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MODERNIZATION AND WOMAN IDENTITY IN POLITICAL COMMUNICATION

Year 2016, Volume: 9 Issue: 3, 119 - 143, 18.07.2016
https://doi.org/10.18094/si.00315

Abstract

Means which are made use of by the political communication in terms of propaganda studies are wide ranging. Modernism which attaches different views to many concepts ranging from art to identity sometimes constitutes mainstay of these studies. Modern woman identity is used to call woman electors in political communication studies. For example, social media formation called as CHP Retro opened position of modernization and woman identity within political communication up for discussion by the help of visuals prepared via propaganda actions performed on Twitter before 7th June 2015 Turkey General Elections. Therefore in this study, relevant visuals will be analyzed and position of woman-identity and modernization within political communication will be discussed.

Keywords: Political Communication, Modernism, Modernization, Art, Woman, Identity. 

References

  • Anwar A (2000) Nigar Dergisinin İsmine Esin Kaynağı Olan Türk Şairi Nigâr Bint-i Osman, A.U. DTCFD, XL/1-2: 89-95.
  • Aslan S & Yılmaz A (2001) Modernizme Bir Başkaldırı Projesi Olarak Postmodernizm, C.U. Journal of Economics and Administrative Science, 2, 2: 93-108.
  • Aziz A (2013) Siyasal İletişim, Fourth Edition, Nobel Academic Publishing, Ankara.
  • Barrett T (1997) Modernism and Postmodernism: An Overview with Art Examples, Reprinted from Art Education: Content and Practice in a Postmodern Era, James Hutchens & Marianne Suggs, eds. Washington, DC: NAEA, pp. 17-30.
  • Barthes R (2008) Göstergebilimsel Serüven, Mehmet Rifat & Sema Rifat (transl), Yapı Kredi Publications, İstanbul.
  • Bayat N; Hamzadayı E; Çetinkaya G & Ülper H (2013) Gülen Ada Öyküsünün Göstergebilimsel Çözümlemesi, Journal of School of History, XVI: 351-370.
  • Bernays E (1928) Propaganda, New York Horace Liveright Inc.
  • Bennett W L & Iyengar S (2008) A New Era of Minimal Effects? The Changing Foundations of Political Communication, Journal of Communication, 58: 707–731.
  • Biricikoğlu H (2006) Türk Modernleşmesinde Kadın, Second International Conference on Women's Studies (EMU-CWS), Accessedd on: http://cws.emu.edu.tr/en/conferences/2nd_int/pdf/Hale%20Biricikoglu.pdf, 03.03.2016.
  • Brann H T E (1992) What is Postmodernism?, The Harward Review of Philisophy: 4- 7.
  • Beyaz Gazete. (2015) “Kılıçdaroğlu'ndan retro CHP açıklaması”, Accessed on: http://beyazgazete.com/video/webtv/siyaset-3/kilicdaroglu-ndan-retro-chp-aciklamasi-437666.html, Date: 16.04.2015, Date of Access: 19.02.2016.
  • Childs P (2008) Modernism, Second Edition, Routledge, Taylor & Francis Group, London and New York.
  • Çiçek C. A; Aydın, S & Yağci B (2015) Modernleşme Sürecinde Kadın: Osmanlı Dönemi Üzerine Bir İnceleme, Kafkas University Journal of Economics and Administrative Sciences (KAU FEAS), 6, 9: 269-284.
  • Dağlı A (2012) Göstergebilimsel Yöntemle Bir Efsane Çözümlemesi: Ferhat ile Şirin, Journal of International Social Research, 5, 20: 13-30.
  • Eliuz Ü (2008) Meşrutiyete Giden Süreçte Yeni Kadın İmgesi: Fatma Makbule Leman, bilig, Fall, 47: 177-192.
  • Giddens A (2010) Modernliğin Sonuçları, Ersin Kuşdil (transl), Ayrıntı Publications, İstanbul.
  • Giddens A (2014) Modernite ve Bireysel Kimlik Geç Modern Çağda Benlik ve Toplum, Ümit Tatlıcan (transl), Second Edition, Say Publications, İstanbul.
  • Gökalp Z (2014) Türkleşmek İslamlaşmak Muasırlaşmak, Alter Publishing, Ankara.
  • Greenberg C (1965) Modernist Painting (1982), reprinted in Francis Frascina and Charles Harrison (eds), Modern Art and Modernism: A Critical Anthology, Sage Publications.
  • Güneş T (2016) “Halkçı tıbbın kurucusu, kiliseye tehdit, feodalizme bela, kapitalizme tehlike: Kim bu cadılar?”, Accessed on: http://sendika9.org/2016/03/halkci-tibbin-kurucusu-kiliseye-tehdit-feodalizme-bela-kapitalizme-tehlike-kim-bu-cadilar-tuba-gunes/, 05.03.2016.
  • Idixa (2016) Avec la "Musique aux Tuileries" (Manet 1862), la peinture entre en fanfare dans le monde moderne, Accessed on: http://www.idixa.net/Pixa/pagixa-0709250203.html, 20.02.2016.
  • İstanbul Woman Museum (2016) “Hanımlara Mahsus Gazete”, Accessed on: http://www.istanbulkadinmuzesi.org/hanimlara-mahsus-gazete, 08.03.2016.
  • Jameson F (2016) Modernizm İdeolojisi Edebiyat Yazıları, Second Edition, Kemal Atakay & Tuncay Birkan (transl), Metis Publishing, İstanbul.
  • Jencks, C (2009) What Then Is Post-Modernism?, The Post-Modern Reader, pp. 14-37, John Wiley & Sons Ltd.
  • Karaca Ş (2013) Modernleşme Döneminde Kadın Eğitiminin Niteliğine Yönelik Farklı Yaklaşımlar, International peer-reviewed Journal of the Academy of Sciences and Humanities, January / February / March Winter Term, 2, 3: 1-11.
  • Lyotard, J F (2013) Postmodern Durum, İsmet Birkan (transl), BilgeSu Publishing, Ankara.
  • Neisser U (1993) The Perceived self: Ecological and Interpersonal Sources of Self Knowledge, Cambridge University Press, New York.
  • Özdemir C (2001) Kimlik ve Söylem, Osmangazi University Journal of Social Sciences, 2: 107-122.
  • Parsa F A (2007) Göstergenin Gücü/Gücün Göstergesi: İmge Reklam Bildirilerinde Göstergebilimsel Yaklaşımla Durağan İmgeleri Çözümlemek, VIII. International Visual Semiotics Congress AISV- iAVS View Cultures, I. U. K. Publications, pp. 1149-1161.
  • Raymond W (1989) “When was Modernism?,” The Politics of Modernism: Against the New Conformists, London: Verso, pp. 31-35.
  • Sallan S & Boybeyi S (1994) Postmodernizm-Modernizm İkilemi, Research Ankara University Faculty of Language, History and Geography Studies Department of Philosophy Journal, 15, 0: 313-323.
  • Stryker S; Owens J T & White W R (Eds.) (2000) Self, Identity, and Social Movements, University of Minnesota Press, Minneapolis.
  • Şahindokuyucu M (1997) Bir Kavram Olarak “Modernizm” ve Resim Sanatındaki Etkileri, M.Sc., Abant İzzet Baysal U. Ins of Soc Sci., Bolu.
  • Thompson B J (2008) Medya ve Modernite, Serdar Öztürk (transl), Kırmızı Publishing, İstanbul.
  • Turkish Art Music (2011) “Nigâr Osman Hanım'ın hayatı ve bestelenen şiirleri”, August 1, 2011, Accessed on: http://www.turksanatmuzigi.org/sanatcilarimiz/sairlerimiz/nigar-osman-hanim, 11.03.2016.
  • Yegen C (2014) Postmodernizm ve Lyotard, 30.08.2014, Accessed on: http://blog.radikal.com.tr/felsefe/postmodernizm-ve-lyotard-70907.
  • Zaman Newspaper (2013) “Osmanlı da modayı tartışmış”, Accessed on: http://www.zaman.com.tr/cumaertesi_osmanli-da-modayi-tartismis_2085453.html, 09.03.2016.
  • Wendt A (1994) Collective Identity Formation and The International State, American Political Science Review, 88, 2: 384-396.
  • www.edvardmunch.org (2016) The Scream, 1893 by Edvard Munch, Accessed on: http://www.edvardmunch.org/the-scream.jsp, 20.02.2016.
  • http://www.e-psikiyatri.com (2000) Modernizm ve Kadın, Accessed on: http://www.e-psikiyatri.com/Modernizm-ve-Kadin-22769, 22.02.2016.
  • www.ataturktoday.com. (2016) CHP KURULTAYLARI... Atatürk'ün 4. Kurultay konuşması, Accessed on: http://www.ataturktoday.com/CHP/1935Ataturk4KurultayKonusmasi.htm, 01.03.2016.
Year 2016, Volume: 9 Issue: 3, 119 - 143, 18.07.2016
https://doi.org/10.18094/si.00315

Abstract

References

  • Anwar A (2000) Nigar Dergisinin İsmine Esin Kaynağı Olan Türk Şairi Nigâr Bint-i Osman, A.U. DTCFD, XL/1-2: 89-95.
  • Aslan S & Yılmaz A (2001) Modernizme Bir Başkaldırı Projesi Olarak Postmodernizm, C.U. Journal of Economics and Administrative Science, 2, 2: 93-108.
  • Aziz A (2013) Siyasal İletişim, Fourth Edition, Nobel Academic Publishing, Ankara.
  • Barrett T (1997) Modernism and Postmodernism: An Overview with Art Examples, Reprinted from Art Education: Content and Practice in a Postmodern Era, James Hutchens & Marianne Suggs, eds. Washington, DC: NAEA, pp. 17-30.
  • Barthes R (2008) Göstergebilimsel Serüven, Mehmet Rifat & Sema Rifat (transl), Yapı Kredi Publications, İstanbul.
  • Bayat N; Hamzadayı E; Çetinkaya G & Ülper H (2013) Gülen Ada Öyküsünün Göstergebilimsel Çözümlemesi, Journal of School of History, XVI: 351-370.
  • Bernays E (1928) Propaganda, New York Horace Liveright Inc.
  • Bennett W L & Iyengar S (2008) A New Era of Minimal Effects? The Changing Foundations of Political Communication, Journal of Communication, 58: 707–731.
  • Biricikoğlu H (2006) Türk Modernleşmesinde Kadın, Second International Conference on Women's Studies (EMU-CWS), Accessedd on: http://cws.emu.edu.tr/en/conferences/2nd_int/pdf/Hale%20Biricikoglu.pdf, 03.03.2016.
  • Brann H T E (1992) What is Postmodernism?, The Harward Review of Philisophy: 4- 7.
  • Beyaz Gazete. (2015) “Kılıçdaroğlu'ndan retro CHP açıklaması”, Accessed on: http://beyazgazete.com/video/webtv/siyaset-3/kilicdaroglu-ndan-retro-chp-aciklamasi-437666.html, Date: 16.04.2015, Date of Access: 19.02.2016.
  • Childs P (2008) Modernism, Second Edition, Routledge, Taylor & Francis Group, London and New York.
  • Çiçek C. A; Aydın, S & Yağci B (2015) Modernleşme Sürecinde Kadın: Osmanlı Dönemi Üzerine Bir İnceleme, Kafkas University Journal of Economics and Administrative Sciences (KAU FEAS), 6, 9: 269-284.
  • Dağlı A (2012) Göstergebilimsel Yöntemle Bir Efsane Çözümlemesi: Ferhat ile Şirin, Journal of International Social Research, 5, 20: 13-30.
  • Eliuz Ü (2008) Meşrutiyete Giden Süreçte Yeni Kadın İmgesi: Fatma Makbule Leman, bilig, Fall, 47: 177-192.
  • Giddens A (2010) Modernliğin Sonuçları, Ersin Kuşdil (transl), Ayrıntı Publications, İstanbul.
  • Giddens A (2014) Modernite ve Bireysel Kimlik Geç Modern Çağda Benlik ve Toplum, Ümit Tatlıcan (transl), Second Edition, Say Publications, İstanbul.
  • Gökalp Z (2014) Türkleşmek İslamlaşmak Muasırlaşmak, Alter Publishing, Ankara.
  • Greenberg C (1965) Modernist Painting (1982), reprinted in Francis Frascina and Charles Harrison (eds), Modern Art and Modernism: A Critical Anthology, Sage Publications.
  • Güneş T (2016) “Halkçı tıbbın kurucusu, kiliseye tehdit, feodalizme bela, kapitalizme tehlike: Kim bu cadılar?”, Accessed on: http://sendika9.org/2016/03/halkci-tibbin-kurucusu-kiliseye-tehdit-feodalizme-bela-kapitalizme-tehlike-kim-bu-cadilar-tuba-gunes/, 05.03.2016.
  • Idixa (2016) Avec la "Musique aux Tuileries" (Manet 1862), la peinture entre en fanfare dans le monde moderne, Accessed on: http://www.idixa.net/Pixa/pagixa-0709250203.html, 20.02.2016.
  • İstanbul Woman Museum (2016) “Hanımlara Mahsus Gazete”, Accessed on: http://www.istanbulkadinmuzesi.org/hanimlara-mahsus-gazete, 08.03.2016.
  • Jameson F (2016) Modernizm İdeolojisi Edebiyat Yazıları, Second Edition, Kemal Atakay & Tuncay Birkan (transl), Metis Publishing, İstanbul.
  • Jencks, C (2009) What Then Is Post-Modernism?, The Post-Modern Reader, pp. 14-37, John Wiley & Sons Ltd.
  • Karaca Ş (2013) Modernleşme Döneminde Kadın Eğitiminin Niteliğine Yönelik Farklı Yaklaşımlar, International peer-reviewed Journal of the Academy of Sciences and Humanities, January / February / March Winter Term, 2, 3: 1-11.
  • Lyotard, J F (2013) Postmodern Durum, İsmet Birkan (transl), BilgeSu Publishing, Ankara.
  • Neisser U (1993) The Perceived self: Ecological and Interpersonal Sources of Self Knowledge, Cambridge University Press, New York.
  • Özdemir C (2001) Kimlik ve Söylem, Osmangazi University Journal of Social Sciences, 2: 107-122.
  • Parsa F A (2007) Göstergenin Gücü/Gücün Göstergesi: İmge Reklam Bildirilerinde Göstergebilimsel Yaklaşımla Durağan İmgeleri Çözümlemek, VIII. International Visual Semiotics Congress AISV- iAVS View Cultures, I. U. K. Publications, pp. 1149-1161.
  • Raymond W (1989) “When was Modernism?,” The Politics of Modernism: Against the New Conformists, London: Verso, pp. 31-35.
  • Sallan S & Boybeyi S (1994) Postmodernizm-Modernizm İkilemi, Research Ankara University Faculty of Language, History and Geography Studies Department of Philosophy Journal, 15, 0: 313-323.
  • Stryker S; Owens J T & White W R (Eds.) (2000) Self, Identity, and Social Movements, University of Minnesota Press, Minneapolis.
  • Şahindokuyucu M (1997) Bir Kavram Olarak “Modernizm” ve Resim Sanatındaki Etkileri, M.Sc., Abant İzzet Baysal U. Ins of Soc Sci., Bolu.
  • Thompson B J (2008) Medya ve Modernite, Serdar Öztürk (transl), Kırmızı Publishing, İstanbul.
  • Turkish Art Music (2011) “Nigâr Osman Hanım'ın hayatı ve bestelenen şiirleri”, August 1, 2011, Accessed on: http://www.turksanatmuzigi.org/sanatcilarimiz/sairlerimiz/nigar-osman-hanim, 11.03.2016.
  • Yegen C (2014) Postmodernizm ve Lyotard, 30.08.2014, Accessed on: http://blog.radikal.com.tr/felsefe/postmodernizm-ve-lyotard-70907.
  • Zaman Newspaper (2013) “Osmanlı da modayı tartışmış”, Accessed on: http://www.zaman.com.tr/cumaertesi_osmanli-da-modayi-tartismis_2085453.html, 09.03.2016.
  • Wendt A (1994) Collective Identity Formation and The International State, American Political Science Review, 88, 2: 384-396.
  • www.edvardmunch.org (2016) The Scream, 1893 by Edvard Munch, Accessed on: http://www.edvardmunch.org/the-scream.jsp, 20.02.2016.
  • http://www.e-psikiyatri.com (2000) Modernizm ve Kadın, Accessed on: http://www.e-psikiyatri.com/Modernizm-ve-Kadin-22769, 22.02.2016.
  • www.ataturktoday.com. (2016) CHP KURULTAYLARI... Atatürk'ün 4. Kurultay konuşması, Accessed on: http://www.ataturktoday.com/CHP/1935Ataturk4KurultayKonusmasi.htm, 01.03.2016.
There are 41 citations in total.

Details

Journal Section Research Articles
Authors

Ceren Yegen

Publication Date July 18, 2016
Submission Date March 19, 2016
Published in Issue Year 2016 Volume: 9 Issue: 3

Cite

APA Yegen, C. (2016). MODERNIZATION AND WOMAN IDENTITY IN POLITICAL COMMUNICATION. Selçuk İletişim, 9(3), 119-143. https://doi.org/10.18094/si.00315