Research Article
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Music education as a field of social responsibility: The example of Izmir Little Hands Music Project

Year 2025, Volume: 6 Issue: 3, 225 - 238, 30.09.2025
https://doi.org/10.5281/zenodo.16948065

Abstract

This study focuses on the Izmir Little Hands Music Project (İzmir Küçük Eller Müzik Projesi) as a social responsibility model that offers equal opportunities for children outside the city center and integrates it with local cultural dynamics. With music education offered within the scope of the project, children's sociocultural development processes are addressed together in the context of social responsibility. For this purpose, the ethnographic method and a qualitative research design were adopted. This research was conducted between June 2021 and August 2022 in the Yakaköy and Vişneli villages of Izmir. The data sources consisted of children between the ages of 7-16 who participated in the project, trainers, coordinators, volunteers, project documents, and media content. Data were collected through participant observation and semi-structured interviews, and analyzed using content and thematic analysis methods. The findings revealed that this project, which started during the Covid-19 pandemic, positively affected children's social interactions and group dynamics through music education. The findings show that the project improved children's social skills, self-confidence, and empathy skills through non-formal education. Choir, rhythm, and instrument (bağlama, kabak kemane, guitar, and violin) training reinforced the children's sense of community and musical harmony. The project demonstrated a sustainable structure by incorporating local cultural elements (folk songs and Zeybek performances) into the training and receiving of community support through instrument donations. The findings also revealed that concerts and organized events increased social awareness by providing children with stage experience. The Izmir Little Hands Music Project was found to be a successful implementation that combines music education with social responsibility, contributes to the sociocultural development of children in many ways, and can serve as a model for similar initiatives. In line with the findings of this study, the importance of enriching music education programs with local elements and supporting and expanding such social responsibility projects with educational policies has emerged.

Ethical Statement

This study was produced from Gülce Yanmaz Düztaban's master's thesis titled "Music Education as a Field of Social Responsibility: The Example of Izmir Little Hands Music Project", completed at Dokuz Eylül University, Department of Music Sciences, in 2024. In accordance with ethical principles, the faces of participating students have been blurred to ensure the confidentiality of personal data throughout the research process.

Thanks

We extend our gratitude to all students, instructors, the project coordinator, and volunteers who contributed to the study.

References

  • Barış İçin Müzik. (n.d.). Barış İçin Müzik Vakfı (Music for Peace Foundation). https://linktr.ee/barisicinmuzik
  • Campbell, P. S., & Higgins, L. (2015). Intersections between ethnomusicology, music education, and community music. In S. Pettan & J. T. Titon (Eds.), The Oxford handbook of applied ethnomusicology (pp. 638–688). Oxford University Press.
  • Campbell, P. S., Connell, C., & Beegle, A. (2007). Adolescents’ expressed meanings of music in and out of school. Journal of Research in Music Education, 55(3), 220–236.
  • Carroll, A. B. (1991). The pyramid of corporate social responsibility: Toward the moral management of organizational stakeholders. Business Horizons, 34(4), 39–48.
  • Coombs, P. H., & Ahmed, M. (1974). Attacking rural poverty: How nonformal education can help. International Council for Educational Development.
  • D’Amore, A. (2009). Musical futures: An approach to teaching and learning. Paul Hamlyn Foundation.
  • Demirel, Ö., & Ün, K. (1987). Eğitim terimleri (Educational terms). Şafak Matbaası.
  • El Sistema. (n.d.). El Sistema. https://elsistema.org.ve
  • Elliott, D. J. (1995). Music matters: A new philosophy of music education. Oxford University Press.
  • Elliott, D. J. (2005). Praxial music education: Reflections and dialogues. Oxford University Press.
  • Erol, A. (2018). Müzik üzerine düşünmek (Thinking about music). Bağlam Yayınları.
  • Fenercioğlu, M. (2015). Müzikle değişen hayatlar: Bir model olarak El Sistema ve Türkiye’ye uygulanabilirliği (Lives changed with music: El Sistema as a model and its applicability to Türkiye). [Doctoral thesis, Istanbul University].
  • Glover, J. (1970). On responsibility. Humanities Press.
  • Güçlü, O., & Aksoy, Y. (2023). Pandemi sürecinde Türkiye’de gerçekleştirilen uzaktan müzik eğitimi alanındaki çalışmalara ilişkin bir içerik analizi (A content analysis of the studies on distance music education in Türkiye during the pandemic process). International Journal of Eurasia Social Sciences. https://doi.org/10.35826/ijoess.3242
  • Kurt, İ. (2000). Yetişkin eğitimi (Adult education). Nobel Yayın Dağıtım.
  • Lantos, G. P. (2001). The boundaries of strategic corporate social responsibility. Journal of Consumer Marketing, 18(7), 595–632.
  • Manço, D. (2022, January 23). Küçük Eller Müzik Instagram videosu (Little Hands Music Instagram video) [Video]. Instagram. https://www.instagram.com/kucukellermuzik/reel/CZEMguCo3Mq/
  • Mok, A. O. N. (2011). Non-formal learning: Clarification of the concept and its application in music learning. Australian Journal of Music Education, 1(2), 11–15.
  • Okechukwu, I. P., & Ibekwe, E. U. (2022). Cultural transmission through traditional musical practices: The Igbo experience. Ugo Belu N'Oji. https://journals.ezenwaohaetorc.org/index.php/UBN/article/view/2045
  • Owens, T. (1983). Helping youth become more responsible. American Educational Research Association, 67(22).
  • Swanwick, K. (1999). Teaching music musically. Routledge.
  • Toksoy, A. C. (2014). Çok kültürlü müzik eğitimi (Multicultural music education). Akademik Bakış Uluslararası Hakemli Sosyal Bilimler Dergisi, 40, 1–28.
  • TRT 1. (2022, April 28). Bir İyilik Hikayesi 19. Bölüm (A story of kindness, Episode 19) [Video]. YouTube. https://www.youtube.com/watch?v=Pd_dCCM9Fcc&t=3s&ab_channel=TRT1
  • Turan, H. (2021, December 30). Küçük Eller Müzik Instagram videosu (Little Hands Music Instagram video) [Video]. Instagram. https://www.instagram.com/tv/CYGoUx_IBCn/
  • Uçan, A. (1993). Müzik eğitimi: Ülkemizde müzik öğretimine genel bir bakış (Music education: An overview of music teaching in our country). Müzik Ansiklopedisi Yayınları.
  • UNICEF. (2004). Uluslararası Çocuk Hakları Sözleşmesi (Convention on the Rights of the Child). Youth Orchestra Los Angeles. (n.d.). Wikipedia. https://en.wikipedia.org/wiki/Youth_Orchestra_Los_Angeles

Music education as a field of social responsibility: The example of Izmir Little Hands Music Project

Year 2025, Volume: 6 Issue: 3, 225 - 238, 30.09.2025
https://doi.org/10.5281/zenodo.16948065

Abstract

This research involves an ethnographic examination of music education within the context of social responsibility, focusing on the Izmir Little Hand Music Project. The project considers music education as a societal responsibility and centers on the sociocultural development of children living outside the urban center. The study reveals that this project, which began during the Covid-19 pandemic, positively influenced children's social interactions and group dynamics through music education. The project supports children's musical exploration by using music as a pedagogical tool and encourages them to make sense of music within a social context. It has also been identified that the project integrates with local culture and includes traditional elements. As a result, the Izmir Little Hand Music Project emerges as a significant tool within the scope of social responsibility that contributes to the sociocultural development of children. The findings obtained from the project show that music education offers positive contributions to the overall development of children and that music education should be considered in educational policies. The experiences of this project demonstrate that music education can support social and cultural transformations by contributing to similar music education-based social responsibility projects.

Ethical Statement

This study was produced from Gülce Yanmaz Düztaban's master's thesis titled "Music Education as a Field of Social Responsibility: The Example of Izmir Little Hands Music Project", completed at Dokuz Eylül University, Department of Music Sciences, in 2024. In accordance with ethical principles, the faces of participating students have been blurred to ensure the confidentiality of personal data throughout the research process.

Thanks

We extend our gratitude to all students, instructors, the project coordinator, and volunteers who contributed to the study.

References

  • Barış İçin Müzik. (n.d.). Barış İçin Müzik Vakfı (Music for Peace Foundation). https://linktr.ee/barisicinmuzik
  • Campbell, P. S., & Higgins, L. (2015). Intersections between ethnomusicology, music education, and community music. In S. Pettan & J. T. Titon (Eds.), The Oxford handbook of applied ethnomusicology (pp. 638–688). Oxford University Press.
  • Campbell, P. S., Connell, C., & Beegle, A. (2007). Adolescents’ expressed meanings of music in and out of school. Journal of Research in Music Education, 55(3), 220–236.
  • Carroll, A. B. (1991). The pyramid of corporate social responsibility: Toward the moral management of organizational stakeholders. Business Horizons, 34(4), 39–48.
  • Coombs, P. H., & Ahmed, M. (1974). Attacking rural poverty: How nonformal education can help. International Council for Educational Development.
  • D’Amore, A. (2009). Musical futures: An approach to teaching and learning. Paul Hamlyn Foundation.
  • Demirel, Ö., & Ün, K. (1987). Eğitim terimleri (Educational terms). Şafak Matbaası.
  • El Sistema. (n.d.). El Sistema. https://elsistema.org.ve
  • Elliott, D. J. (1995). Music matters: A new philosophy of music education. Oxford University Press.
  • Elliott, D. J. (2005). Praxial music education: Reflections and dialogues. Oxford University Press.
  • Erol, A. (2018). Müzik üzerine düşünmek (Thinking about music). Bağlam Yayınları.
  • Fenercioğlu, M. (2015). Müzikle değişen hayatlar: Bir model olarak El Sistema ve Türkiye’ye uygulanabilirliği (Lives changed with music: El Sistema as a model and its applicability to Türkiye). [Doctoral thesis, Istanbul University].
  • Glover, J. (1970). On responsibility. Humanities Press.
  • Güçlü, O., & Aksoy, Y. (2023). Pandemi sürecinde Türkiye’de gerçekleştirilen uzaktan müzik eğitimi alanındaki çalışmalara ilişkin bir içerik analizi (A content analysis of the studies on distance music education in Türkiye during the pandemic process). International Journal of Eurasia Social Sciences. https://doi.org/10.35826/ijoess.3242
  • Kurt, İ. (2000). Yetişkin eğitimi (Adult education). Nobel Yayın Dağıtım.
  • Lantos, G. P. (2001). The boundaries of strategic corporate social responsibility. Journal of Consumer Marketing, 18(7), 595–632.
  • Manço, D. (2022, January 23). Küçük Eller Müzik Instagram videosu (Little Hands Music Instagram video) [Video]. Instagram. https://www.instagram.com/kucukellermuzik/reel/CZEMguCo3Mq/
  • Mok, A. O. N. (2011). Non-formal learning: Clarification of the concept and its application in music learning. Australian Journal of Music Education, 1(2), 11–15.
  • Okechukwu, I. P., & Ibekwe, E. U. (2022). Cultural transmission through traditional musical practices: The Igbo experience. Ugo Belu N'Oji. https://journals.ezenwaohaetorc.org/index.php/UBN/article/view/2045
  • Owens, T. (1983). Helping youth become more responsible. American Educational Research Association, 67(22).
  • Swanwick, K. (1999). Teaching music musically. Routledge.
  • Toksoy, A. C. (2014). Çok kültürlü müzik eğitimi (Multicultural music education). Akademik Bakış Uluslararası Hakemli Sosyal Bilimler Dergisi, 40, 1–28.
  • TRT 1. (2022, April 28). Bir İyilik Hikayesi 19. Bölüm (A story of kindness, Episode 19) [Video]. YouTube. https://www.youtube.com/watch?v=Pd_dCCM9Fcc&t=3s&ab_channel=TRT1
  • Turan, H. (2021, December 30). Küçük Eller Müzik Instagram videosu (Little Hands Music Instagram video) [Video]. Instagram. https://www.instagram.com/tv/CYGoUx_IBCn/
  • Uçan, A. (1993). Müzik eğitimi: Ülkemizde müzik öğretimine genel bir bakış (Music education: An overview of music teaching in our country). Müzik Ansiklopedisi Yayınları.
  • UNICEF. (2004). Uluslararası Çocuk Hakları Sözleşmesi (Convention on the Rights of the Child). Youth Orchestra Los Angeles. (n.d.). Wikipedia. https://en.wikipedia.org/wiki/Youth_Orchestra_Los_Angeles
There are 26 citations in total.

Details

Primary Language English
Subjects Musicology and Ethnomusicology
Journal Section Research Article
Authors

Gülce Yanmaz Düztaban 0000-0001-8842-0234

Levent Ergun 0000-0002-9959-8780

Submission Date June 24, 2025
Acceptance Date August 21, 2025
Early Pub Date September 2, 2025
Publication Date September 30, 2025
Published in Issue Year 2025 Volume: 6 Issue: 3

Cite

APA Yanmaz Düztaban, G., & Ergun, L. (2025). Music education as a field of social responsibility: The example of Izmir Little Hands Music Project. Journal for the Interdisciplinary Art and Education, 6(3), 225-238. https://doi.org/10.5281/zenodo.16948065
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