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A Comparative Analysis of Factors Influencing the Evolution of Miniature in Safavid and Ottoman Periods

Year 2017, Special Issue 2, 484 - 493, 22.12.2017

Abstract

The history of miniature
has always been related to the socio-cultural and political contents and
inclinations of each region. The analysis of finely illuminated and illustrated
examples of historic manuscripts in Iran and Turkey was primarily dependent
upon patrons, who were usually the rulers or governors of each region and
wealthy enough to afford the large staff and expensive materials necessary for
production of art masterpieces. The relative stability in Turkey provided meant
that from the mid-fifteenth century Ottoman painting could develop virtually uninterrupted,
whereas Iran was unstable due to political upheaval and constant threats of
invasions. These problems which caused artists and craftsmen to move from one
part of country to another at various times in different regions of Iran did
not happen in Turkey leading to creation of different artifacts. In this paper,
the evolution of miniature in Iran and turkey has been reviewed, analyzed and
then compared based on the factors influencing the contents of these miniature
in Safavid of Iran and Ottoman of Turkey. 

References

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  • Atıl, E. (1999). Levni Ve Sürname, Rona, Kochbank. Istanbul
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  • Jamali, L. (2013). Colouring the words: Reproduction of persian literature through the art of Iranian miniature.
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  • Titley N (1983). Early Ottoman miniature painting: Two recently acquired manuscripts in the British library, The British Library Journal, 9(2), 124-139, http://www.jstor.org/stable/42554184
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Year 2017, Special Issue 2, 484 - 493, 22.12.2017

Abstract

References

  • And, M. (1974). Turkish Miniature Painting, Şengil, Dost Yayınları. Ankara
  • Atıl, E. (1999). Levni Ve Sürname, Rona, Kochbank. Istanbul
  • Binney, E. (1973). Turkish Miniature Manuscripts. Library Of Congress Cataloging In Publication Data, Meriden Gravure Company. Finnland
  • Celebi, D. (2014). Ottoman Miniature Art. Master Thesis FS
  • Germen, M. (2012). ´Subjectivity In Contemporary Visualization Of Reality: Re-Visiting Ottoman Miniatures´. Sabanci University. Istanbul
  • Jamali, L. (2013). Colouring the words: Reproduction of persian literature through the art of Iranian miniature.
  • Meredith-Owens M, Robinson W., Skelton W., Grube, J. (1976). Islamic Painting And The Arts Of Books, Faber And Faber Limited. London
  • Palta, M. (2012). ´Minyatür Tekniğiyle Film Afişleri´, Bachelor Thesis, Dumlupinar University, Kütahya. Turkey
  • TDV İslam Ansiklopedisi (2008). Minyatür, Viewed 19. Juli 2014, http://www. ktsv.com.tr/sanat/4-minyatur
  • Titley N (1983). Early Ottoman miniature painting: Two recently acquired manuscripts in the British library, The British Library Journal, 9(2), 124-139, http://www.jstor.org/stable/42554184
  • https://scontent.cdninstagram.com
  • http://olama-orafa1393.ir
  • http://www.gettyimages.co.uk
  • http://mapsontheweb.zoom-maps.com
  • http://www.iscsjournal.com
There are 15 citations in total.

Details

Journal Section Review
Authors

Maryam Mesineh Asl This is me

Publication Date December 22, 2017
Submission Date July 26, 2017
Acceptance Date November 26, 2017
Published in Issue Year 2017 Special Issue 2

Cite

APA Asl, M. M. (2017). A Comparative Analysis of Factors Influencing the Evolution of Miniature in Safavid and Ottoman Periods. Uluslararası Kültürel Ve Sosyal Araştırmalar Dergisi, 3(Special Issue 2), 484-493.

 International Journal of Cultural and Social Studies