Abstract
Abstract: The narrative of disease is one of the most preferred themes used by modern and contemporary Chinese writers. Disease narratives reflect the limitations of the modern individual’s state in different social and historical contexts. Chinese Avant-garde Literature, as a new literary movement, is considered to have emerged around 1985; during this time, it manifested itself through all different kinds of narrative forms of disease and trauma. Among these forms, narratives of a diseased state of mind as well as a diseased urban environment are the most typical ones observed. Narrative themes of the “disease of the mind” began commonly appearing in Chinese Avant-garde Literary works in the 1980s. These works often aimed at deconstructing the dominant ideological positon of the so-called New Enlightenment Rationality during the Chinese New Era (1976-1985) by admitting to the existence of the irrationality of human nature and its influences on the individual in society. The narrative of urban disease, on the other hand, began appearing during the 1990s when China began its acceleration of its newly formed market economy. In contrast to the previous disease narrative, the narrative of urban disease offered readers a mirror into urban society and gave them insight into the morbidity and decadence of a materialistic society. This article analyses the relationship between these disease narratives and the modern individual’s subjective consciousness through a close reading of some of the most influential works of Chinese Avant-garde literature.