Representations of Music and the Dance in Late Roman Art
Abstract
Keywords
References
- Ǻkerström-Hougen 1974 G. Åkerström-Hougen, The Calendar and Hunting Mosaics of the Villa of the Falconer in Argos: A Study in Early Byzantine Iconography (Skrifter av Svenska Institutet i Athen 4°, 23), Stockholm.
- Balty 1977 J. Balty, Mosaïques antiques de Syrie, Brussels.
- Balty 2011 J. Balty, “Une chronologie discutée: la mosaïque de Mariamin”, V. Correia - C. Oliveira (eds), O mosaico romano nos centros e periferias: Originalidades, influências e identidades, Actas do X Coloquio AIEMA, Conimbriga, 647-656.
- Bōhm 1998 G. Böhm, “Quid acetabulorum tinnitum? Bemerkungen zur Musikantinnen Mosaik in Hama und zu einer Miniatur der sogennanten Wiener Genesis”, MSpätAByz 1, 47-66.
- Bowersock et al. 2000 G. Bowersock - P. Brown - O. Grabar (eds.), Late Antiquity: A Guide to the Postclassical World, Cambridge, MA; London.
- Bruns 1935 G. Bruns, with a contribution by F. Krauss, Der Obelisk und seine Basis aus dem Hippodrom zu Konstatinopel als Denkmal der Spätantike, IF 7, Istanbul.
- Butcher 2003 K. Butcher, Roman Syria and the Near East, Los Angeles.
- Cosgrove 2011 C. H. Cosgrove, An Ancient Christian Hymn and Musical Notation. Papyrus Oxyrynchus 1786: Text and Commentary, Tübingen.
Details
Primary Language
English
Subjects
Archaeological Science
Journal Section
Research Article
Authors
David Parrish
This is me
0000-0003-4076-362X
United States
Early Pub Date
October 23, 2024
Publication Date
November 4, 2024
Submission Date
February 6, 2023
Acceptance Date
October 3, 2024
Published in Issue
Year 2024 Number: 17