузовской подготовки. Диссертация 178 с
  • Бoрев, Ю. (2002/1988) Эстетика. Москва «Высшая школа» 309 с
  • Выготский, Л. С. (1991). Воображение и творчество в детском возрасте. Просвещение. Москва, 90 c.
  • Kaгaн, М. С. (1997) Философская теория ценности. ТОО ТК «Петрополис». 544 с
  • Любарт, Т.М. (2009) Психология креативности. Когито-Центр, 216.
  • Никитин В.Ю. (2011) Мастерство хореографа в современном танце.- М.: Росийский университет театрального искусства - ГИТИС

WORK OF A DANCE TEACHER AS A PROCESS OF CREATING A WORK OF ART

Year 2020, Volume: 4 Issue: 1, 11 - 21, 11.11.2020

Abstract

In the literature of dance and dance pedagogy a main emphasis is on such im-portant components of dance composition as: time, space, graphical solution and others, but the understanding of artistically creative process, the activity of choreographer’s consciousness or even subconscious before creating a dance and in the process of creation is only mentioned briefly. The authors of this article describe the stages of artistically creative work of a dance teacher as a choreographer and the way these stages lead up to the work of art. The aim of this article is to analyse the artistically creative work of a dance teacher witch results in a work of art – a dance. The aim is carried out in the analysis of literature and on its base promoted evaluation indicators and levels of a dance teacher as a choreographer. The evaluation indicators and levels are approbated in expert interviews. The content of approbation results is an important basis for dance teacher practise by influencing and improving the integration of dance creating process in the work of a dance teacher. Often dance teacher do not realize that their professional activity is the creation of an artwork. Teachers are limited to a range of movements in some genres or the requirements of their work place, but above all dance teachers are representatives of art un they have a potential to create new, original artistic value.

References

  • Anspaks, J.(2006). Mākslas pedagoģija 2. Raka, Rīga.
  • Ashcraft, M.H.(2006). Cognition. 4th ed. Upper Saddle River. NewJersey: Pearson.
  • Bebre, R. (1982). Ievads daiļrades psiholoģijā. LPSR Kultūras ministrija, Rīga.
  • Briška, I. (2011) Topošo skolotāju profesionālo vērtību veidošanās mākslinieciski radošā darbībā. Promocijas darbs Augstskolu Pedagoģijā. Rīga: Latvijas Universitāte.
  • Hodes, S (1959). A Map of making dances. New York Grove Press
  • Kroplijs un Raščevska (2004). Kvalitatīvās pētniecības metodes sociālajās zinātnēs. Rīga: RaKa.
  • Maslow, A. H. (1999). Towards a psychology of being (3nd ed.). New York, NY: John Wiley & Sons. (original work published in 1962)
  • Rogers, C. (1967). Modern approach to Values: maturity. The Macmillan company, New York, 40 – 54
  • Runco M. A. (2009). Tactics and strategies of creativity. Encyclopedia of creativity. Vol.2 Academic Press, Sasn-Diego, London, pp. 611 - 616.
  • Spalva, R. (2004). Tēls un dejas kompozīcija. Raka. Rīga.
  • Starko, A. J. (1995). Creativity in the classroom: Schools of curious delight. New York: Longman.
  • Spranger, E. (1928) Types of men: the Psychology and ethics of personality. M.Niemeyer. Halle.
  • Steinberg, L., Dustin, L.( 2011). Judgment and Decision Making in Adolescence. Journal of Research on Adolscence. Volume21, Issue1.
  • Sternberg, R. J. (2006). The Nature of Creativity. Creativity Research Journal, Vol. 18, No. 1, p. 87–98.
  • Smith Autard J. (1992) Dance composition. London A&C Black
  • Torrance, E. P. (1988). The Nature of Creativity as Manifesti n its Testing. In: Sternberg, R. I. (Ed.) The Nature of Creativity. New-Yo: Cambridge University Press, p. 43-75
  • Zeile, P. (1987). Mākslinieciskās daiļrades subjektīvie faktori. LPSR Kultūras ministrija, Rīga.
  • Apнxeйм Pyдoльф (1974). Искусствo и визуaльное восприятие. Прогресс, Москва.
  • Бурцева Г.А. (2000) Управление развитием творческого мышления студентов- хореографов в процессе вузовской подготовки. Диссертация 178 с
  • Бoрев, Ю. (2002/1988) Эстетика. Москва «Высшая школа» 309 с
  • Выготский, Л. С. (1991). Воображение и творчество в детском возрасте. Просвещение. Москва, 90 c.
  • Kaгaн, М. С. (1997) Философская теория ценности. ТОО ТК «Петрополис». 544 с
  • Любарт, Т.М. (2009) Психология креативности. Когито-Центр, 216.
  • Никитин В.Ю. (2011) Мастерство хореографа в современном танце.- М.: Росийский университет театрального искусства - ГИТИС
There are 24 citations in total.

Details

Primary Language English
Subjects Studies on Education
Journal Section Articles
Authors

Paula Gorobeca This is me

Beatrise Garjane This is me

Publication Date November 11, 2020
Submission Date May 12, 2020
Published in Issue Year 2020 Volume: 4 Issue: 1

Cite

APA Gorobeca, P., & Garjane, B. (2020). WORK OF A DANCE TEACHER AS A PROCESS OF CREATING A WORK OF ART. International Journal of Quality in Education, 4(1), 11-21.
AMA Gorobeca P, Garjane B. WORK OF A DANCE TEACHER AS A PROCESS OF CREATING A WORK OF ART. IJQE. November 2020;4(1):11-21.
Chicago Gorobeca, Paula, and Beatrise Garjane. “WORK OF A DANCE TEACHER AS A PROCESS OF CREATING A WORK OF ART”. International Journal of Quality in Education 4, no. 1 (November 2020): 11-21.
EndNote Gorobeca P, Garjane B (November 1, 2020) WORK OF A DANCE TEACHER AS A PROCESS OF CREATING A WORK OF ART. International Journal of Quality in Education 4 1 11–21.
IEEE P. Gorobeca and B. Garjane, “WORK OF A DANCE TEACHER AS A PROCESS OF CREATING A WORK OF ART”, IJQE, vol. 4, no. 1, pp. 11–21, 2020.
ISNAD Gorobeca, Paula - Garjane, Beatrise. “WORK OF A DANCE TEACHER AS A PROCESS OF CREATING A WORK OF ART”. International Journal of Quality in Education 4/1 (November 2020), 11-21.
JAMA Gorobeca P, Garjane B. WORK OF A DANCE TEACHER AS A PROCESS OF CREATING A WORK OF ART. IJQE. 2020;4:11–21.
MLA Gorobeca, Paula and Beatrise Garjane. “WORK OF A DANCE TEACHER AS A PROCESS OF CREATING A WORK OF ART”. International Journal of Quality in Education, vol. 4, no. 1, 2020, pp. 11-21.
Vancouver Gorobeca P, Garjane B. WORK OF A DANCE TEACHER AS A PROCESS OF CREATING A WORK OF ART. IJQE. 2020;4(1):11-2.