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The Mazurka Phenomenon in Chopin's Music: Categorisation, Innovation, and Folkloric Origins

Year 2024, Volume: 1 Issue: 2, 73 - 97

Abstract

Chopin's mazurkas represent a remarkable fusion of folkloric tradition and innovative compositional technique, establishing their enduring significance within the Western art music canon. Far from being superficial adornments, the folkloric elements in these works are intricately woven into their structure, rhythm, harmony, and texture, demonstrating Chopin's deep engagement with Polish folk traditions. The structural framework of the mazurka, characterized by the repetitive ‘ostinateness’ of dance figures, reflects Chopin's reverence for the dance form, while his sophisticated rhythmic patterns capture the physical energy of the traditional mazurka. Harmonically, Chopin employs modal scales and ambiguous tonalities derived from Polish folk music, enriching the emotional depth of the compositions. Texturally, the mazurkas evoke the rustic sounds of folk instruments, reinforcing their connection to the rural Polish landscape. Beyond their musical dimensions, Chopin's mazurkas transcend their origins, existing as timeless works of art that embody both national identity and universal beauty. The philosophical implications of these compositions suggest that they represent a synthesis of folk tradition and eternal artistic principles, resonating with the mathematical precision and beauty that underpins all great art. Through his mazurkas, Chopin immortalized the spirit of Polish folk music within the broader context of classical composition, creating works that are both deeply personal and universally resonant.

References

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  • Caillois, R. (2007). Games and people: Articles and essays in the sociology of culture. United Humanities Publishing House.
  • Cook, N. (2020). Performance analysis and Chopin’s mazurkas. In Chopin (pp. 343-363). Routledge.
  • Hentova, S. (Ed.). (1970). Chopin as we hear him. Music.
  • Iwaszkiewicz, J. (2008). Travels to Italy. National Institute of Publishing.
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  • Rothstein, W. (2020). Phrase rhythm in Chopin’s nocturnes and mazurkas. In Chopin (pp. 461-487). Routledge.
  • Sidelnikov, S. (Ed.). (1989). A wreath to Chopin: A collection of articles. Music.
  • Smith, A. D., & Riley, M. (2016). Nation and classical music: From Handel to Copland. Boydell Press.
  • Tkatchenko, T. (1975). Folk dances. Iskusstvo.
  • Zenkin, K. (2023). Piano miniature and the paths of musical romanticism. Urait.

Chopin'in Müziğinde Mazurka Fenomeni: Kategorizasyon, Yenilik ve Folklorik Kökenler

Year 2024, Volume: 1 Issue: 2, 73 - 97

Abstract

Bu makale, Frederic Chopin'in eserlerindeki mazurka türünü, bestecinin kendine özgü üslubunun daha geniş bağlamında mazurkanın temel önemini aydınlatmak amacıyla incelemektedir. Bu çalışma, mazurkaların titiz bir analizi yoluyla, bu türün Polonyalı bestecinin eserlerinde oynadığı önemli rolü tespit etmeyi amaçlamaktadır. Chopin'in mazurkalarını, kendilerine özgü niteliklerine dayanarak üç farklı türe ayırmak için çaba gösterilmiştir. Dahası, bu araştırma Chopin'in mazurkalarında gömülü olan folklorik kökenlerin varlığını da ortaya koymaktadır. Sonuç olarak, bestecinin mazurkaların bestelenmesinde kullandığı yenilikçi teknikler açıklığa kavuşturulmaktadır.

References

  • Anninsky, L. (2001). Russians plus. Algorithm.
  • Birdwhistell, R. L. (1970). Kinesics and context: Essays on body-motion communication. University of Pennsylvania Press.
  • Caillois, R. (2007). Games and people: Articles and essays in the sociology of culture. United Humanities Publishing House.
  • Cook, N. (2020). Performance analysis and Chopin’s mazurkas. In Chopin (pp. 343-363). Routledge.
  • Hentova, S. (Ed.). (1970). Chopin as we hear him. Music.
  • Iwaszkiewicz, J. (2008). Travels to Italy. National Institute of Publishing.
  • Leerssen, J. (2014). Romanticism, music, nationalism. Nations and Nationalism, 20(4), 606-627.
  • Liszt, F. (1936). About Frederic Chopin. Muzgiz.
  • Liszt, F. (1956). About Frederic Chopin. Muzgiz.
  • Lotman, Y. (2002). Conversations about Russian culture: Life and traditions of the Russian nobility (XVIII - early XIX century). Iskusstvo.
  • Milewski, B. (2020). Chopin’s Mazurkas and the Myth of the Folk. In Chopin (pp. 67-89). Routledge.
  • Paskhalov, V. (1941). Chopin and Polish folk music. Muzgiz.
  • Rink, J. (2020). Chopin. Routledge.
  • Rothstein, W. (2020). Phrase rhythm in Chopin’s nocturnes and mazurkas. In Chopin (pp. 461-487). Routledge.
  • Sidelnikov, S. (Ed.). (1989). A wreath to Chopin: A collection of articles. Music.
  • Smith, A. D., & Riley, M. (2016). Nation and classical music: From Handel to Copland. Boydell Press.
  • Tkatchenko, T. (1975). Folk dances. Iskusstvo.
  • Zenkin, K. (2023). Piano miniature and the paths of musical romanticism. Urait.
There are 18 citations in total.

Details

Primary Language English
Subjects Musicology and Ethnomusicology
Journal Section Research Articles
Authors

Stacy Jarvis 0000-0002-5113-4792

Early Pub Date November 12, 2024
Publication Date
Submission Date August 5, 2024
Acceptance Date September 24, 2024
Published in Issue Year 2024 Volume: 1 Issue: 2

Cite

APA Jarvis, S. (2024). The Mazurka Phenomenon in Chopin’s Music: Categorisation, Innovation, and Folkloric Origins. Journal of Music and Folklore Studies, 1(2), 73-97.