Abstract
A member of the string instrument family, the chinrest, which allows the violin and viola to be held more comfortably, was designed by Louis Spohr, a violinist, composer, conductor and musicologist who lived in 1784-1859. It was invented in the 19th century. It has been observed that the invention of the chinrest had significant effects on the performance technique of violin and viola performers. The chinrest has reached our days by changing its shape and diversity in the historical process. With repetitive movements performed by violin and viola performers during their many years of work, Temporomandibular joint disorders occur due to excessive use of the jaw in an inappropriate position. This condition becomes chronic and affects the performance and health of people. It has also been found that most of those with temporomandibular disorders have a habit of squeezing teeth called bruxism. In this research, the effect of structural differences of the jaw joint on performance in violin and viola performers will be discussed. Considering the physiological problems of the performers during the performance, in order to reduce the problems in the jaw discs and bone caused by squeezing the jawbone, the need to develop a chinrest design created with ergonomic materials has emerged. Within this context, based on all previous exemplary ergonomic model studies, methods of softening the chinrest material are presented. It is thought that improving the chinrest design by softening it with a material that takes a personalized shape will enable the performer to perform in a healthier and more comfortable way.