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AESTHETIC AND REALITY: PERPETUAL REALISM IN THE ART OF JOHN KEATS

Year 2020, Volume: 9 Issue: 1, 195 - 210, 30.06.2020

Abstract

This article examines the way Keats uses aesthetic in his poetry through the analysis of his poetic methods and forms that seem to allow or support the creation of new perceptions of what is beautiful, knowledgeable, and real. These perceptions—although they are a mixture created based on ancient (Platonic) and eighteenth-century (Kantian) philosophy about what is Real and Reality—also impressively lie on an agreement with a contemporary subset of Speculative Realism. The theoretical orientation of Object-Oriented Ontology and much of the poesy of John Keats share an enduring exploration of the aesthetic object as an enticing experience of understanding the nature of reality. The exploration of the aesthetic element in Keats’ poetry can be viewed as an aestheticized ontological synopsis highlighting even future significant inquiries of Philosophical Realism.

References

  • Abrams, M.H.(Ed.)( 1999). A Glossary of Literary Terms. (7th ed). Thompson Learning.
  • Adorno, W. T.(1997). Aesthetic Theory ( Vol.88). G. Adolfo & R. Tiedemann (Eds), R. Hullot Kentor (Trans.). USA: University of Minnesota.
  • Comfort, K.( 2008). Introduction. Art and Life in Aestheticism: De-Humanizing and Re-Humanizing Art, the Artist, and the Artistic Receptor (pp. 1-21). Palgrave Macmillan.
  • Cook, E. (1990).Introduction. John Keats: The Major Works (pp. xvii-xxviii). UK: Oxford University Press.
  • Harman, G.(2018). Object Oriented Ontology: A New Theory Of Everything. UK: Pelican Books.
  • Jack, I. (1967). Keats and the Mirror of Art. UK: Oxford University Press.
  • Kabitoglou, D. E. (1992). Adapting Philosophy to Literature: The case of John Keats. Studies in Philology, 89 (1), 115-136. JSTOR, www.jstor.rg/stable/4174413.
  • Kant, I. (2001). Basic Writings of Kant. A. W. Wood (Ed). Modern Library.
  • Keats, J. (1990). John Keats: The Major Works. E. Cook (Ed). UK: Oxford University Press.
  • Khalip, J. (2006).Virtual Conduct: Disinterested Agency in Hazlitt and Keats. ELH, 73 (4), 885-912. JSTOR, www.jstor.rg/stable/30030042.
  • Kroeber, K.( 1963 ).The New Humanism of Keats’s Odes. Proceedings of the American Philosophical Society, 107 (3), 263-271. JSTOR, www.jstor.rg/stable/985583.
  • Leighton, A. (2007). On Form: Poetry, Aestheticism, and the Legacy of a Word. UK: Oxford University Press.
  • McGrath, B.(2011). Keats for Beginners. Studies in Romanticism, 50 (2), 351-372. JSTOR, www.jstor.rg/stable/23056042.
  • Moore, C. (2012).Socrates Psychagogos (Birds 1555, Phaedrus 261a7). Socratica III, St. F. Rossetti (Ed), 1-19.
  • O’Rourke, J. (1987). Persona and Voice in the “Ode on a Grecian Urn.” Studies in Romanticism, 26 (1), 27-48. JSTOR, www.jstor.rg/stable/25600633.
  • Ortega Y. Gasset, J.(1975). P. Silver (Trans.), An Essay in Esthetics by Way of a Preface. In Phenomenology and Art (pp. 127-50). New York: Norton.
  • Phinney, A. W. (1991). Keats in the Museum: Between Aesthetics and History. The Journal of English and Germanic Philology, 90 (2),208-229. JSTOR, www.jstor.rg/stable/27710485.
  • Plato (2008). Phaedrus, B. Jowett (Trans.). Project Gutenberg, www.Gutenberg.org/1/6/3/1636/.
  • ---. ( 2015). Φαίδρος, http://el.wikisource.org/w/index.php?title= Φαίδρος&oldid=55461.
  • --- .(2008). Republic, B. Jowett (Trans.). Project Gutenberg, www.Gutenberg.org/1/4/9/1497/.
  • Pyle, F. (2003). Kindling and Ash: Radical Aestheticism in Keats and Shelley. Studies in Romanticism, 42 (4), 427-259. JSTOR, www.jstor.rg/stable/25601642.
  • Rajan, T. (1998). Keats, Poetry, and “The Absence of the Work”. Modern Philology, 95 (3), 334-351. JSTOR, www.jstor.rg/stable/438880.
  • Salle, J.C. (1972). The Pious Frauds of Art: A Reading of the “Ode on a Grecian Urn”. Studies in Romanticism, 11 (2), 79-93. JSTOR, www.jstor.rg/stable/25599836.
  • Spitzer, L. (1962). “Ode on a Grecian Urn” or, Content vs. Metagrammar. Essays on English and American Literature (pp. 67-97). Princeton Legacy Library.
  • Stillinger, J. (1997). Multiple Readers, Multiple Texts, Multiple Keats. The Journal of English and Germanic Philology, 96 (4), 545-566. JSTOR, www.jstor.rg/stable/27711572.
  • Vendler, H. (1973). The Experimental Beginnings of Keats’s Odes. Studies in Romanticism, 12 (3), 592-606. JSTOR, www.jstor.rg/stable/25601083.25599889.
  • Williams, M. H. (2010). The Aesthetic Development: The Poetic Spirit of Psychoanalysis. Karnac Books.
  • Wood, W. A. (2001). Introduction. Basic Writings of Kant (pp. xvi-xxviii). Modern Library.

ESTETİK VE GERÇEKLİK: JOHN KEATS SANATINDA SÜREKLİ GERÇEKÇİLİK

Year 2020, Volume: 9 Issue: 1, 195 - 210, 30.06.2020

Abstract

Bu makale Keats'in şiirinde estetiği
kullanma biçimini inceliyor. İnceleme; güzel, bilgili ve gerçek olanın yeni
algılarının yaratılmasına izin veren veya destekleyen şiirsel yöntemlerinin ve
biçimlerinin analizini kapsıyor. Bu algılar her ne kadar gerçek ve gerçeklik
hakkında eski (platonik) ve on sekizinci yüzyıl (Kantçı) felsefesine dayanan
bir karışım olsalar da aynı zamanda etkileyici bir şekilde spekülatif
gerçekçiliğin çağdaş bir alt kümesiyle yapılan bir anlaşmaya dayanıyor. Nesne
yönelimli ontolojinin teorik yaklaşımı ve John Keats'in şiirinin çoğu estetik
nesnenin kalıcı bir keşfini, gerçekliğin doğasını anlamayı ilgi çekici bir
deneyim olarak belirtiyor. Keats'in şiirindeki estetiğin keşfi, felsefi gerçekçiliğin
gelecekteki önemli soruların bile üzerinde duran estetik bir ontolojik özet
olabilir.

References

  • Abrams, M.H.(Ed.)( 1999). A Glossary of Literary Terms. (7th ed). Thompson Learning.
  • Adorno, W. T.(1997). Aesthetic Theory ( Vol.88). G. Adolfo & R. Tiedemann (Eds), R. Hullot Kentor (Trans.). USA: University of Minnesota.
  • Comfort, K.( 2008). Introduction. Art and Life in Aestheticism: De-Humanizing and Re-Humanizing Art, the Artist, and the Artistic Receptor (pp. 1-21). Palgrave Macmillan.
  • Cook, E. (1990).Introduction. John Keats: The Major Works (pp. xvii-xxviii). UK: Oxford University Press.
  • Harman, G.(2018). Object Oriented Ontology: A New Theory Of Everything. UK: Pelican Books.
  • Jack, I. (1967). Keats and the Mirror of Art. UK: Oxford University Press.
  • Kabitoglou, D. E. (1992). Adapting Philosophy to Literature: The case of John Keats. Studies in Philology, 89 (1), 115-136. JSTOR, www.jstor.rg/stable/4174413.
  • Kant, I. (2001). Basic Writings of Kant. A. W. Wood (Ed). Modern Library.
  • Keats, J. (1990). John Keats: The Major Works. E. Cook (Ed). UK: Oxford University Press.
  • Khalip, J. (2006).Virtual Conduct: Disinterested Agency in Hazlitt and Keats. ELH, 73 (4), 885-912. JSTOR, www.jstor.rg/stable/30030042.
  • Kroeber, K.( 1963 ).The New Humanism of Keats’s Odes. Proceedings of the American Philosophical Society, 107 (3), 263-271. JSTOR, www.jstor.rg/stable/985583.
  • Leighton, A. (2007). On Form: Poetry, Aestheticism, and the Legacy of a Word. UK: Oxford University Press.
  • McGrath, B.(2011). Keats for Beginners. Studies in Romanticism, 50 (2), 351-372. JSTOR, www.jstor.rg/stable/23056042.
  • Moore, C. (2012).Socrates Psychagogos (Birds 1555, Phaedrus 261a7). Socratica III, St. F. Rossetti (Ed), 1-19.
  • O’Rourke, J. (1987). Persona and Voice in the “Ode on a Grecian Urn.” Studies in Romanticism, 26 (1), 27-48. JSTOR, www.jstor.rg/stable/25600633.
  • Ortega Y. Gasset, J.(1975). P. Silver (Trans.), An Essay in Esthetics by Way of a Preface. In Phenomenology and Art (pp. 127-50). New York: Norton.
  • Phinney, A. W. (1991). Keats in the Museum: Between Aesthetics and History. The Journal of English and Germanic Philology, 90 (2),208-229. JSTOR, www.jstor.rg/stable/27710485.
  • Plato (2008). Phaedrus, B. Jowett (Trans.). Project Gutenberg, www.Gutenberg.org/1/6/3/1636/.
  • ---. ( 2015). Φαίδρος, http://el.wikisource.org/w/index.php?title= Φαίδρος&oldid=55461.
  • --- .(2008). Republic, B. Jowett (Trans.). Project Gutenberg, www.Gutenberg.org/1/4/9/1497/.
  • Pyle, F. (2003). Kindling and Ash: Radical Aestheticism in Keats and Shelley. Studies in Romanticism, 42 (4), 427-259. JSTOR, www.jstor.rg/stable/25601642.
  • Rajan, T. (1998). Keats, Poetry, and “The Absence of the Work”. Modern Philology, 95 (3), 334-351. JSTOR, www.jstor.rg/stable/438880.
  • Salle, J.C. (1972). The Pious Frauds of Art: A Reading of the “Ode on a Grecian Urn”. Studies in Romanticism, 11 (2), 79-93. JSTOR, www.jstor.rg/stable/25599836.
  • Spitzer, L. (1962). “Ode on a Grecian Urn” or, Content vs. Metagrammar. Essays on English and American Literature (pp. 67-97). Princeton Legacy Library.
  • Stillinger, J. (1997). Multiple Readers, Multiple Texts, Multiple Keats. The Journal of English and Germanic Philology, 96 (4), 545-566. JSTOR, www.jstor.rg/stable/27711572.
  • Vendler, H. (1973). The Experimental Beginnings of Keats’s Odes. Studies in Romanticism, 12 (3), 592-606. JSTOR, www.jstor.rg/stable/25601083.25599889.
  • Williams, M. H. (2010). The Aesthetic Development: The Poetic Spirit of Psychoanalysis. Karnac Books.
  • Wood, W. A. (2001). Introduction. Basic Writings of Kant (pp. xvi-xxviii). Modern Library.
There are 28 citations in total.

Details

Primary Language English
Subjects Linguistics, Philosophy
Journal Section Makaleler
Authors

Anna Asıatıdou 0000-0002-7498-2348

Publication Date June 30, 2020
Submission Date May 12, 2020
Published in Issue Year 2020 Volume: 9 Issue: 1

Cite

APA Asıatıdou, A. (2020). AESTHETIC AND REALITY: PERPETUAL REALISM IN THE ART OF JOHN KEATS. İnönü Üniversitesi Uluslararası Sosyal Bilimler Dergisi, 9(1), 195-210.

İnönü Üniversitesi Uluslararası Sosyal Bilimler Dergisi 

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