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Year 2024, Volume: 5 Issue: Special Issue: Mevlana's Philosophy and Art, 39 - 50

Abstract

References

  • Adajian, T. (2018). The definition of art. Stanford Encyclopedia of Philosophy.
  • Adorno, T. W. (1997). Aesthetic theory (G. Adorno & R. Hullot-Kentor, Trans.). University of Minnesota Press.
  • Aksoy, Y. (2009, December 23). Gülsün Erbil “Sırdöngü” (Gülsün Erbil, ‘The Loop’). Blogspot. https://sirdongu.blogspot.com/2009/12/
  • Bacak, B. B., & Kurt, S. (2020). Gülsün Erbil’in sanat üretimlerinde mistisizm: “mistik döngü” serisi üzerine çözümleyici bir yaklaşım (Mysticism in Gülsün Erbil’s artworks: An analytic approach on the “mystic cycle” series). Sanat Yazıları, (43), 255-275.
  • Bal, A. A. (2007). Gülsün Erbil’in sanatı: Mevlâna izleğinde bir sûfî yolculuk (The art of Gülsün Erbil: A sufi journey in the path of Mawlānā). Journal of Rumi Studies, 1(1), 159-167.
  • Barrett, T. (1994). Criticizing art. Mountain View, CA: Mayfield.
  • Baytar, İ., & Okkalı, İ. C. (2020). Gelenekten beslenen modernlik: İbrahim Çallı ve Mevleviler serisi (Modernity Nourished by Tradition: İbrahim Callı and the Whirling Dervish series). Journal of Atatürk University Institute of Fine Arts, 26(44), 126-137. doi: https://doi.org/10.35247/ataunigsed.659286
  • Berleant, A. (1992). The aesthetics of environment. Temple University Press. http://www.jstor.org/stable/j.ctt14bs997
  • Bingöl, M., Çevik, N., & Kayahan, Z. (2020). Çağdaş sanatta değişen mekân algısı ve sanatçı-izleyici etkileşimleri/ buluşmaları (Changing space/place perceptionin contemporary art and artist-viewer interactions/meetings). The Journal of Academic Social Science, 8(108), 379-393.
  • Bulatov, S. (2024, October 1). Rembrandt’s views about thinkers and scientists of the east. San’at. https://sanat.orexca.com/rembrandt-s-views-about-thinkers-and-scientists-of-the-east/
  • Brown, C. (2009). Rembrandt and Realism for Görel Cavalli-Björkman. Konsthistorisk Tidskrift, 78(1), 1-15. https://doi.org/10.1080/00233600802686416
  • Çakır, M. (2019, Jun 17). Rembrandt tablosunda Mevlana Celalettin Rumi (Mevlana Celalettin Rumi in a Rembrandt painting.). Kıraatevi. https://kiraatevi.blogspot.com/2019/06/rembrandt-tablosunda-mevlana- celalettin.html
  • Çınar, H. (2013, November 11). Şimdi yeni şeyler söylemek lazım (Now we need to say new things). Dünya. https://www.dunya.com/kose-yazisi/simdi-yeni-seyler-soylemek-lazim/18153
  • Dağlı, Ş. Z. (2021). Türk resminde bir sanat dehası: İbrahim Çallı (An art genius in turkish painting: İbrahim Çallı). Atatürk Üniversitesi Güzel Sanatlar Enstitüsü Dergisi, 27(47), 489-497. https://doi.org/10.32547/ataunigsed.935291
  • Değirmençay, V. (2022). Rebabnâme’de Mevlâna ve mevlevilik. Journal of Iranology Studies, 1(16), 29-46. https://doi.org/10.54614/AJIS.2022.1040822
  • Denzin, N. K., & Lincoln, Y. S. (2018). The SAGE handbook of qualitative research. SAGE.
  • Dewey, J. (1934). Deneyim olarak sanat. New York: Perigee Books.
  • Dinçeli, D. (2017). Sanat ve tasarım etiği (Art and design ethics). İdil, 6(30), 585-617.
  • Dinçeli, D. (2020). Yaratıcılık ve sanat (Creativity and art). SED, 8(1), 43–55.
  • Dinçer, M. (2022, Jun 4). Refik Anadol “Rumi Dreams” projesi ile AKM’ye konuk oluyor (Refik Anadol will be a guest at AKM with his ‘Rumi Dreams’ project). Artilop. https://artilop.co/refik-anadol-rumi-dreams-projesi-ile- akmye-konuk-oluyor/
  • Dissanayake, E. (2015). What is art for? University of Washington Press.
  • Erbil, G. (1983-84); Mysticism (Master thesis) [Goldsmith’s College London University], England.
  • Erdoğan, M. (2022, July 1). Yapay zekâ kullanarak insanlığın ortak kaygılarını daha rahat anlayabileceğiz (Using artificial intelligence, we will be able to better understand the common concerns of humanity). Platin. https://www.platinonline.com/kultur-sanat/yapay-zeka-kullanarak-insanligin-ortak-kaygilarini-daha-rahat- anlayabilecegiz-1084804
  • Fineberg, J. D. (2000). Art since 1940. Upper Saddle River, NJ: Prentice Hall.
  • Focillon. (1960). H.Rembrandt: Paintings, Drawings and Etchings. The Three Early Biographies, catalogue and notes by Ludwig Goldschneider. London: Phaidon.
  • Forsey, J. (2013). The aesthetics of design. OUP USA.
  • Giray, K. (2007). Türk resim sanatının bir asırlık öyküsü (A century-old story of Turkish painting). Akbank Press.
  • Gönül, M. (2007). Mevlevîlik ve mûsikî (Mawlawism and music). İstem, (10), 75-89.
  • Güler, A. (2011). Aleksis Griçenko ve Çallı kuşağı sanatçıları (Alexis Grichenko and the artists of the Çallı generation). Sanat Dünyamız- Our Art World, 125, 38-49.
  • İstanbulsanatevi. (2024, October 4). İbrahim Çallı Mevleviler (Ibrahim Calli Mevlevis). İstanbulsanatevi. https://www.istanbulsanatevi.com/sanatcilar/soyadi-c2/calli-ibrahim/ibrahim-calli-mevleviler-8900/
  • İşman, A. S. (2017). Çağdaş Türk resminde müzik ve dans imgeleri (Images of music and dance in modern Turkish painting). Journal of International Social Research, 10(54).
  • Kara, M. (2006). Doğumunun 800. yılında Mevlânâ ve mevlevîlik. Uludag Journal of Theology, 15(1), 1-22.
  • Küçük, S. (2006). Geçmişten günümüze Mevlevilik (Mevlana’s philosophy from past to present), Journal of Democracy Platform, 2(6), 77-122.
  • Labuschagne, A. (2003). Qualitative research: Airy fairy or fundamental? The Qualitative Report, 8(1), 100-103. https://doi.org/10.46743/2160-3715/2003.1901
  • Leder, H., Gerger, G., Dressler, S. G., & Schabmann, A. (2012). How art is appreciated. Psychology of Aesthetics, Creativity, and the Arts, 6(1), 2.
  • Nanay, B. (2019). Aesthetics. Oxford University Press, USA.
  • Neuendorf, K. A. (2002). The content analysis guidebook. Thousand Oaks, CA: Sage.
  • Özgül, E. (2018). Projeksiyon haritalama teknikleri, alanlarının incelenmesi ve bir uygulama çalışması (The techniques of projection mapping and the analysis of its application fields: A practical study). Master thesis. Hacettepe University, Ankara, Turkiye.
  • Patton, M. Q. (2015). Qualitative research and evaluation methods. Sage.
  • Seel, M. (2005). Aesthetics of appearing. Stanford University Press.
  • Soylu, A. (2013). Sanatçı Gülsün Erbil (Artist Gülsün Erbil). Journal of Akdeniz Sanat, 6(12).
  • Suri, H., & Clarke, D. (2009). Advancements in research synthesis methods: From a methodologically inclusive perspective. Review of Educational Research, 79(1), 395-430. https://doi.org/10.3102/0034654308326349
  • Welsch, W. (2002). Aesthetics beyond aesthetics. Routledge.
  • Uzluk, Ş. (1957). Mevlevilikte resim resimde Mevleviler (Mevlana’s philosophy in painting, Mevlevis in painting). Ankara: Türkiye İş Bankası Kültür Press, Türk Tarih Kurumu Publishing.
  • Ültay, E., Akyurt, H., Ültay, N. (2021). Descriptive content analysis in social sciences. IBAD Journal of Social Science, (10), 188- 201.
  • NEU. (2021, January 22). Sanatçı Irine Kasrashvili, Kıbrıs Modern sanat müzesi için “Mevlevi Dervişi”, “Çiçekler” ile “Sonbahar” adlı üç eserini Kıbrıs’ın motifleri ile renklerini tasvir ederek sanatseverlerin beğenisine sundu (Artist Irine Kasrashvili presented her three works titled ‘Mevlevi Dervish’, ‘Flowers’ and ‘Autumn’ for the Cyprus Museum of Modern Arts, depicting the motifs and colours of Cyprus to the taste of art lovers). Near East University. https://neu.edu.tr/sanatci-irine-kasrashvili-kibris-modern-sanat-muzesi-icin-mevlevi-dervisi-cicekler-ile-sonbahar-adli-uc-eserini-kibrisin-motifleri-ile/
  • Young, J. O. (2001). Art and knowledge (1st ed.). Routledge. https://doi.org/10.4324/9780203427798

The effects of Mevlana's philosophy on aesthetics and art: innovative interpretations inspired by the past

Year 2024, Volume: 5 Issue: Special Issue: Mevlana's Philosophy and Art, 39 - 50

Abstract

In this research, the relationship between Mevlana’s philosophy and art is analysed through the works of artists who have works on Mevlana’s philosophy. In this context, artists such as Rembrant, İbrahim Çallı, Gülsün Erbil, Refik Anadol and Irine Kasrashvili were used as samples. The study aims to investigate how both traditional and modern art is shaped around the themes of Mevlana’s philosophy and Sufism. The research is designed as a qualitative case study. By examining the selected works of the artists, the change in aesthetic understanding, cultural and artistic interactions were analysed through content and document analysis. How the transition between traditional and modern art is shaped in the context of Sufism and Mevlevi aesthetics is evaluated. In this context, the research aims to reveal the change and continuity of art from past to present by examining the effects of Mevlevi thought on art and how artists interpret this thought. The works created by artists inspired by Mevlana’s philosophy have added new perspectives to social and individual perceptions in different periods. It has been observed that current designs contain similar themes and figures with the past, but changes in style have occurred. Technology was also used in current works, and works were blended with contemporary interpretations as well as classical expressions. In addition, the results of the research show that the artworks within the scope of the research from past to present have mostly dealt with ‘whirling dervish’ figures with ‘high colourism’ through the concept of ‘whirling dervish’. The stylistic features used by the artists have changed depending on the original attitude of the art. This situation is seen as a promising situation for the future of art.

Ethical Statement

Research only five artists (Rembrant, İbrahim Çallı, Gülsün Erbil, Refik Anadol and Irine Kasrashvili) and their works on Mevlana’s philosophy.

References

  • Adajian, T. (2018). The definition of art. Stanford Encyclopedia of Philosophy.
  • Adorno, T. W. (1997). Aesthetic theory (G. Adorno & R. Hullot-Kentor, Trans.). University of Minnesota Press.
  • Aksoy, Y. (2009, December 23). Gülsün Erbil “Sırdöngü” (Gülsün Erbil, ‘The Loop’). Blogspot. https://sirdongu.blogspot.com/2009/12/
  • Bacak, B. B., & Kurt, S. (2020). Gülsün Erbil’in sanat üretimlerinde mistisizm: “mistik döngü” serisi üzerine çözümleyici bir yaklaşım (Mysticism in Gülsün Erbil’s artworks: An analytic approach on the “mystic cycle” series). Sanat Yazıları, (43), 255-275.
  • Bal, A. A. (2007). Gülsün Erbil’in sanatı: Mevlâna izleğinde bir sûfî yolculuk (The art of Gülsün Erbil: A sufi journey in the path of Mawlānā). Journal of Rumi Studies, 1(1), 159-167.
  • Barrett, T. (1994). Criticizing art. Mountain View, CA: Mayfield.
  • Baytar, İ., & Okkalı, İ. C. (2020). Gelenekten beslenen modernlik: İbrahim Çallı ve Mevleviler serisi (Modernity Nourished by Tradition: İbrahim Callı and the Whirling Dervish series). Journal of Atatürk University Institute of Fine Arts, 26(44), 126-137. doi: https://doi.org/10.35247/ataunigsed.659286
  • Berleant, A. (1992). The aesthetics of environment. Temple University Press. http://www.jstor.org/stable/j.ctt14bs997
  • Bingöl, M., Çevik, N., & Kayahan, Z. (2020). Çağdaş sanatta değişen mekân algısı ve sanatçı-izleyici etkileşimleri/ buluşmaları (Changing space/place perceptionin contemporary art and artist-viewer interactions/meetings). The Journal of Academic Social Science, 8(108), 379-393.
  • Bulatov, S. (2024, October 1). Rembrandt’s views about thinkers and scientists of the east. San’at. https://sanat.orexca.com/rembrandt-s-views-about-thinkers-and-scientists-of-the-east/
  • Brown, C. (2009). Rembrandt and Realism for Görel Cavalli-Björkman. Konsthistorisk Tidskrift, 78(1), 1-15. https://doi.org/10.1080/00233600802686416
  • Çakır, M. (2019, Jun 17). Rembrandt tablosunda Mevlana Celalettin Rumi (Mevlana Celalettin Rumi in a Rembrandt painting.). Kıraatevi. https://kiraatevi.blogspot.com/2019/06/rembrandt-tablosunda-mevlana- celalettin.html
  • Çınar, H. (2013, November 11). Şimdi yeni şeyler söylemek lazım (Now we need to say new things). Dünya. https://www.dunya.com/kose-yazisi/simdi-yeni-seyler-soylemek-lazim/18153
  • Dağlı, Ş. Z. (2021). Türk resminde bir sanat dehası: İbrahim Çallı (An art genius in turkish painting: İbrahim Çallı). Atatürk Üniversitesi Güzel Sanatlar Enstitüsü Dergisi, 27(47), 489-497. https://doi.org/10.32547/ataunigsed.935291
  • Değirmençay, V. (2022). Rebabnâme’de Mevlâna ve mevlevilik. Journal of Iranology Studies, 1(16), 29-46. https://doi.org/10.54614/AJIS.2022.1040822
  • Denzin, N. K., & Lincoln, Y. S. (2018). The SAGE handbook of qualitative research. SAGE.
  • Dewey, J. (1934). Deneyim olarak sanat. New York: Perigee Books.
  • Dinçeli, D. (2017). Sanat ve tasarım etiği (Art and design ethics). İdil, 6(30), 585-617.
  • Dinçeli, D. (2020). Yaratıcılık ve sanat (Creativity and art). SED, 8(1), 43–55.
  • Dinçer, M. (2022, Jun 4). Refik Anadol “Rumi Dreams” projesi ile AKM’ye konuk oluyor (Refik Anadol will be a guest at AKM with his ‘Rumi Dreams’ project). Artilop. https://artilop.co/refik-anadol-rumi-dreams-projesi-ile- akmye-konuk-oluyor/
  • Dissanayake, E. (2015). What is art for? University of Washington Press.
  • Erbil, G. (1983-84); Mysticism (Master thesis) [Goldsmith’s College London University], England.
  • Erdoğan, M. (2022, July 1). Yapay zekâ kullanarak insanlığın ortak kaygılarını daha rahat anlayabileceğiz (Using artificial intelligence, we will be able to better understand the common concerns of humanity). Platin. https://www.platinonline.com/kultur-sanat/yapay-zeka-kullanarak-insanligin-ortak-kaygilarini-daha-rahat- anlayabilecegiz-1084804
  • Fineberg, J. D. (2000). Art since 1940. Upper Saddle River, NJ: Prentice Hall.
  • Focillon. (1960). H.Rembrandt: Paintings, Drawings and Etchings. The Three Early Biographies, catalogue and notes by Ludwig Goldschneider. London: Phaidon.
  • Forsey, J. (2013). The aesthetics of design. OUP USA.
  • Giray, K. (2007). Türk resim sanatının bir asırlık öyküsü (A century-old story of Turkish painting). Akbank Press.
  • Gönül, M. (2007). Mevlevîlik ve mûsikî (Mawlawism and music). İstem, (10), 75-89.
  • Güler, A. (2011). Aleksis Griçenko ve Çallı kuşağı sanatçıları (Alexis Grichenko and the artists of the Çallı generation). Sanat Dünyamız- Our Art World, 125, 38-49.
  • İstanbulsanatevi. (2024, October 4). İbrahim Çallı Mevleviler (Ibrahim Calli Mevlevis). İstanbulsanatevi. https://www.istanbulsanatevi.com/sanatcilar/soyadi-c2/calli-ibrahim/ibrahim-calli-mevleviler-8900/
  • İşman, A. S. (2017). Çağdaş Türk resminde müzik ve dans imgeleri (Images of music and dance in modern Turkish painting). Journal of International Social Research, 10(54).
  • Kara, M. (2006). Doğumunun 800. yılında Mevlânâ ve mevlevîlik. Uludag Journal of Theology, 15(1), 1-22.
  • Küçük, S. (2006). Geçmişten günümüze Mevlevilik (Mevlana’s philosophy from past to present), Journal of Democracy Platform, 2(6), 77-122.
  • Labuschagne, A. (2003). Qualitative research: Airy fairy or fundamental? The Qualitative Report, 8(1), 100-103. https://doi.org/10.46743/2160-3715/2003.1901
  • Leder, H., Gerger, G., Dressler, S. G., & Schabmann, A. (2012). How art is appreciated. Psychology of Aesthetics, Creativity, and the Arts, 6(1), 2.
  • Nanay, B. (2019). Aesthetics. Oxford University Press, USA.
  • Neuendorf, K. A. (2002). The content analysis guidebook. Thousand Oaks, CA: Sage.
  • Özgül, E. (2018). Projeksiyon haritalama teknikleri, alanlarının incelenmesi ve bir uygulama çalışması (The techniques of projection mapping and the analysis of its application fields: A practical study). Master thesis. Hacettepe University, Ankara, Turkiye.
  • Patton, M. Q. (2015). Qualitative research and evaluation methods. Sage.
  • Seel, M. (2005). Aesthetics of appearing. Stanford University Press.
  • Soylu, A. (2013). Sanatçı Gülsün Erbil (Artist Gülsün Erbil). Journal of Akdeniz Sanat, 6(12).
  • Suri, H., & Clarke, D. (2009). Advancements in research synthesis methods: From a methodologically inclusive perspective. Review of Educational Research, 79(1), 395-430. https://doi.org/10.3102/0034654308326349
  • Welsch, W. (2002). Aesthetics beyond aesthetics. Routledge.
  • Uzluk, Ş. (1957). Mevlevilikte resim resimde Mevleviler (Mevlana’s philosophy in painting, Mevlevis in painting). Ankara: Türkiye İş Bankası Kültür Press, Türk Tarih Kurumu Publishing.
  • Ültay, E., Akyurt, H., Ültay, N. (2021). Descriptive content analysis in social sciences. IBAD Journal of Social Science, (10), 188- 201.
  • NEU. (2021, January 22). Sanatçı Irine Kasrashvili, Kıbrıs Modern sanat müzesi için “Mevlevi Dervişi”, “Çiçekler” ile “Sonbahar” adlı üç eserini Kıbrıs’ın motifleri ile renklerini tasvir ederek sanatseverlerin beğenisine sundu (Artist Irine Kasrashvili presented her three works titled ‘Mevlevi Dervish’, ‘Flowers’ and ‘Autumn’ for the Cyprus Museum of Modern Arts, depicting the motifs and colours of Cyprus to the taste of art lovers). Near East University. https://neu.edu.tr/sanatci-irine-kasrashvili-kibris-modern-sanat-muzesi-icin-mevlevi-dervisi-cicekler-ile-sonbahar-adli-uc-eserini-kibrisin-motifleri-ile/
  • Young, J. O. (2001). Art and knowledge (1st ed.). Routledge. https://doi.org/10.4324/9780203427798
There are 47 citations in total.

Details

Primary Language English
Subjects Visual Arts (Other)
Journal Section Painting
Authors

Ünal Bastaban 0000-0003-1172-8374

Savaş Sarıhan 0000-0003-4346-0077

Early Pub Date December 30, 2024
Publication Date
Submission Date October 9, 2024
Acceptance Date December 19, 2024
Published in Issue Year 2024 Volume: 5 Issue: Special Issue: Mevlana's Philosophy and Art

Cite

APA Bastaban, Ü., & Sarıhan, S. (2024). The effects of Mevlana’s philosophy on aesthetics and art: innovative interpretations inspired by the past. Journal for the Interdisciplinary Art and Education, 5(Special Issue: Mevlana’s Philosophy and Art), 39-50.

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