An Exile of the Black Forests: Characterising Bertolt Brecht as an Intellectual Through His Theatrical Practice

Abstract

Bertolt Brecht’s is a name associated with both intellectual and practical involvement in twentieth-century theatre. This essay focuses on Brecht’s intellectual identity as well as his views on intellectualism and ultimately his role as a political artist in transforming society. Brecht’s experience of inequality and oppression throughout his life played a significant role in shaping his intellectual and artistic identity, which is marked by a feeling of not belonging and restlessness. The essay delves into his intellectual approach in general alongside his critique of intellectuals that surfaces in his plays, Life of Galileo (1938-43) and Turandot or Whitewashers’ Congress (1953). Additionally, Brecht’s short story, Socrates Wounded (1938-39), exemplifies his emphasis on practical philosophy and critical engagement with the material world. Brecht’s critique of intellectuals, epitomized in the concept of ‘Tui’, further underscores his disdain for those who align with oppressive powers. This essay explores Brecht’s intellectual legacy, emphasising his commitment to social transformation through art, philosophy, and relentless questioning. Through a comprehensive analysis of his life and works, this discussion illuminates Brecht’s profound impact on the realm of intellectualism and his enduring influence as a political artist, challenging individuals to confront social complexities and engage in transformative intellectual endeavour.

Keywords

• Bertolt Brecht
• Intellectual
• Life of Galileo
• Turandot or Whitewashers’ Congress
• Theatre

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