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Year 2022, , 553 - 571, 15.01.2023
https://doi.org/10.26650/LITERA2022-1056402

Abstract

References

  • Abbott, H. P. (2008). The Cambridge Introduction to Narrative. Cambridge: Cambridge University Press. google scholar
  • Bal, M. (1997). Narratology: Introduction to the Theory of Narrative. Buffalo, London, Toronto: University of Toronto Press. google scholar
  • Collins, W. (1982). The Moonstone. London, New York, Sydney, Toronto: Bantam Books. google scholar
  • Cozzi, A. (2010). The Discourses of Food in Nineteen-Century British Fiction. Houndmills, Balingstoke, Hampshire: Palgrave Macmillan. google scholar
  • Defoe, D. (1994). Robinson Crusoe. London: Penguin Books. google scholar
  • Fludernik, M. (2008). Identity/Alterity. In D. Herman (Ed.), The Cambridge Companion to Narrative (pp.260-273). Cambridge: Cambridge University Press. google scholar
  • Friedman, S. S. (2005). Spatial Poetics and Arundhati Roy’s A God of Small Things. In J. Phelan & P. Rabinowitz (Eds.), A Companion to Narrative Theory (pp. 192-205). Oxford: Blackwell. google scholar
  • GoGwilt, C. (2000). The Fiction of Geopolitics: Aftermarriages of Culture, from Wilkie Collins to Alfred Hitchcock. Stanford: Stanford University Press. google scholar
  • Hughes, W. (2005). The Sensation Novel. In P. Brantlinger & W. B. Thesing (Eds.), A Companion to The Victorian Novel (pp. 260-278). London: Wiley-Blackwell. google scholar
  • Levine, G. (2008). How to Read Victorian Novel. Malden, Oxford: Blackwell Publishing. google scholar
  • Phelan, J. (2007). Estranging Unreliability, Bonding Unreliability and the Ethics of Lolita. Narrative, 15(2), 222-38. 10.1353/NAR.2007.0012. google scholar
  • Prince, G. (2005). On a Postcolonial Narratology. In J. Phelan & P. Rabinowitz (Eds.), A Companion to Narrative Theory (pp. 372-381). London: Wiley-Blackwell. google scholar
  • Rimmon-Kenan, S. (1983). Narrative Fiction: Contemporary Poetics. London, New York: Routledge. google scholar
  • Said, E. (1994). Narrative and Social Space. In Culture and Imperialism (pp. 62-80). New York: Vintage. google scholar
  • Schmitt, C. (2005). ‘The Sun and Moon were made to give them light’: Empire in the Victorian Novel. In F. google scholar
  • O’Gorman (Ed.), A Concise Companion to the Victorian Novel (pp. 4-24). Malden, Oxford: Blackwell Publishing. google scholar
  • Smajic, S. (2010). Ghost-Seers, Detectives, and Spiritualists: Theories of Vision in Victorian Literature and Science. Cambridge, New York: Cambridge University Press. google scholar
  • Wall, K. (1994). The Remains of the Day and Its Challenges to Theories of Unreliable Narration. Journal of Narrative Technique, 24, 18- 42. google scholar
  • Wisnicki, A. S. (2007). Conspiracy, Revolution, and Terrorism from Victorian Fiction to the Modern Novel. London, New York: Routledge. google scholar
Year 2022, , 553 - 571, 15.01.2023
https://doi.org/10.26650/LITERA2022-1056402

Abstract

References

  • Abbott, H. P. (2008). The Cambridge Introduction to Narrative. Cambridge: Cambridge University Press. google scholar
  • Bal, M. (1997). Narratology: Introduction to the Theory of Narrative. Buffalo, London, Toronto: University of Toronto Press. google scholar
  • Collins, W. (1982). The Moonstone. London, New York, Sydney, Toronto: Bantam Books. google scholar
  • Cozzi, A. (2010). The Discourses of Food in Nineteen-Century British Fiction. Houndmills, Balingstoke, Hampshire: Palgrave Macmillan. google scholar
  • Defoe, D. (1994). Robinson Crusoe. London: Penguin Books. google scholar
  • Fludernik, M. (2008). Identity/Alterity. In D. Herman (Ed.), The Cambridge Companion to Narrative (pp.260-273). Cambridge: Cambridge University Press. google scholar
  • Friedman, S. S. (2005). Spatial Poetics and Arundhati Roy’s A God of Small Things. In J. Phelan & P. Rabinowitz (Eds.), A Companion to Narrative Theory (pp. 192-205). Oxford: Blackwell. google scholar
  • GoGwilt, C. (2000). The Fiction of Geopolitics: Aftermarriages of Culture, from Wilkie Collins to Alfred Hitchcock. Stanford: Stanford University Press. google scholar
  • Hughes, W. (2005). The Sensation Novel. In P. Brantlinger & W. B. Thesing (Eds.), A Companion to The Victorian Novel (pp. 260-278). London: Wiley-Blackwell. google scholar
  • Levine, G. (2008). How to Read Victorian Novel. Malden, Oxford: Blackwell Publishing. google scholar
  • Phelan, J. (2007). Estranging Unreliability, Bonding Unreliability and the Ethics of Lolita. Narrative, 15(2), 222-38. 10.1353/NAR.2007.0012. google scholar
  • Prince, G. (2005). On a Postcolonial Narratology. In J. Phelan & P. Rabinowitz (Eds.), A Companion to Narrative Theory (pp. 372-381). London: Wiley-Blackwell. google scholar
  • Rimmon-Kenan, S. (1983). Narrative Fiction: Contemporary Poetics. London, New York: Routledge. google scholar
  • Said, E. (1994). Narrative and Social Space. In Culture and Imperialism (pp. 62-80). New York: Vintage. google scholar
  • Schmitt, C. (2005). ‘The Sun and Moon were made to give them light’: Empire in the Victorian Novel. In F. google scholar
  • O’Gorman (Ed.), A Concise Companion to the Victorian Novel (pp. 4-24). Malden, Oxford: Blackwell Publishing. google scholar
  • Smajic, S. (2010). Ghost-Seers, Detectives, and Spiritualists: Theories of Vision in Victorian Literature and Science. Cambridge, New York: Cambridge University Press. google scholar
  • Wall, K. (1994). The Remains of the Day and Its Challenges to Theories of Unreliable Narration. Journal of Narrative Technique, 24, 18- 42. google scholar
  • Wisnicki, A. S. (2007). Conspiracy, Revolution, and Terrorism from Victorian Fiction to the Modern Novel. London, New York: Routledge. google scholar
Year 2022, , 553 - 571, 15.01.2023
https://doi.org/10.26650/LITERA2022-1056402

Abstract

References

  • Abbott, H. P. (2008). The Cambridge Introduction to Narrative. Cambridge: Cambridge University Press. google scholar
  • Bal, M. (1997). Narratology: Introduction to the Theory of Narrative. Buffalo, London, Toronto: University of Toronto Press. google scholar
  • Collins, W. (1982). The Moonstone. London, New York, Sydney, Toronto: Bantam Books. google scholar
  • Cozzi, A. (2010). The Discourses of Food in Nineteen-Century British Fiction. Houndmills, Balingstoke, Hampshire: Palgrave Macmillan. google scholar
  • Defoe, D. (1994). Robinson Crusoe. London: Penguin Books. google scholar
  • Fludernik, M. (2008). Identity/Alterity. In D. Herman (Ed.), The Cambridge Companion to Narrative (pp.260-273). Cambridge: Cambridge University Press. google scholar
  • Friedman, S. S. (2005). Spatial Poetics and Arundhati Roy’s A God of Small Things. In J. Phelan & P. Rabinowitz (Eds.), A Companion to Narrative Theory (pp. 192-205). Oxford: Blackwell. google scholar
  • GoGwilt, C. (2000). The Fiction of Geopolitics: Aftermarriages of Culture, from Wilkie Collins to Alfred Hitchcock. Stanford: Stanford University Press. google scholar
  • Hughes, W. (2005). The Sensation Novel. In P. Brantlinger & W. B. Thesing (Eds.), A Companion to The Victorian Novel (pp. 260-278). London: Wiley-Blackwell. google scholar
  • Levine, G. (2008). How to Read Victorian Novel. Malden, Oxford: Blackwell Publishing. google scholar
  • Phelan, J. (2007). Estranging Unreliability, Bonding Unreliability and the Ethics of Lolita. Narrative, 15(2), 222-38. 10.1353/NAR.2007.0012. google scholar
  • Prince, G. (2005). On a Postcolonial Narratology. In J. Phelan & P. Rabinowitz (Eds.), A Companion to Narrative Theory (pp. 372-381). London: Wiley-Blackwell. google scholar
  • Rimmon-Kenan, S. (1983). Narrative Fiction: Contemporary Poetics. London, New York: Routledge. google scholar
  • Said, E. (1994). Narrative and Social Space. In Culture and Imperialism (pp. 62-80). New York: Vintage. google scholar
  • Schmitt, C. (2005). ‘The Sun and Moon were made to give them light’: Empire in the Victorian Novel. In F. google scholar
  • O’Gorman (Ed.), A Concise Companion to the Victorian Novel (pp. 4-24). Malden, Oxford: Blackwell Publishing. google scholar
  • Smajic, S. (2010). Ghost-Seers, Detectives, and Spiritualists: Theories of Vision in Victorian Literature and Science. Cambridge, New York: Cambridge University Press. google scholar
  • Wall, K. (1994). The Remains of the Day and Its Challenges to Theories of Unreliable Narration. Journal of Narrative Technique, 24, 18- 42. google scholar
  • Wisnicki, A. S. (2007). Conspiracy, Revolution, and Terrorism from Victorian Fiction to the Modern Novel. London, New York: Routledge. google scholar
Year 2022, , 553 - 571, 15.01.2023
https://doi.org/10.26650/LITERA2022-1056402

Abstract

References

  • Abbott, H. P. (2008). The Cambridge Introduction to Narrative. Cambridge: Cambridge University Press. google scholar
  • Bal, M. (1997). Narratology: Introduction to the Theory of Narrative. Buffalo, London, Toronto: University of Toronto Press. google scholar
  • Collins, W. (1982). The Moonstone. London, New York, Sydney, Toronto: Bantam Books. google scholar
  • Cozzi, A. (2010). The Discourses of Food in Nineteen-Century British Fiction. Houndmills, Balingstoke, Hampshire: Palgrave Macmillan. google scholar
  • Defoe, D. (1994). Robinson Crusoe. London: Penguin Books. google scholar
  • Fludernik, M. (2008). Identity/Alterity. In D. Herman (Ed.), The Cambridge Companion to Narrative (pp.260-273). Cambridge: Cambridge University Press. google scholar
  • Friedman, S. S. (2005). Spatial Poetics and Arundhati Roy’s A God of Small Things. In J. Phelan & P. Rabinowitz (Eds.), A Companion to Narrative Theory (pp. 192-205). Oxford: Blackwell. google scholar
  • GoGwilt, C. (2000). The Fiction of Geopolitics: Aftermarriages of Culture, from Wilkie Collins to Alfred Hitchcock. Stanford: Stanford University Press. google scholar
  • Hughes, W. (2005). The Sensation Novel. In P. Brantlinger & W. B. Thesing (Eds.), A Companion to The Victorian Novel (pp. 260-278). London: Wiley-Blackwell. google scholar
  • Levine, G. (2008). How to Read Victorian Novel. Malden, Oxford: Blackwell Publishing. google scholar
  • Phelan, J. (2007). Estranging Unreliability, Bonding Unreliability and the Ethics of Lolita. Narrative, 15(2), 222-38. 10.1353/NAR.2007.0012. google scholar
  • Prince, G. (2005). On a Postcolonial Narratology. In J. Phelan & P. Rabinowitz (Eds.), A Companion to Narrative Theory (pp. 372-381). London: Wiley-Blackwell. google scholar
  • Rimmon-Kenan, S. (1983). Narrative Fiction: Contemporary Poetics. London, New York: Routledge. google scholar
  • Said, E. (1994). Narrative and Social Space. In Culture and Imperialism (pp. 62-80). New York: Vintage. google scholar
  • Schmitt, C. (2005). ‘The Sun and Moon were made to give them light’: Empire in the Victorian Novel. In F. google scholar
  • O’Gorman (Ed.), A Concise Companion to the Victorian Novel (pp. 4-24). Malden, Oxford: Blackwell Publishing. google scholar
  • Smajic, S. (2010). Ghost-Seers, Detectives, and Spiritualists: Theories of Vision in Victorian Literature and Science. Cambridge, New York: Cambridge University Press. google scholar
  • Wall, K. (1994). The Remains of the Day and Its Challenges to Theories of Unreliable Narration. Journal of Narrative Technique, 24, 18- 42. google scholar
  • Wisnicki, A. S. (2007). Conspiracy, Revolution, and Terrorism from Victorian Fiction to the Modern Novel. London, New York: Routledge. google scholar

Peripheries of Narration and Spatial Poetics in Wilkie Collins’s The Moonstone

Year 2022, , 553 - 571, 15.01.2023
https://doi.org/10.26650/LITERA2022-1056402

Abstract

This study explores narratological aspects and tools that are employed in Wilkie
Collins’s The Moonstone within the framework of a postcolonial narratology. Postcolonial
narratology directs its attention to the representation of the peripheral and the
marginalized within the scope of narratorial investigation. There will be some
considerations regarding the representation of focal and voiceless characters, the
function of the implied author, authorial audience as well as multiple narrators or
representing voices. The deployment of multitopicality in The Moonstone brings forth
the issue of marginalization predicated on colonizer/colonized relationships. Spatial
poetics in the novel functions in a way in which despite the myriad of settings that
constitute the story, narrative discourse privileges some places while putting the
others into the peripheries. The concept of space in the narrative proves to be active,
fluid and purposeful rather than being passive, static or innocent as in the status of
a background setting. Alongside temporal-spatial aspects, narratological presentation
of the characters also plays a fundamental role in relation to power dynamics and
the issue of representation. In the same vein, it is manifest that not only the description
of space and characters but also the placement of multiple narrators and authorial
audience concurrently contribute to the treatment of imperial ideologies. As part of
the implied author’s scheme, the narrators’ act of narration is flawed and ideologically
loaded rather than consistent or neutral. All these narratological clues in the novel
attest to the idea that narration is always a discursive act.

References

  • Abbott, H. P. (2008). The Cambridge Introduction to Narrative. Cambridge: Cambridge University Press. google scholar
  • Bal, M. (1997). Narratology: Introduction to the Theory of Narrative. Buffalo, London, Toronto: University of Toronto Press. google scholar
  • Collins, W. (1982). The Moonstone. London, New York, Sydney, Toronto: Bantam Books. google scholar
  • Cozzi, A. (2010). The Discourses of Food in Nineteen-Century British Fiction. Houndmills, Balingstoke, Hampshire: Palgrave Macmillan. google scholar
  • Defoe, D. (1994). Robinson Crusoe. London: Penguin Books. google scholar
  • Fludernik, M. (2008). Identity/Alterity. In D. Herman (Ed.), The Cambridge Companion to Narrative (pp.260-273). Cambridge: Cambridge University Press. google scholar
  • Friedman, S. S. (2005). Spatial Poetics and Arundhati Roy’s A God of Small Things. In J. Phelan & P. Rabinowitz (Eds.), A Companion to Narrative Theory (pp. 192-205). Oxford: Blackwell. google scholar
  • GoGwilt, C. (2000). The Fiction of Geopolitics: Aftermarriages of Culture, from Wilkie Collins to Alfred Hitchcock. Stanford: Stanford University Press. google scholar
  • Hughes, W. (2005). The Sensation Novel. In P. Brantlinger & W. B. Thesing (Eds.), A Companion to The Victorian Novel (pp. 260-278). London: Wiley-Blackwell. google scholar
  • Levine, G. (2008). How to Read Victorian Novel. Malden, Oxford: Blackwell Publishing. google scholar
  • Phelan, J. (2007). Estranging Unreliability, Bonding Unreliability and the Ethics of Lolita. Narrative, 15(2), 222-38. 10.1353/NAR.2007.0012. google scholar
  • Prince, G. (2005). On a Postcolonial Narratology. In J. Phelan & P. Rabinowitz (Eds.), A Companion to Narrative Theory (pp. 372-381). London: Wiley-Blackwell. google scholar
  • Rimmon-Kenan, S. (1983). Narrative Fiction: Contemporary Poetics. London, New York: Routledge. google scholar
  • Said, E. (1994). Narrative and Social Space. In Culture and Imperialism (pp. 62-80). New York: Vintage. google scholar
  • Schmitt, C. (2005). ‘The Sun and Moon were made to give them light’: Empire in the Victorian Novel. In F. google scholar
  • O’Gorman (Ed.), A Concise Companion to the Victorian Novel (pp. 4-24). Malden, Oxford: Blackwell Publishing. google scholar
  • Smajic, S. (2010). Ghost-Seers, Detectives, and Spiritualists: Theories of Vision in Victorian Literature and Science. Cambridge, New York: Cambridge University Press. google scholar
  • Wall, K. (1994). The Remains of the Day and Its Challenges to Theories of Unreliable Narration. Journal of Narrative Technique, 24, 18- 42. google scholar
  • Wisnicki, A. S. (2007). Conspiracy, Revolution, and Terrorism from Victorian Fiction to the Modern Novel. London, New York: Routledge. google scholar

Wilkie Collins’in Aytaşı Adlı Romanında Anlatının Sınır Çizgileri ve Uzamsal Yazınbilim

Year 2022, , 553 - 571, 15.01.2023
https://doi.org/10.26650/LITERA2022-1056402

Abstract

Bu çalışma, postkolonyal anlatıbilim çerçevesinde, Wilkie Collins’in romanında varolan anlatıbilimsel yönleri ve araçları, temsil edilme konusuna odaklanarak keşfetmeyi amaçlamaktadır. Postkolonyal anlatıbilim, anlatısal inceleme kapsamında dikkatini periferal ve ötekileştirilmiş olana yönelterek anlatının iç ve dış sınırlarını sorgular. Bu bağlamda, bu çalışmada odak merkezinde yer alan karakterlerin temsil edilmesi ile, çoklu anlatıcılar veya temsilci seslerin yanısıra zımni yazarın ve yazarsal okuyucunun işlevleri hakkında bazı görüşlere yer verilecektir. Aytaşı’nda çoklu-yerelliğe yer verilmesi, sömürgeci/sömürgeleşmiş arasındaki ilişkileri temel alan marjinalleşme konusunu öne çıkarmaktadır. Romanda, uzamsal yazınbilim doğrultusunda yerlerin çokluğuna rağmen, anlatı söylemi bunların bir kısmına öncelik vererek diğerlerini dış sınırlara yerleştirmektedir. Anlatıda uzam kavramı, hikayenin arka planını oluşturan yer unsuru gibi pasif, durağan ya da hilesiz olmaktan ziyade aktif, akışkan ve bir amaca yöneliktir. Anlatının zamansal-uzamsal yönlerinin yanısıra, karakterlerin anlatıbilimsel sunumları da temsil konusu ve güç dinamikleri açısından son derece önemli bir rol oynamaktadır. Benzer şekilde, açıkça görülmektedir ki, yanlızca mekan ve karakterlerin betimlemesi değil, aynı zamanda çoklu anlatıcılar ile yazarsal okuyucuların yerleşimi de Aytaşı’ndaki emperyal ideolojilerin işlenmesine ortak katkı sağlamaktadır. Anlatıcılar, zımni yazarın tasarısı kapsamında, yaptıkları anlatım işinde tutarlı veya tarafsız olmaktan ziyade kusurlu ve ideolojik olarak konumlanmışlardır. Romandaki tüm bu anlatıbilimsel göstergeler anlatının daima söylemsel bir iş olduğunun kanıtıdır. 

References

  • Abbott, H. P. (2008). The Cambridge Introduction to Narrative. Cambridge: Cambridge University Press. google scholar
  • Bal, M. (1997). Narratology: Introduction to the Theory of Narrative. Buffalo, London, Toronto: University of Toronto Press. google scholar
  • Collins, W. (1982). The Moonstone. London, New York, Sydney, Toronto: Bantam Books. google scholar
  • Cozzi, A. (2010). The Discourses of Food in Nineteen-Century British Fiction. Houndmills, Balingstoke, Hampshire: Palgrave Macmillan. google scholar
  • Defoe, D. (1994). Robinson Crusoe. London: Penguin Books. google scholar
  • Fludernik, M. (2008). Identity/Alterity. In D. Herman (Ed.), The Cambridge Companion to Narrative (pp.260-273). Cambridge: Cambridge University Press. google scholar
  • Friedman, S. S. (2005). Spatial Poetics and Arundhati Roy’s A God of Small Things. In J. Phelan & P. Rabinowitz (Eds.), A Companion to Narrative Theory (pp. 192-205). Oxford: Blackwell. google scholar
  • GoGwilt, C. (2000). The Fiction of Geopolitics: Aftermarriages of Culture, from Wilkie Collins to Alfred Hitchcock. Stanford: Stanford University Press. google scholar
  • Hughes, W. (2005). The Sensation Novel. In P. Brantlinger & W. B. Thesing (Eds.), A Companion to The Victorian Novel (pp. 260-278). London: Wiley-Blackwell. google scholar
  • Levine, G. (2008). How to Read Victorian Novel. Malden, Oxford: Blackwell Publishing. google scholar
  • Phelan, J. (2007). Estranging Unreliability, Bonding Unreliability and the Ethics of Lolita. Narrative, 15(2), 222-38. 10.1353/NAR.2007.0012. google scholar
  • Prince, G. (2005). On a Postcolonial Narratology. In J. Phelan & P. Rabinowitz (Eds.), A Companion to Narrative Theory (pp. 372-381). London: Wiley-Blackwell. google scholar
  • Rimmon-Kenan, S. (1983). Narrative Fiction: Contemporary Poetics. London, New York: Routledge. google scholar
  • Said, E. (1994). Narrative and Social Space. In Culture and Imperialism (pp. 62-80). New York: Vintage. google scholar
  • Schmitt, C. (2005). ‘The Sun and Moon were made to give them light’: Empire in the Victorian Novel. In F. google scholar
  • O’Gorman (Ed.), A Concise Companion to the Victorian Novel (pp. 4-24). Malden, Oxford: Blackwell Publishing. google scholar
  • Smajic, S. (2010). Ghost-Seers, Detectives, and Spiritualists: Theories of Vision in Victorian Literature and Science. Cambridge, New York: Cambridge University Press. google scholar
  • Wall, K. (1994). The Remains of the Day and Its Challenges to Theories of Unreliable Narration. Journal of Narrative Technique, 24, 18- 42. google scholar
  • Wisnicki, A. S. (2007). Conspiracy, Revolution, and Terrorism from Victorian Fiction to the Modern Novel. London, New York: Routledge. google scholar
There are 19 citations in total.

Details

Primary Language English
Subjects Creative Arts and Writing
Journal Section Research Articles
Authors

Elif Toprak Sakız 0000-0002-1579-6967

Publication Date January 15, 2023
Submission Date January 11, 2022
Published in Issue Year 2022

Cite

APA Toprak Sakız, E. (2023). Peripheries of Narration and Spatial Poetics in Wilkie Collins’s The Moonstone. Litera: Journal of Language, Literature and Culture Studies, 32(2), 553-571. https://doi.org/10.26650/LITERA2022-1056402
AMA Toprak Sakız E. Peripheries of Narration and Spatial Poetics in Wilkie Collins’s The Moonstone. Litera. January 2023;32(2):553-571. doi:10.26650/LITERA2022-1056402
Chicago Toprak Sakız, Elif. “Peripheries of Narration and Spatial Poetics in Wilkie Collins’s The Moonstone”. Litera: Journal of Language, Literature and Culture Studies 32, no. 2 (January 2023): 553-71. https://doi.org/10.26650/LITERA2022-1056402.
EndNote Toprak Sakız E (January 1, 2023) Peripheries of Narration and Spatial Poetics in Wilkie Collins’s The Moonstone. Litera: Journal of Language, Literature and Culture Studies 32 2 553–571.
IEEE E. Toprak Sakız, “Peripheries of Narration and Spatial Poetics in Wilkie Collins’s The Moonstone”, Litera, vol. 32, no. 2, pp. 553–571, 2023, doi: 10.26650/LITERA2022-1056402.
ISNAD Toprak Sakız, Elif. “Peripheries of Narration and Spatial Poetics in Wilkie Collins’s The Moonstone”. Litera: Journal of Language, Literature and Culture Studies 32/2 (January 2023), 553-571. https://doi.org/10.26650/LITERA2022-1056402.
JAMA Toprak Sakız E. Peripheries of Narration and Spatial Poetics in Wilkie Collins’s The Moonstone. Litera. 2023;32:553–571.
MLA Toprak Sakız, Elif. “Peripheries of Narration and Spatial Poetics in Wilkie Collins’s The Moonstone”. Litera: Journal of Language, Literature and Culture Studies, vol. 32, no. 2, 2023, pp. 553-71, doi:10.26650/LITERA2022-1056402.
Vancouver Toprak Sakız E. Peripheries of Narration and Spatial Poetics in Wilkie Collins’s The Moonstone. Litera. 2023;32(2):553-71.