Research Article
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Approaching spirituality with the help of artistic embodiment: A case study

Year 2023, Volume: 4 Issue: 1, 23 - 36, 30.03.2023

Abstract

In the scene of staged photography, in which ambitioned amateurs stage topics that are of relevance to them, spiritual topics are chosen again and again. This research was designed in accordance with the case study method, which is one of the qualitative research types. With the help of artistic embodiment, it is aimed to describe this subject in depth through the observations and interviews made by the researcher about the approach to spirituality in art. Interviews with members of the scene have shown that certain familiar motifs or motifs anchored in the collective unconscious are particularly popular, including the good, the evil, the ambivalent, and the foreign. For the photo team, these motifs imply work on personal identity, as well as the reassurance of their cultural identity. Furthermore, the photographs often deal with the conditio humana – what makes us human and what values we want to live by. Thus, these images often provide a creative setting for discussions, for the negotiation of values, both in the photo team, as well as among and with the recipients.

Thanks

I would like to thank my interviewees for the open conversations.

References

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  • Alford, C. Fred (1997). What Evil Means to Us. New York: Cornell University Press.
  • Altmeyer, Martin (2016). Auf der Suche nach Resonanz. Wie sich das Seelenleben in der digitalen Moderne verändert. Göttingen: Vandenhoeck & Ruprecht.
  • Bachmair, Ben (2017). Digital, individualized mobile devices as cultural resources for learning in the process of migration. Media Education 2, 170-186.
  • Baender-Michalska, Elisabeth and Rolf Baender (2014). Yoga & Embodiment. Stress und Schmerz bewältigen. Stuttgart: Schattauer.
  • Barsalou, L. W., Niedenthal, P. M., Barbey, A. K., & Ruppert, J. A. (2003). Social embodiment. In B. H. Ross (Ed.): The psychology of learning and motivation: Advances in research and theory, 43, 43–92.
  • Bonney, Claire (1985). The Nude Photograph. Some Female Perspectives. Woman’s Art Journal 6 (2): 9–14.
  • Cilliers, Johan (2010). The unveiling of life: liturgy and the lure of kitsch. HTS Teologiese Studies/ Theological Studies, 66, 2. https://doi.org/10.4102/hts.v66i2.815
  • Csordas, T.J. (1994). The Sacred Self. A Cultural Phenomenology of Charismatic Healing. Berkeley: Univeresity of California Press.
  • Daley, Michael J. (2016). Catholic Questions, Wise Answers. Cincinnati: Anthony Messenger Press.
  • Elliott, Anthony (2016). Identity Troubles: An introduction. New York: Routledge
  • Faris, James C. (2002). The Gaze of Western Humanism. In Kelly Askew and Richard R. Wilk: The Anthropology of Media: A Reader. Malden, MA: Blackwell, pp. 77-91.
  • Favazza, Armando R. (1996). Bodies under Siege. Self-mutilation and Body Modifications in Culture and Psychiatry. Second Edition. Baltimore and London: The Johns Hopkins University Press.
  • Frey, Jörg and Oberhänsli-Widmer, Gabrielle (2012). Das Böse. Jahrbuch für Biblische Theologie 26. Neukirchen-Vluyn: Neunkirchner.
  • Friedrich, Marcus A. (2001). Liturgische Körper. Der Beitrag von Schauspieltheorien und - techniken für die Pastoralästhetik. Stuttgart: Kohlhammer Verlag.
  • Gogol, Nikolai (2003). The Night before Christmas in The Collected Tales of Nikolai Gogol, translated by Richard Pevear and Larissa Volokhonsky. London: Granta.
  • Goldman, Adria and Damion Waymer (2014). Identifying Ugliness, Defining Beauty: A Focus Group Analysis of and Reaction to Ugly Betty. The Qualitative Report, 19 (10), https://nsuworks.nova.edu/cgi/viewcontent.cgi?article=1263&context=tqr
  • Harries, Karsten (1968). The Meaning of Modern art. A philosophical interpretation. Eavanston: Northwestern UP.
  • Hughes, William (2012). Fictional Vampires in the Nineteenth and Twentieth Centuries. In David Punter: A new companion to the Gothic. Malden: Wiley Blackwell, 197-210.
  • Jerrentrup, Maja (2020). Picturing Hybrids Hybrid Creatures in Staged Photography. Journal of Philosophy, Culture and Religion 49.
  • Jones, David Albert (2011). Angels. A very short introduction. New York: Oxford University Press.
  • Jung, Carl Gustav (2006). Archetypen. München: dtv.
  • Krieger, Verena (2012). Adam als Liebespartner. Zur Konstruktion eines neuen Männlichkeitsideals in Sündenfalldarstellungen des frühen 16. Jahrunderts. in Guth, Doris and Elisabeth Priedl: Bilder der Liebe. Liebe, Begehren und Geschlechterverhältnisse in der Kunst der Frühen Neuzeit. Bielefeld: transcript, 29-66.
  • Mihailescu, Calin-Andrei (1997). Ritual at the Birth of Kitsch. The Comparatist, 21, 49-67.
  • Nomadrs (2022). Is The World Becoming More Spiritual? Research points to spirituality being on the rise. https://www.prnewswire.com/news-releases/is-the-world-becoming-more-spiritual-301458427.html
  • Patzer, Gordon L. (1985). The Physical Attractiveness Phenomena. New York and London: Plenum Press.
  • Russell, Jeffrey Burton (1977). The Devil. Perception of Evil from Antiquitiy to Primitive Christianity. Ithaca and London: Cornell University Press.
  • Schwärzler, Monika (2016). At face value & beyond. Photographic constructions of reality. Bielefeld: transcript.
  • Stolz, Jörg, Judith Könemann, Mallory Schneuwly Purdie, Thomas Englberger and Michael Krüggeler (2016): (Un)Believing in Modern Society. Religion, Spirituality, and Religious-Secular Competition. London and New York: Routledge.
  • Theye, Thomas (1998). Photographie, Ethnographie und physische Anthropologie im 19. Jahrhundert: Ein Überblick für den deutschen Sprachraum. Revista de dialectología tradiciones populares, Vol LIII, no 1, 49-73.
  • Van Lujik, Ruben (2016). Children of Lucifer: The Origins of Modern Religious Satanism. New York: Oxford University Press.
  • Waller, James E. (2007). Becoming Evil: How Ordinary People Commit Genocide and Mass Killing Oxford: Oxford University Press.
  • Rustamovna, Umarova N. (2022). The realization of the concept of goodness in English and Uzbek proverbs. International Scientific Research Journal, 3(7), 148-152.
  • Wenzel, Günther (2016). Die Last der Entscheidung: Sind Konsumenten überfordert, wenn sie mehr Auswahl haben? Wien: danzig & unfried.
  • Zimbardo, Philip (2008). The Lucifer Effect: Understanding How Good People Turn Evil. Random House Trade Paperbacks.
Year 2023, Volume: 4 Issue: 1, 23 - 36, 30.03.2023

Abstract

References

  • Adorno, Theodor W. (1997). Aesthetic Theory. Minneapolis: University of Minnesota Press.
  • Alford, C. Fred (1997). What Evil Means to Us. New York: Cornell University Press.
  • Altmeyer, Martin (2016). Auf der Suche nach Resonanz. Wie sich das Seelenleben in der digitalen Moderne verändert. Göttingen: Vandenhoeck & Ruprecht.
  • Bachmair, Ben (2017). Digital, individualized mobile devices as cultural resources for learning in the process of migration. Media Education 2, 170-186.
  • Baender-Michalska, Elisabeth and Rolf Baender (2014). Yoga & Embodiment. Stress und Schmerz bewältigen. Stuttgart: Schattauer.
  • Barsalou, L. W., Niedenthal, P. M., Barbey, A. K., & Ruppert, J. A. (2003). Social embodiment. In B. H. Ross (Ed.): The psychology of learning and motivation: Advances in research and theory, 43, 43–92.
  • Bonney, Claire (1985). The Nude Photograph. Some Female Perspectives. Woman’s Art Journal 6 (2): 9–14.
  • Cilliers, Johan (2010). The unveiling of life: liturgy and the lure of kitsch. HTS Teologiese Studies/ Theological Studies, 66, 2. https://doi.org/10.4102/hts.v66i2.815
  • Csordas, T.J. (1994). The Sacred Self. A Cultural Phenomenology of Charismatic Healing. Berkeley: Univeresity of California Press.
  • Daley, Michael J. (2016). Catholic Questions, Wise Answers. Cincinnati: Anthony Messenger Press.
  • Elliott, Anthony (2016). Identity Troubles: An introduction. New York: Routledge
  • Faris, James C. (2002). The Gaze of Western Humanism. In Kelly Askew and Richard R. Wilk: The Anthropology of Media: A Reader. Malden, MA: Blackwell, pp. 77-91.
  • Favazza, Armando R. (1996). Bodies under Siege. Self-mutilation and Body Modifications in Culture and Psychiatry. Second Edition. Baltimore and London: The Johns Hopkins University Press.
  • Frey, Jörg and Oberhänsli-Widmer, Gabrielle (2012). Das Böse. Jahrbuch für Biblische Theologie 26. Neukirchen-Vluyn: Neunkirchner.
  • Friedrich, Marcus A. (2001). Liturgische Körper. Der Beitrag von Schauspieltheorien und - techniken für die Pastoralästhetik. Stuttgart: Kohlhammer Verlag.
  • Gogol, Nikolai (2003). The Night before Christmas in The Collected Tales of Nikolai Gogol, translated by Richard Pevear and Larissa Volokhonsky. London: Granta.
  • Goldman, Adria and Damion Waymer (2014). Identifying Ugliness, Defining Beauty: A Focus Group Analysis of and Reaction to Ugly Betty. The Qualitative Report, 19 (10), https://nsuworks.nova.edu/cgi/viewcontent.cgi?article=1263&context=tqr
  • Harries, Karsten (1968). The Meaning of Modern art. A philosophical interpretation. Eavanston: Northwestern UP.
  • Hughes, William (2012). Fictional Vampires in the Nineteenth and Twentieth Centuries. In David Punter: A new companion to the Gothic. Malden: Wiley Blackwell, 197-210.
  • Jerrentrup, Maja (2020). Picturing Hybrids Hybrid Creatures in Staged Photography. Journal of Philosophy, Culture and Religion 49.
  • Jones, David Albert (2011). Angels. A very short introduction. New York: Oxford University Press.
  • Jung, Carl Gustav (2006). Archetypen. München: dtv.
  • Krieger, Verena (2012). Adam als Liebespartner. Zur Konstruktion eines neuen Männlichkeitsideals in Sündenfalldarstellungen des frühen 16. Jahrunderts. in Guth, Doris and Elisabeth Priedl: Bilder der Liebe. Liebe, Begehren und Geschlechterverhältnisse in der Kunst der Frühen Neuzeit. Bielefeld: transcript, 29-66.
  • Mihailescu, Calin-Andrei (1997). Ritual at the Birth of Kitsch. The Comparatist, 21, 49-67.
  • Nomadrs (2022). Is The World Becoming More Spiritual? Research points to spirituality being on the rise. https://www.prnewswire.com/news-releases/is-the-world-becoming-more-spiritual-301458427.html
  • Patzer, Gordon L. (1985). The Physical Attractiveness Phenomena. New York and London: Plenum Press.
  • Russell, Jeffrey Burton (1977). The Devil. Perception of Evil from Antiquitiy to Primitive Christianity. Ithaca and London: Cornell University Press.
  • Schwärzler, Monika (2016). At face value & beyond. Photographic constructions of reality. Bielefeld: transcript.
  • Stolz, Jörg, Judith Könemann, Mallory Schneuwly Purdie, Thomas Englberger and Michael Krüggeler (2016): (Un)Believing in Modern Society. Religion, Spirituality, and Religious-Secular Competition. London and New York: Routledge.
  • Theye, Thomas (1998). Photographie, Ethnographie und physische Anthropologie im 19. Jahrhundert: Ein Überblick für den deutschen Sprachraum. Revista de dialectología tradiciones populares, Vol LIII, no 1, 49-73.
  • Van Lujik, Ruben (2016). Children of Lucifer: The Origins of Modern Religious Satanism. New York: Oxford University Press.
  • Waller, James E. (2007). Becoming Evil: How Ordinary People Commit Genocide and Mass Killing Oxford: Oxford University Press.
  • Rustamovna, Umarova N. (2022). The realization of the concept of goodness in English and Uzbek proverbs. International Scientific Research Journal, 3(7), 148-152.
  • Wenzel, Günther (2016). Die Last der Entscheidung: Sind Konsumenten überfordert, wenn sie mehr Auswahl haben? Wien: danzig & unfried.
  • Zimbardo, Philip (2008). The Lucifer Effect: Understanding How Good People Turn Evil. Random House Trade Paperbacks.
There are 35 citations in total.

Details

Primary Language English
Journal Section Interdisciplinary Art
Authors

Maja Jerrentrup 0000-0002-3615-7507

Publication Date March 30, 2023
Published in Issue Year 2023 Volume: 4 Issue: 1

Cite

APA Jerrentrup, M. (2023). Approaching spirituality with the help of artistic embodiment: A case study. Journal for the Interdisciplinary Art and Education, 4(1), 23-36.

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