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Critical Discourse Analysis and Cultural Representations in Roma Movie

Year 2020, Volume: 6 Issue: 2, 634 - 643, 31.12.2020
https://doi.org/10.46442/intjcss.693590

Abstract

References

  • Alejandro De Le Garza. (2019). Roma filminin gerçek hikâyesi. Retrieved November 28, 2019, from https://hakikatadalethafiza.org/roma-filminin-gercek-hikayesi/
  • Bayad, Aydin. (2016). Erving Goffman’ın Benlik Kavramı ve İnsan Doğası Varsayımı. Psikoloji Çalışmaları, 36(1), 81–93.
  • Cuarón, Alfonso. (2018). Roma. Mexico.
  • Demircan, Birol. (2020). International Perspectives on Feminism and Sexism in the Film Industry. In International Perspectives on Feminism and Sexism in the Film Industry (pp. 200–211).
  • Goffman, E., & Cezar, B. (2016). Günlük yaşamda benliğin sunumu.
  • Hamnett. B. R. (1999). A Concise History of Mexico. Cambridge University Press.
  • Sigurjónsdóttir, S. D. (2003). Hofstede’s dimensions and their relations to magazine advertising. University of Akureyri, 1–48.
  • Şule Oğuz, H. (2006). STUART HALL Tarihten Geçenler. https://doi.org/10.17572/mj2014.1.125136
  • Weissenrieder, M., & Fairclough, N. (1997). Critical Discourse Analysis: The Critical Study of Language. The Modern Language Journal (Vol. 81). https://doi.org/10.2307/329335

Roma Filmi Örneğinde Eleştirel Söylem Analizi ve Kültürel Temsiller

Year 2020, Volume: 6 Issue: 2, 634 - 643, 31.12.2020
https://doi.org/10.46442/intjcss.693590

Abstract

The issue of which mechanisms are effective in determining people's behaviors in social life has been a subject that has been discussed for a long time. Consensual self presented during interactions, the self shaped as a result of the audience's practices and the player self are all at the same time inherent in each individual. Because as soon as the individual interacts with the other, s/he actually comes to a scene in front of the others and interacts by conveying some things in this scene and by not transmitting or covering some aspects. In this study, the Roma movie and the caharacters are analyzed according to critical discourse analysis method and the cultural representations presented in the movie are uncovered through the use of Hofstede's cultural dimensions. A historical background of Mexican history is provided in order to unravel the political instances in the movie. It turns out that the Roma movie skillfully brings together the experiences of Cleo, a Mexican native maid, in the light of both family conflicts and worrying social events in the complex political environment of the 1970s.

References

  • Alejandro De Le Garza. (2019). Roma filminin gerçek hikâyesi. Retrieved November 28, 2019, from https://hakikatadalethafiza.org/roma-filminin-gercek-hikayesi/
  • Bayad, Aydin. (2016). Erving Goffman’ın Benlik Kavramı ve İnsan Doğası Varsayımı. Psikoloji Çalışmaları, 36(1), 81–93.
  • Cuarón, Alfonso. (2018). Roma. Mexico.
  • Demircan, Birol. (2020). International Perspectives on Feminism and Sexism in the Film Industry. In International Perspectives on Feminism and Sexism in the Film Industry (pp. 200–211).
  • Goffman, E., & Cezar, B. (2016). Günlük yaşamda benliğin sunumu.
  • Hamnett. B. R. (1999). A Concise History of Mexico. Cambridge University Press.
  • Sigurjónsdóttir, S. D. (2003). Hofstede’s dimensions and their relations to magazine advertising. University of Akureyri, 1–48.
  • Şule Oğuz, H. (2006). STUART HALL Tarihten Geçenler. https://doi.org/10.17572/mj2014.1.125136
  • Weissenrieder, M., & Fairclough, N. (1997). Critical Discourse Analysis: The Critical Study of Language. The Modern Language Journal (Vol. 81). https://doi.org/10.2307/329335
There are 9 citations in total.

Details

Primary Language Turkish
Journal Section Research
Authors

Burçin Karabolat 0000-0003-0129-4437

Publication Date December 31, 2020
Submission Date February 25, 2020
Acceptance Date December 21, 2020
Published in Issue Year 2020 Volume: 6 Issue: 2

Cite

APA Karabolat, B. (2020). Roma Filmi Örneğinde Eleştirel Söylem Analizi ve Kültürel Temsiller. International Journal of Cultural and Social Studies (IntJCSS), 6(2), 634-643. https://doi.org/10.46442/intjcss.693590

 International Journal of Cultural and Social Studies