The uniqueness of Cantonese opera in Hong Kong: contributions and influence by Tong Tik-sang
Abstract
Keywords
References
- Chan, Kar Yue. “Cross-Dressing and Gendered Voice Representation in Cantonese Opera.” Comparative Literature: East & West 3, no. 1 (June 2019): 1-14. DOI: 10.1080/25723618.2019.1615727.
- Ching, May Bo. “Where Guangdong Meets Shanghai: Hong Kong Culture in a Trans-regional Context.” In Hong Kong Mobile: Making a Global Population, edited by Siu Helen F. and Ku Agnes S., 45-62. Hong Kong: Hong Kong University Press, 2008. www.jstor.org/stable/j.ctt1xwgdb.10.
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- Duhalde, Marcelo, Jing Tian Yan, and Dennis Wong. “Cantonese Performing Art.” South China Morning Post, November 8, 2019. https://multimedia.scmp.com/infographics/culture/article/3036661/cantonese-opera/index.html.
- Ferguson, Daniel Lee. A Study of Cantonese Opera: Musical Source Materials, Historical Development, Contemporary Social Organization, and Adaptive Strategies. PhD diss., University of Washington, Washington,1988. ProQuest Dissertations & Theses Global.
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Details
Primary Language
English
Subjects
Music
Journal Section
Research Article
Authors
Po Sim Head
*
0000-0002-0216-6448
United States
Publication Date
September 30, 2022
Submission Date
August 8, 2022
Acceptance Date
September 15, 2022
Published in Issue
Year 2022 Volume: 3 Number: 3