Abstract
This study is an attempt to analyze a sample of narrative fiction, namely a novel by Egyptian novelist Yusuf Idris entitled el-‘Ayb (The Disgrace). The study aims to uncover the relationship between this narrative art and the reality in which the novelist lives. It also poses some questions such as: Is there a conflict between presenting this reality to the reader and the narrative technique, considering that the latter is an artistic product, aiming to address the imagination? Can the aesthetic aspect of the narrative technique be realized through deviation from the solid standards and images of real life? Can the narrative writer achieve the difficult task of combining his expression of reality through employment of the aesthetics of fiction and artistic deviation as well as his employment of the elements of the different narrative structure?In this way, this study tries to answer the question of Yusuf Idris’ creative process in his novel el-‘Ayb (the Disgrace) through the tools of narrative technique, the developments of discourse analysis and other linguistic disciplines, and the tools of ideological criticism.
¬ العيب لـ "يوسف إدريس" .. بين مغازلة الواقع وجماليات السرد/ Yusuf Idris' Novel al-'Ayb Between Realism and Aesthetics of Story / Öykünün Gerçekçiliği ve Estetiği Arasında Yusuf
Abstract
Bu çalışmada, Mısırlı romancı Yusuf İdris'in öykü anlatım tarzının bir örneği olan “el-'Ayb” adlı romanı incelenmeye çalışılmıştır. Romancının içinde yaşadığı gerçek ve bu anlatım sanatı arasındaki ilişkinin ortaya koyulması hedeflenmiştir. Bu çalışmamız ayrıca şöyle sorular sorar: Anlatım tekniğinin sanatsal bir ürün olduğunu ve hayal gücüne hitap ettiğini göz önünde bulundurursak, bu gerçeği okuyucuya sunma ve anlatım tekniği arasında bir zıtlık var mıdır? Gerçek hayatın standartlarından ve imgelerinden sapmalar arasında anlatım tekniğinin estetik yönü fark edilebiliyor mu? Yazar, gerçeği ortaya koyarken, öykünün estetiğini ve farklı anlatım yapısının esaslarını bir araya getirmeyi başarabiliyor mu?
Böylelikle, bu çalışmada Yusuf İdris'in el-'Ayb romanındaki yaratıcı metoduna dair sorulara, anlatım tekniği, söylem çözümlemesi, diğer dilbilim disiplinleri ve ideolojik eleştirilerden yararlanılarak cevap verilmeye çalışılmıştır.
Anahtar Kelimeler: Yusuf İdris, öykü anlatımı, öykü estetiği, gerçek.
Abstract: This study is an attempt to analyze a sample of narrative fiction, namely a novel by Egyptian novelist Yusuf Idris entitled el-'Ayb (The Disgrace). The study aims to uncover the relationship between this narrative art and the reality in which the novelist lives. It also poses some questions such as: Is there a conflict between presenting this reality to the reader and the narrative technique, considering that the latter is an artistic product, aiming to address the imagination? Can the aesthetic aspect of the narrative technique be realized through deviation from the solid standards and images of real life? Can the narrative writer achieve the difficult task of combining his expression of reality through employment of the aesthetics of fiction and artistic deviation as well as his employment of the elements of the different narrative structure?
In this way, this study tries to answer the question of Yusuf Idris' creative process in his novel el-'Ayb (the Disgrace) through the tools of narrative technique, the developments of discourse analysis and other linguistic disciplines, and the tools of ideological criticism.
Keywords: Yusuf Idris, Narrative Fiction, Aesthetics of Fiction, Reality.
الملخص
تسعى هذه الدراسة إلى مقاربة نموذج من نماذج السرد الروائي، هو رواية "العيب" للروائي المصري يوسف إدريس، وذلك بهدف الكشف عن العلاقة الرابطة بين هذا الفن الروائي والواقع المحيط بالروائي، هل ثمة تعارض بين تقديم هذا الواقع للمتلقي، وفنية العمل السردي بوصف الأخير نتاجا فنيا يقصد التخييل، وتتحقق جماليته بمدى انحرافه عن معيارية الواقع وصورته، أو أن بإمكان المبدع لفن السرد أن يحقق المعادلة الصعبة بالتعبير عن الواقع عبر توظيف جماليات السرد بانزياحه الفني، وتوظيف عناصر البناء السردي المختلف؟
هكذا، متوسلةً بمقولات علم السرد من جانب، وتطورات علم الخطاب وغيره من الحقول المعرفية ذات الأساس اللساني من جانب آخر، وبقية مقولات النقد الأيديولوجي من جانب ثالث، حاولت هذه المقاربة النقدية الإجابة عن هذا السؤال المتعلق بحدود العملية الإبداعية عند يوسف إدريس في عمله الروائي "العيب".
الكلمات المفتاحية:يوسف إدريس – السرد الروائي- جماليات السرد – الواقع.
Keywords
Details
| Primary Language | Turkish |
|---|---|
| Journal Section | Makaleler |
| Authors | |
| Publication Date | December 11, 2013 |
| Published in Issue | Year 2013 Issue: 23 |