Research Article

Representations of Music and the Dance in Late Roman Art

Number: 17 November 4, 2024
  • David Parrish
EN

Representations of Music and the Dance in Late Roman Art

Abstract

Music and the dance are an important theme represented in various artistic media of the Late Roman and Early Byzantine periods, including mosaic pavements and decorative arts such as silver metalwork, woven textiles, and carved ivories. A popular aspect of this theme is imagery of the Dionysiac thiasos, with members of the wine god’s entourage making merry by dancing and sounding crotala or cymbal tongs, as we see in a fragmentary mosaic from the House of the Dionysiac Thiasos at Augusta Traiana – Beroe. A similar effect occurs in either an expanded or a somewhat reduced format in pavements from Argos and Madaba. Besides mosaics, this subject also appears on Late Antique silver plate made for display, such as objects in the Mildenhall Treasure from Roman Britain and related works. Coptic textiles used to ornament private houses as colorful wall hangings feature lively dancers and musicians, and these figures may or may not have a mythological identity. Other non-mythological representations of music and the dance appeared in domestic and public settings. An outstanding example is the well-preserved Mosaic of Female Musicians that decorated a house in Mariamin, Syria, and that assembles an impressive group of instrumentalists and a dancer. One observes a pipe organ (hydraulis) along with a cithara, an aulos, and an acetabulum, consisting of a series of metal bowls struck with a baton. Elsewhere there are depicted a pantomime performance with an organ accompaniment, visible in a mosaic from Noheda, Spain, as well as music-making and dancing in the context of the circus. The latter subject appears on a consular diptych, and on the base of the Obelisk of Theodosius in Constantinople. We finally note that the pipe organ was later adopted for use in the church liturgy, reflected in an illustration in the Utrecht Psalter of 9th-century date. If the latter work of art is a copy of a Late Antique manuscript, as some scholars believe, then the pipe organ’s adoption for Christian ceremonial practice should be dated earlier than originally thought.

Keywords

References

  1. Ǻkerström-Hougen 1974 G. Åkerström-Hougen, The Calendar and Hunting Mosaics of the Villa of the Falconer in Argos: A Study in Early Byzantine Iconography (Skrifter av Svenska Institutet i Athen 4°, 23), Stockholm.
  2. Balty 1977 J. Balty, Mosaïques antiques de Syrie, Brussels.
  3. Balty 2011 J. Balty, “Une chronologie discutée: la mosaïque de Mariamin”, V. Correia - C. Oliveira (eds), O mosaico romano nos centros e periferias: Originalidades, influências e identidades, Actas do X Coloquio AIEMA, Conimbriga, 647-656.
  4. Bōhm 1998 G. Böhm, “Quid acetabulorum tinnitum? Bemerkungen zur Musikantinnen Mosaik in Hama und zu einer Miniatur der sogennanten Wiener Genesis”, MSpätAByz 1, 47-66.
  5. Bowersock et al. 2000 G. Bowersock - P. Brown - O. Grabar (eds.), Late Antiquity: A Guide to the Postclassical World, Cambridge, MA; London.
  6. Bruns 1935 G. Bruns, with a contribution by F. Krauss, Der Obelisk und seine Basis aus dem Hippodrom zu Konstatinopel als Denkmal der Spätantike, IF 7, Istanbul.
  7. Butcher 2003 K. Butcher, Roman Syria and the Near East, Los Angeles.
  8. Cosgrove 2011 C. H. Cosgrove, An Ancient Christian Hymn and Musical Notation. Papyrus Oxyrynchus 1786: Text and Commentary, Tübingen.

Details

Primary Language

English

Subjects

Archaeological Science

Journal Section

Research Article

Authors

David Parrish This is me
0000-0003-4076-362X
United States

Early Pub Date

October 23, 2024

Publication Date

November 4, 2024

Submission Date

February 6, 2023

Acceptance Date

October 3, 2024

Published in Issue

Year 2024 Number: 17

APA
Parrish, D. (2024). Representations of Music and the Dance in Late Roman Art. Journal of Mosaic Research, 17, 133-144. https://doi.org/10.26658/jmr.1564702
AMA
1.Parrish D. Representations of Music and the Dance in Late Roman Art. JMR. 2024;(17):133-144. doi:10.26658/jmr.1564702
Chicago
Parrish, David. 2024. “Representations of Music and the Dance in Late Roman Art”. Journal of Mosaic Research, nos. 17: 133-44. https://doi.org/10.26658/jmr.1564702.
EndNote
Parrish D (November 1, 2024) Representations of Music and the Dance in Late Roman Art. Journal of Mosaic Research 17 133–144.
IEEE
[1]D. Parrish, “Representations of Music and the Dance in Late Roman Art”, JMR, no. 17, pp. 133–144, Nov. 2024, doi: 10.26658/jmr.1564702.
ISNAD
Parrish, David. “Representations of Music and the Dance in Late Roman Art”. Journal of Mosaic Research. 17 (November 1, 2024): 133-144. https://doi.org/10.26658/jmr.1564702.
JAMA
1.Parrish D. Representations of Music and the Dance in Late Roman Art. JMR. 2024;:133–144.
MLA
Parrish, David. “Representations of Music and the Dance in Late Roman Art”. Journal of Mosaic Research, no. 17, Nov. 2024, pp. 133-44, doi:10.26658/jmr.1564702.
Vancouver
1.David Parrish. Representations of Music and the Dance in Late Roman Art. JMR. 2024 Nov. 1;(17):133-44. doi:10.26658/jmr.1564702

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