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Reimagining movement: A qualitative exploration of modern choreography’s techniques and expressive elements

Year 2025, Volume: 6 Issue: 4, 307 - 320

Abstract

Modern choreography is notable for its techniques and elements that transform dance into a free and creative form of expression. Compared to traditional ballet, it possesses a more natural structure; gravity and contact with the floor constitute one of the fundamental characteristics of modern dance. Movements are inspired by natural body movements in daily life, allowing dancers to express themselves more freely. With its emotional and narrative-focused approach, it concentrates on conveying a specific emotion or idea without the necessity of presenting a story. An impressive emotional atmosphere is created for the audience through contrasts such as oppositions, sudden pauses, and changes in speed. Unlike traditional techniques, in modern choreography, all parts of the body become part of the movement, and a three-dimensional expression is generated by utilizing every area of the stage space. With flow based on inner feeling, movements become open to improvisation, enabling the dancer to externalize their inner world. The physical structure, requiring strength and agility, combined with harmony with music, imparts a dynamic and aesthetic quality to modern choreography. All these nuances collectively transform modern dance into a profound artistic experience for both dancers and audiences. This research aims to contribute to the literature by offering a new perspective on dance education, choreography design, and staging techniques. The research was designed within the framework of a qualitative research approach and conducted using document analysis and comprehensive literature review methods. The data sources for the study consist of nationally and internationally published books related to modern choreography, articles in peer-reviewed journals, postgraduate theses, interviews conducted with expert choreographers, and recordings of stage performances. Modern choreography creates a freer and improvisation-based dance form by breaking classical rules. Techniques and elements such as gravity, contrast movements, improvisation, and the utilization of all aspects of the stage space enrich modern choreography both physically and emotionally. Dancers find the opportunity to project their inner worlds onto the stage through this art form, offering audiences a unique aesthetic experience.

Ethical Statement

This study does not involve human participants, experimental interventions, observations, or the use of personal data; therefore, ethics committee approval was not required. The research was conducted through the use of open-access sources, literature review, and document analysis methods. Both authors contributed equally to the writing and development of the article. The authors declare that there is no conflict of interest regarding this study. The authors express their sincere gratitude to everyone who supported the completion of this research.

Supporting Institution

No financial support or funding was received for this study.

Thanks

The authors would like to express their sincere thanks to everyone who contributed to the development of this research.

References

  • Acet, C. (2019). New approaches to dance; contemporary dance choreography with Zeybek dance movement semiotics. Eurasian Journal of Music and Dance, (15), 1-13.
  • Aksu, G. (2021). The creation of contemporary dance choreography through proprioception researches. Master's thesis. Mimar Sinan Fine Arts University. Istanbul, Türkiye.
  • Aşkar, F. (2021, April 23-25). An aesthetic interference in traditional dance: The example of Trabzon women dances (Paper presentation). ICTM Study Group for Music and Dance in South East Europe Seventh Symposium, Trabzon, Türkiye.
  • Aşkar, F. (2024). Methodological analysis in choreography: The Bu100deN (Dance Narrative) ‘Union’ example. International Journal of Current Educational Research, 10(1), 16-30. https://dergipark.org.tr/tr/download/article-file/3735227
  • Bloch, E., & Lukacs, G. (1985). Aesthetics and politics (Ü. Oskay, Trans.). Eleştiri Yayınları.
  • Blom, L. A., & Chaplin, L. T. (1982). The intimate act of choreography. University of Pittsburgh Press.
  • Bostancı, A. (2022). Creating a solo contemporary dance choreography with the integrity of sound and body. Master's thesis. Mimar Sinan Fine Arts University. Istanbul, Türkiye.
  • Carter, A. (2010). Shaking the foundations of the discipline. In A. Carter (Ed.), Rethinking dance history (B. Zenginobuz, Trans.). BGST Yayınları.
  • Demircan, S. (2020). A study of contemporary dance solo choreography inspired by a mime play: Wordless Play I. Eurasian Journal of Music and Dance, (17), 1-10.
  • Erkan, S. (2014). The body as a powerful means of expression in performing arts. Journal of Academic View, 41(7), 1–15. https://dergipark.org.tr/en/download/article-file/383849
  • Federman, M. (2004). What is the meaning of the medium is the message? http://individual.utoronto.ca/markfederman/MeaningTheMediumistheMessage.pdf
  • Giurchescu, A. (2017). The power of dance and its social and political uses (M. Ö. Özbilgin & G. Kaplan, Trans.; M. Ö. Özbilgin & B. O. Kurtişoğlu, Eds.). Ege Üniversitesi Basımevi.
  • Göldere, S. (2017). ‘Erick Hawkins modern dance technique’ as a synthesis of Eastern aesthetic ideas and Western rational movement theories. Sahne ve Müzik, (5), 173-210.
  • Hadi, Y. S. (2012). Choreography: Form-technique-content. Dwi-Quantum.
  • Humphrey, D. (1959). The art of making dances. Grove Press.
  • Irdawati, I., & Sukri, S. (2018). Development of Podang Perisai dance choreography from traditional to modern in Kuantan Singingi Riau. Panggung, 28(2).
  • Kaya, E. N., Yıldız, K., & Erkök, F. (2022). The becoming of body-space: Tuğçe Tuna’s “Vertigo” performance. In Ö. Öztürk (Ed.), Proceedings of Archdesign’22 / IX. International Architectural Design Conference (pp. 142-154). Özgür Öztürk Dakam.
  • Kıraç, M. (2019). Walking practice in art production and the choreography of walking in contemporary dance. Master's thesis, Mimar Sinan Fine Arts University. Istanbul, Türkiye.
  • Kural, S. (2022). Creating a contemporary dance choreography inspired by phonetics and rhythms of the Bitlis region. Master's thesis. Mimar Sinan Fine Arts University. Istanbul, Türkiye.
  • Liechtenhan, R. (1993). Vom Tanz zum Ballett (From dance to ballet). Verlag Belser AG.
  • McLuhan, M. (1964). Understanding media: The extensions of man. McGraw Hill.
  • Muñoz Ponzo, P. (2018). Critical analysis of André Lepecki "The Body as Archive: Will to Re-Enact and the Afterlives of Dances" (2010) by.
  • Niehaus, M. (1982). Ballett Faszination (Ballet fascination). Nymphenburger Verlagshandlung.
  • Nurizka, F., Supadmi, T., & Ramdiana, R. (2023). Choreographic study of modern dance in the Obliviate Dance Community in Banda Aceh. Jurnal Ilmiah Mahasiswa Pendidikan Seni, Drama, Tari Musik, 8(1).
  • Reynolds, D. (2012). Kinesthetic empathy in creative and cultural practices. Intellect.
  • Salmen, W. (1997). Terpsichore, Tanzhistorische Studien (Terpsichore, dance history studies).
  • Şenel, U. (2019). Producing a contemporary dance choreography through the concept of intimacy [Master's thesis, Mimar Sinan Fine Arts University].
  • Smyth, M. M. (1984). Kinesthetic communication in dance. Dance Research Journal, 16(2), 19-22.
  • Stefen, A. H. (2014). Choreography as form as dance as an activity. FKW: Zeitschrift für Geschlechterforschung und visuelle Kultur, 55, 79–89. https://doi.org/10.25595/2069
  • Stocks, D. (2000). Die Diesziplinierung von Musik und Tanz (The disciplining of music and dance). Leske + Budrich Verlag.
  • Sukri, A. (2019). Tonggak Raso choreography based on silek. Garak Jo Garik: Jurnal Pengkajian Dan Penciptaan Seni, 13(2), 73-90.
  • Wang, D. P. (2017). Analysis of optional complete sets of movements in the 2015 National Square Dance Competition. Master's thesis. Xi’an Institute of Physical Education.
  • Yılmaz, K. C., & Elyağutu, D. C. (2023). An interpretative approach to Turkish folk dances and the art of choreography. Eurasian Journal of Art and Civilization, 52-58. https://doi.org/10.17740/eas.art.2023-V16-06
  • Zhao, N. (2013). Research on the theory of complete sets of broadcast gymnastics movements in my country. Master's thesis. Beijing Sport University. Chiana.

Reimagining movement: A qualitative exploration of modern choreography’s techniques and expressive elements

Year 2025, Volume: 6 Issue: 4, 307 - 320

Abstract

Modern choreography is notable for its techniques and elements that transform dance into a free and creative form of expression. Compared to traditional ballet, it possesses a more natural structure; gravity and contact with the floor constitute one of the fundamental characteristics of modern dance. Movements are inspired by natural body movements in daily life, allowing dancers to express themselves more freely. With its emotional and narrative-focused approach, it concentrates on conveying a specific emotion or idea without the necessity of presenting a story. An impressive emotional atmosphere is created for the audience through contrasts such as oppositions, sudden pauses, and changes in speed. Unlike traditional techniques, in modern choreography, all parts of the body become part of the movement, and a three-dimensional expression is generated by utilizing every area of the stage space. With flow based on inner feeling, movements become open to improvisation, enabling the dancer to externalize their inner world. The physical structure, requiring strength and agility, combined with harmony with music, imparts a dynamic and aesthetic quality to modern choreography. All these nuances collectively transform modern dance into a profound artistic experience for both dancers and audiences. This research aims to contribute to the literature by offering a new perspective on dance education, choreography design, and staging techniques. The research was designed within the framework of a qualitative research approach and conducted using document analysis and comprehensive literature review methods. The data sources for the study consist of nationally and internationally published books related to modern choreography, articles in peer-reviewed journals, postgraduate theses, interviews conducted with expert choreographers, and recordings of stage performances. Modern choreography creates a freer and improvisation-based dance form by breaking classical rules. Techniques and elements such as gravity, contrast movements, improvisation, and the utilization of all aspects of the stage space enrich modern choreography both physically and emotionally. Dancers find the opportunity to project their inner worlds onto the stage through this art form, offering audiences a unique aesthetic experience.

Ethical Statement

This study does not involve human participants, experimental interventions, observations, or the use of personal data; therefore, ethics committee approval was not required. The research was conducted through the use of open-access sources, literature review, and document analysis methods. Both authors contributed equally to the writing and development of the article. The authors declare that there is no conflict of interest regarding this study. The authors express their sincere gratitude to everyone who supported the completion of this research.

Supporting Institution

No financial support or funding was received for this study.

Thanks

The authors would like to express their sincere thanks to everyone who contributed to the development of this research.

References

  • Acet, C. (2019). New approaches to dance; contemporary dance choreography with Zeybek dance movement semiotics. Eurasian Journal of Music and Dance, (15), 1-13.
  • Aksu, G. (2021). The creation of contemporary dance choreography through proprioception researches. Master's thesis. Mimar Sinan Fine Arts University. Istanbul, Türkiye.
  • Aşkar, F. (2021, April 23-25). An aesthetic interference in traditional dance: The example of Trabzon women dances (Paper presentation). ICTM Study Group for Music and Dance in South East Europe Seventh Symposium, Trabzon, Türkiye.
  • Aşkar, F. (2024). Methodological analysis in choreography: The Bu100deN (Dance Narrative) ‘Union’ example. International Journal of Current Educational Research, 10(1), 16-30. https://dergipark.org.tr/tr/download/article-file/3735227
  • Bloch, E., & Lukacs, G. (1985). Aesthetics and politics (Ü. Oskay, Trans.). Eleştiri Yayınları.
  • Blom, L. A., & Chaplin, L. T. (1982). The intimate act of choreography. University of Pittsburgh Press.
  • Bostancı, A. (2022). Creating a solo contemporary dance choreography with the integrity of sound and body. Master's thesis. Mimar Sinan Fine Arts University. Istanbul, Türkiye.
  • Carter, A. (2010). Shaking the foundations of the discipline. In A. Carter (Ed.), Rethinking dance history (B. Zenginobuz, Trans.). BGST Yayınları.
  • Demircan, S. (2020). A study of contemporary dance solo choreography inspired by a mime play: Wordless Play I. Eurasian Journal of Music and Dance, (17), 1-10.
  • Erkan, S. (2014). The body as a powerful means of expression in performing arts. Journal of Academic View, 41(7), 1–15. https://dergipark.org.tr/en/download/article-file/383849
  • Federman, M. (2004). What is the meaning of the medium is the message? http://individual.utoronto.ca/markfederman/MeaningTheMediumistheMessage.pdf
  • Giurchescu, A. (2017). The power of dance and its social and political uses (M. Ö. Özbilgin & G. Kaplan, Trans.; M. Ö. Özbilgin & B. O. Kurtişoğlu, Eds.). Ege Üniversitesi Basımevi.
  • Göldere, S. (2017). ‘Erick Hawkins modern dance technique’ as a synthesis of Eastern aesthetic ideas and Western rational movement theories. Sahne ve Müzik, (5), 173-210.
  • Hadi, Y. S. (2012). Choreography: Form-technique-content. Dwi-Quantum.
  • Humphrey, D. (1959). The art of making dances. Grove Press.
  • Irdawati, I., & Sukri, S. (2018). Development of Podang Perisai dance choreography from traditional to modern in Kuantan Singingi Riau. Panggung, 28(2).
  • Kaya, E. N., Yıldız, K., & Erkök, F. (2022). The becoming of body-space: Tuğçe Tuna’s “Vertigo” performance. In Ö. Öztürk (Ed.), Proceedings of Archdesign’22 / IX. International Architectural Design Conference (pp. 142-154). Özgür Öztürk Dakam.
  • Kıraç, M. (2019). Walking practice in art production and the choreography of walking in contemporary dance. Master's thesis, Mimar Sinan Fine Arts University. Istanbul, Türkiye.
  • Kural, S. (2022). Creating a contemporary dance choreography inspired by phonetics and rhythms of the Bitlis region. Master's thesis. Mimar Sinan Fine Arts University. Istanbul, Türkiye.
  • Liechtenhan, R. (1993). Vom Tanz zum Ballett (From dance to ballet). Verlag Belser AG.
  • McLuhan, M. (1964). Understanding media: The extensions of man. McGraw Hill.
  • Muñoz Ponzo, P. (2018). Critical analysis of André Lepecki "The Body as Archive: Will to Re-Enact and the Afterlives of Dances" (2010) by.
  • Niehaus, M. (1982). Ballett Faszination (Ballet fascination). Nymphenburger Verlagshandlung.
  • Nurizka, F., Supadmi, T., & Ramdiana, R. (2023). Choreographic study of modern dance in the Obliviate Dance Community in Banda Aceh. Jurnal Ilmiah Mahasiswa Pendidikan Seni, Drama, Tari Musik, 8(1).
  • Reynolds, D. (2012). Kinesthetic empathy in creative and cultural practices. Intellect.
  • Salmen, W. (1997). Terpsichore, Tanzhistorische Studien (Terpsichore, dance history studies).
  • Şenel, U. (2019). Producing a contemporary dance choreography through the concept of intimacy [Master's thesis, Mimar Sinan Fine Arts University].
  • Smyth, M. M. (1984). Kinesthetic communication in dance. Dance Research Journal, 16(2), 19-22.
  • Stefen, A. H. (2014). Choreography as form as dance as an activity. FKW: Zeitschrift für Geschlechterforschung und visuelle Kultur, 55, 79–89. https://doi.org/10.25595/2069
  • Stocks, D. (2000). Die Diesziplinierung von Musik und Tanz (The disciplining of music and dance). Leske + Budrich Verlag.
  • Sukri, A. (2019). Tonggak Raso choreography based on silek. Garak Jo Garik: Jurnal Pengkajian Dan Penciptaan Seni, 13(2), 73-90.
  • Wang, D. P. (2017). Analysis of optional complete sets of movements in the 2015 National Square Dance Competition. Master's thesis. Xi’an Institute of Physical Education.
  • Yılmaz, K. C., & Elyağutu, D. C. (2023). An interpretative approach to Turkish folk dances and the art of choreography. Eurasian Journal of Art and Civilization, 52-58. https://doi.org/10.17740/eas.art.2023-V16-06
  • Zhao, N. (2013). Research on the theory of complete sets of broadcast gymnastics movements in my country. Master's thesis. Beijing Sport University. Chiana.
There are 34 citations in total.

Details

Primary Language English
Subjects Dance and Choreography
Journal Section Dance
Authors

Sabina Ganioğlu 0009-0002-3654-5013

Esra Kılınç 0009-0000-8673-9217

Early Pub Date October 21, 2025
Publication Date October 24, 2025
Submission Date June 17, 2025
Acceptance Date September 23, 2025
Published in Issue Year 2025 Volume: 6 Issue: 4

Cite

APA Ganioğlu, S., & Kılınç, E. (2025). Reimagining movement: A qualitative exploration of modern choreography’s techniques and expressive elements. Journal for the Interdisciplinary Art and Education, 6(4), 307-320.
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