Research Article

Improvisation of blues rock with electro-fretted violin

Volume: 5 Number: 1 March 30, 2024
EN

Improvisation of blues rock with electro-fretted violin

Abstract

This research has been prepared as a performance article and a research article. Blues music and Blues guitarist and composer B.B. King, who has an unforgettable place in the history of music, performed improvisation with electro and draped violin. During the performance, the infrastructure of the "Chusss Music" Youtube channel titled "E Minor Blues Guitar Backing Track BB King Style" was used. 12 gauge blues chord patterns were used. With the improvisation performance of blues rock with Kesendere, electro pitch violin, He was awarded the "Western Music-String Instruments" award by the International Rast Music Congress and Music Awards. It is very difficult to find orchestras and groups for music performed in groups such as rock music, jazz music and pop music in some cases and regions. Unfortunately, the economic costs of the established orchestras make it difficult for these orchestras to have a long life. It is recommended to use computer-accompanied music infrastructure in the face of such difficulties.

Keywords

References

  1. Asano, M. (2023). Bohemian Rhapsody guitar solo but on electric violin. YouTube2. https://www.youtube.com/shorts/2aMqK5Vp_ks
  2. Bennett, A., & Dawe, K. (2020). Guitar Cultures (2th ed.). Routledge.
  3. Curry, B. (2015). Blues music theory and the songs of Robert Johnson: Ladder, level and chromatic cycle. Popular Music, 34(2), 245–273. https://doi.org/10.1017/S0261143015000276
  4. Danchin, S. (1998). Blues Boy: The Life and Music of B. B. King. Universty of Missisippi.
  5. Eck, D., & Schmidhuber, J. (2002). Finding temporal structure in music: Blues improvisation with LSTM recurrent networks. Neural Networks for Signal Processing - Proceedings of the IEEE Workshop, 2002-Janua, 747–756. https://doi.org/10.1109/NNSP.2002.1030094
  6. Hoffmann, F. (2005). Rhythm and blues, rap, and Hip-hop. Facts On File.
  7. Jatmiko, R. (2010). In search of African American optimism in blues :: A study on the Five B.B. King’s Blues Songs. Universitas Gadjah Mada.
  8. Kesendere, Y. (2022). Online Keman Eğitimi El Kitabı (Online Violin Training Hand Book). Genç Bilge (Young Wise) Publishing.

Details

Primary Language

English

Subjects

Music Education, Music Performance, Music Technology and Recording

Journal Section

Research Article

Early Pub Date

March 25, 2024

Publication Date

March 30, 2024

Submission Date

December 10, 2023

Acceptance Date

March 25, 2024

Published in Issue

Year 2024 Volume: 5 Number: 1

APA
Kesendere, Y. (2024). Improvisation of blues rock with electro-fretted violin. Journal for the Interdisciplinary Art and Education, 5(1), 113-119. https://doi.org/10.5281/zenodo.10866757
AMA
1.Kesendere Y. Improvisation of blues rock with electro-fretted violin. JIAE. 2024;5(1):113-119. doi:10.5281/zenodo.10866757
Chicago
Kesendere, Yiğitcan. 2024. “Improvisation of Blues Rock With Electro-Fretted Violin”. Journal for the Interdisciplinary Art and Education 5 (1): 113-19. https://doi.org/10.5281/zenodo.10866757.
EndNote
Kesendere Y (March 1, 2024) Improvisation of blues rock with electro-fretted violin. Journal for the Interdisciplinary Art and Education 5 1 113–119.
IEEE
[1]Y. Kesendere, “Improvisation of blues rock with electro-fretted violin”, JIAE, vol. 5, no. 1, pp. 113–119, Mar. 2024, doi: 10.5281/zenodo.10866757.
ISNAD
Kesendere, Yiğitcan. “Improvisation of Blues Rock With Electro-Fretted Violin”. Journal for the Interdisciplinary Art and Education 5/1 (March 1, 2024): 113-119. https://doi.org/10.5281/zenodo.10866757.
JAMA
1.Kesendere Y. Improvisation of blues rock with electro-fretted violin. JIAE. 2024;5:113–119.
MLA
Kesendere, Yiğitcan. “Improvisation of Blues Rock With Electro-Fretted Violin”. Journal for the Interdisciplinary Art and Education, vol. 5, no. 1, Mar. 2024, pp. 113-9, doi:10.5281/zenodo.10866757.
Vancouver
1.Yiğitcan Kesendere. Improvisation of blues rock with electro-fretted violin. JIAE. 2024 Mar. 1;5(1):113-9. doi:10.5281/zenodo.10866757
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