THE ART OF THE PUPPETRY AS A TOURISTIC OBJECT

Year 2018, Volume: 2 Issue: 2, 269 - 275, 03.01.2019

Lale Özder Mihrinaz Söyük

Abstract

Puppetry which passes down cultural elements from generation to next generation and reflects

our traditions is prominent regarding its giving way to triggering manual labor and international cultural.

Although the origin of the puppetry is not exactly known, it has continued its existence as an effective art

by interacting with each other in many cultures and also beliefs emerging from ancient times since the

early ages. Since there is no definite and written information about how and where the art of puppetry

was born, different and contradictory theories about this topic are in question as an intense speculation

source. The puppet has completed its own characteristic development in cultures from different times,

gained various figures and techniques and reached today’s artistic qualities. The art of Puppetry was

probably born from wizardry and religious ceremonies, just like the drama. Puppet shows take place in

order to entertain people and make them laugh. Moreover, they can reflect cultural values and political

issues of a country.

With a rooted history, the art of puppetry, which is used with different purposes, still exists today. The

role of puppets in tourism is effective in our country and also in many countries; therefore this issue

has been chosen as paper topic. Paper topic is summarized by assuming the puppet’s rooted history in

Turkey, their current use, international studies and their role and effect in tourism will result in positive

outcomes. The art of puppetry in Turkey will be evaluated by takingthe situation into consideration in

countries which can use the art of puppetry effective in tourism and will be analyzed through this sample.

Paper topic includes crucial data in terms of touristic product, tourism and the country’s tourism. It has

qualification which may create source for other touristic manufacturing.

The results, evaluations and suggestions will be presented by assessing the obtained data.

Keywords

Puppet, Tourism, Art, Culture, Turkey

References

• 1. İvgin, Hayrettin. (2000). Karagöz Ve Kukla Sanatımız. Ankara: Akkav Yayınları. S. 66
• 2. Roth, D. 1975 P.26. The Art Of Making Puppets& Marionettes. Pennsylvania. Usa: Chilton Book Company,
• 3. And, Metin. (1985) S: 25. Geleneksel Türk Tiyatrosu, Bilgi Yayınevi, S.102
• 4. And, Metin. (1985) S: 25. Geleneksel Türk Tiyatrosu, Bilgi Yayınevi, S.264
• 5. İvgin, Hayrettin. (2000) ‘Karagöz Ve Kukla Sanatımız’ Akkav Yayınevi S.63
• 6. Oral, Ünver. 2000, Kavuklu İş Buldu, Yayınevi Milli Eğitim Bakanlığı Yayınları, P. 19.
• 7. Durkheim, Emile. The Elementary Forms Of Religious Life, 1915, P. 65.
• 8. And, 1982, Osmanlı Şenliklerinde Türk Sanatları, Kültür Ve Turizm Bakanlığı 1982 Ps. 1-12-15 .
• 9. Boehn, Max Von (1956-1973), Puppets And Automata P. 264 Rowlands Press.
• 10. Atasoy, Nurhan (1997). 1582: Surname-İ Hümayun - Düğün Kitabı, İstanbul: Koçbank, Yayınları.
• 11. Picture1-2-3 ; Www.Pinterst.Com
• 12.Picture 4. Atıl, Esin, 1999, Levni And Sûrnâme, Koçbank, P.6