Research Article
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Year 2025, Volume: 7 Issue: 1, 49 - 65, 10.07.2025
https://doi.org/10.46474/jds.1626498

Abstract

Project Number

nil

References

  • Aesthetic theory Retrieved 4-7-24 from https://www.britannica.com/topic/aesthetics/The-aesthetic-experience Environmental Aesthetics theory. Retrieved 8-11-24 from https://www.google.com/search?q=environmental+aesthetics+theory+by+alan+cowen
  • Alatise, P. (nd) Orange goes to heaven. Retrieved 8-3-23 from https://www.contemporary-african-art.com/contemporary-textile-installation-artists.html
  • Allen, J.I. (March 5, 2018) Sculpture Magazine. A publication of the international sculpture centre. Retrieved 6-7-2024 from https://sculpturemagazine.art/nnenna-okore/ Nnenna Okore
  • Ameztoy, M. (2017). Laser-cut textile installations. Retrieved from www.yellowtrace.com.au on 20/1/17
  • Bartuska T. J (2007) Human Needs and ways they are manifested in the built environment. Retrieved9-1-24from https://www.researchgate.net/publication/319931947_Built_Environment_Psychology_A_Complex_Affair_of_Buildings_and_User/figures?lo=1
  • Bhatt, C. (2014). The Art of textile designing random publications. New Delhi – 110002 (INDIA).
  • Biophillic design theory. Retrieved 23-1-24 from https://www.google.com/search?q=Biophilic+design+theoryby+stephen+kellert&client=firefox-b-d&sca_esv=0ec52ea56f38d49c&ei=dMbCZ-
  • Burton, E.(2011).The importance of the built environment for childrens’ well-being. Retrieved from https://isecities.net>files>2011/11>2 on 7/2/2017
  • Eichberger, S. (2015). Role of built environment and obesity among rural children and adult. Retrieved from www.msue.anr.msu.edu on 2/2/17
  • Elsasser, V. H. (2005). Textiles: Concepts and Principles. New York: Fairchild Publications.
  • Gottesman, S. (2016).10 Pioneering Textile Artists from Sheila Hicks to Nick Cave from www.artsy.net/article/artsy-editorial-10 on 22/1/2017.
  • Horrocks, A.R.& Anand, S.C. (2016). Handbook of Technical Textiles. United Kingdom: Woodhead Publishing.
  • Hughes,T.D.(2017)Stories on Design: textile installation art. Retrieved On 5/3/2017 from www.yellowtrace.com.au..
  • Jackson, R.J.(2003).The impact of the built Environment on health : An emerging field. American Journal of Public Health, 93(9):1382-1384.
  • Kadolph, S.J. (1998). Textiles. Upper Saddle River, N.J: Meerrill.
  • Katz, N. (2011). Threads of Spirit, the Inter Faith Journal of Religion, Art and Architecture, Vol. 44, issue 1 retrieved from www.faithandform.com
  • Lenton, J.( 2022). Gallery: Biddulph Town Hall yarn bombed ahead of Jubilee celebrations. Retrieved 1-20-25 from https://biddulph.nub.news/news/local-news/gallery-biddulph-town-hall-yarn-bombed-ahead-of-jubilee-celebrations-135981
  • Macmillan Dictionary. The Built Environment. Retrieved 8-2-2017 from www.macmillandictionary.com/dictionary
  • Marjorly, L.J. (1977). Introductory Textile Science. New York: Holt: Rinehart and Winston.
  • Martinique, E. (2017). The versatility of contemporary textile art. Retrieved from www.widewalls.ch/contemporary-textile-art-artists on 7/1/2017.
  • McGovern, A. (2014).Knit one, purl one: the mysteries of yarn bombing unraveled. The conversation. Retrieved 14-1-2017 from www.itor&utm-term=knit%20....on
  • Naik, D.S., &Wilson J.A. (2006). Surface Designing of Textile Fabric. New Age International (P) Ltd., Publishers. India.
  • Okore, N. (2017). Osimili. Retrieved 17-3-21 from https://sculpturemagazine.art/nnenna-okore/ Nnenna Okore
  • Okundaye, O. (2016). Feminine power. Retrieved 20-3-2021 from https://blogs.bl.uk/asian-and-african/2016/01/chief-nike-davies-okundaye-visits-the-british-librarys-west-africa-exhibition-.html
  • Roof, K. & Oleru, N. (2008). Public Health: Seattle and King Country’s push for the Built Environment”. Journal on Environmental Health 71: 24-27
  • Samuels, E. (2023). Yinka Shonibare – The Artist Celebrating African Culture and Identity. Retrieved 5-3-2024 from https://www.blackhistorymonth.org.uk/article/section/artists/yinka-shonibare-the-artist-celebrating-african-culture-and-identity/ national maritime museum
  • Shiela, H. (2018). La Sentinelle de safran. Retrieved 6-9-21 from http://www.dreamideamachine.com/?p=56936
  • Shiela, H. (1973). Lianes nantaises, Ligne de Vie, installation view. Centre Pompidou, Philippe Migeat. Retrieved 7-5-2022 from http://www.dreamideamachine.com/?p=56936
  • Shiela H. (2014). Atterrissage. Knotting, wrapping, folding, twisting and stacking wool, linen, cotton and more. Retrieved 4-10-21 from
  • Shonibare, Y. (2003). Scramble for Africa. Retrieved 9-6-22 from https://www.artbook.ca-hicks-atterissage.html
  • Shonibare,Y. (2010). Nelson’sShip in a Bottle. Retrieved 20-3-23 from https://www.blackhistorymonth.org.uk/article/section/artists/yinka-shonibare-the-artist-celebrating-african-culture-and-identity/ national maritime museum
  • Udondian, V. (2012). Aso-ikele. Retrieved 8-10-22 from https://www.contemporary-african-art.com/contemporary-textile-installationartists.html

Overview of Textile Arts/Design in Habitable Places: A Beauty to Behold in the Built Environment

Year 2025, Volume: 7 Issue: 1, 49 - 65, 10.07.2025
https://doi.org/10.46474/jds.1626498

Abstract

Textiles can be categorized into utilitarian and aesthetic. Utilitarian textiles are used for practical purposes. In contrast, aesthetic textiles focus on artistic expressions like textile installations for artistic and educational purposes in built environments. However, many people often overlook the use of textile installation art as decorative elements in their surroundings. Textile installations have come to pose some challenges to the conventional 2D textile design in that they are found in most art exhibitions and museums. Nevertheless, this has brought forth results in designs which are unexpected. In line with this, they are used to decorate the built environment. This paper is predicated on the fact that these installations have not been sufficiently practiced and paid attention to by artists and designers in Nigeria. Therefore, this study highlights the new and innovative ways in which textiles have been showcased by textile artists, sculptors and some painters who have begun to dim the boundaries between textile design and other aspects of art. It looks at the relationships between textiles and the environment, new technologies and techniques that artists are adapting to transform an environment aesthetically and instructively using textiles. It also looked at the shift of some textile artists/designers from concentrating on surface design to manipulation of form and structure of a fabric and how that manipulation can result in larger 3D designs which can be used to enhance the built environments. This is qualitative research. It employed the use of desk methodology. It utilized observations and photographs as research instruments. It found out that some Nigerian artists of various specializations now adapt textiles to their art works and it documented such works. This study concludes by suggesting that various ways in which textile art could be used as decorations in the built environment should be researched into, practiced, appreciated and encouraged in Nigeria to aid its sustainability.

Ethical Statement

This manuscript has not been submitted anywhere.

Supporting Institution

none

Project Number

nil

Thanks

thank you.

References

  • Aesthetic theory Retrieved 4-7-24 from https://www.britannica.com/topic/aesthetics/The-aesthetic-experience Environmental Aesthetics theory. Retrieved 8-11-24 from https://www.google.com/search?q=environmental+aesthetics+theory+by+alan+cowen
  • Alatise, P. (nd) Orange goes to heaven. Retrieved 8-3-23 from https://www.contemporary-african-art.com/contemporary-textile-installation-artists.html
  • Allen, J.I. (March 5, 2018) Sculpture Magazine. A publication of the international sculpture centre. Retrieved 6-7-2024 from https://sculpturemagazine.art/nnenna-okore/ Nnenna Okore
  • Ameztoy, M. (2017). Laser-cut textile installations. Retrieved from www.yellowtrace.com.au on 20/1/17
  • Bartuska T. J (2007) Human Needs and ways they are manifested in the built environment. Retrieved9-1-24from https://www.researchgate.net/publication/319931947_Built_Environment_Psychology_A_Complex_Affair_of_Buildings_and_User/figures?lo=1
  • Bhatt, C. (2014). The Art of textile designing random publications. New Delhi – 110002 (INDIA).
  • Biophillic design theory. Retrieved 23-1-24 from https://www.google.com/search?q=Biophilic+design+theoryby+stephen+kellert&client=firefox-b-d&sca_esv=0ec52ea56f38d49c&ei=dMbCZ-
  • Burton, E.(2011).The importance of the built environment for childrens’ well-being. Retrieved from https://isecities.net>files>2011/11>2 on 7/2/2017
  • Eichberger, S. (2015). Role of built environment and obesity among rural children and adult. Retrieved from www.msue.anr.msu.edu on 2/2/17
  • Elsasser, V. H. (2005). Textiles: Concepts and Principles. New York: Fairchild Publications.
  • Gottesman, S. (2016).10 Pioneering Textile Artists from Sheila Hicks to Nick Cave from www.artsy.net/article/artsy-editorial-10 on 22/1/2017.
  • Horrocks, A.R.& Anand, S.C. (2016). Handbook of Technical Textiles. United Kingdom: Woodhead Publishing.
  • Hughes,T.D.(2017)Stories on Design: textile installation art. Retrieved On 5/3/2017 from www.yellowtrace.com.au..
  • Jackson, R.J.(2003).The impact of the built Environment on health : An emerging field. American Journal of Public Health, 93(9):1382-1384.
  • Kadolph, S.J. (1998). Textiles. Upper Saddle River, N.J: Meerrill.
  • Katz, N. (2011). Threads of Spirit, the Inter Faith Journal of Religion, Art and Architecture, Vol. 44, issue 1 retrieved from www.faithandform.com
  • Lenton, J.( 2022). Gallery: Biddulph Town Hall yarn bombed ahead of Jubilee celebrations. Retrieved 1-20-25 from https://biddulph.nub.news/news/local-news/gallery-biddulph-town-hall-yarn-bombed-ahead-of-jubilee-celebrations-135981
  • Macmillan Dictionary. The Built Environment. Retrieved 8-2-2017 from www.macmillandictionary.com/dictionary
  • Marjorly, L.J. (1977). Introductory Textile Science. New York: Holt: Rinehart and Winston.
  • Martinique, E. (2017). The versatility of contemporary textile art. Retrieved from www.widewalls.ch/contemporary-textile-art-artists on 7/1/2017.
  • McGovern, A. (2014).Knit one, purl one: the mysteries of yarn bombing unraveled. The conversation. Retrieved 14-1-2017 from www.itor&utm-term=knit%20....on
  • Naik, D.S., &Wilson J.A. (2006). Surface Designing of Textile Fabric. New Age International (P) Ltd., Publishers. India.
  • Okore, N. (2017). Osimili. Retrieved 17-3-21 from https://sculpturemagazine.art/nnenna-okore/ Nnenna Okore
  • Okundaye, O. (2016). Feminine power. Retrieved 20-3-2021 from https://blogs.bl.uk/asian-and-african/2016/01/chief-nike-davies-okundaye-visits-the-british-librarys-west-africa-exhibition-.html
  • Roof, K. & Oleru, N. (2008). Public Health: Seattle and King Country’s push for the Built Environment”. Journal on Environmental Health 71: 24-27
  • Samuels, E. (2023). Yinka Shonibare – The Artist Celebrating African Culture and Identity. Retrieved 5-3-2024 from https://www.blackhistorymonth.org.uk/article/section/artists/yinka-shonibare-the-artist-celebrating-african-culture-and-identity/ national maritime museum
  • Shiela, H. (2018). La Sentinelle de safran. Retrieved 6-9-21 from http://www.dreamideamachine.com/?p=56936
  • Shiela, H. (1973). Lianes nantaises, Ligne de Vie, installation view. Centre Pompidou, Philippe Migeat. Retrieved 7-5-2022 from http://www.dreamideamachine.com/?p=56936
  • Shiela H. (2014). Atterrissage. Knotting, wrapping, folding, twisting and stacking wool, linen, cotton and more. Retrieved 4-10-21 from
  • Shonibare, Y. (2003). Scramble for Africa. Retrieved 9-6-22 from https://www.artbook.ca-hicks-atterissage.html
  • Shonibare,Y. (2010). Nelson’sShip in a Bottle. Retrieved 20-3-23 from https://www.blackhistorymonth.org.uk/article/section/artists/yinka-shonibare-the-artist-celebrating-african-culture-and-identity/ national maritime museum
  • Udondian, V. (2012). Aso-ikele. Retrieved 8-10-22 from https://www.contemporary-african-art.com/contemporary-textile-installationartists.html
There are 32 citations in total.

Details

Primary Language English
Subjects Design (Other)
Journal Section Research Article
Authors

Chika Chudi-duru 0009-0003-4657-8588

Project Number nil
Submission Date January 24, 2025
Acceptance Date March 3, 2025
Early Pub Date July 10, 2025
Publication Date July 10, 2025
Published in Issue Year 2025 Volume: 7 Issue: 1

Cite

APA Chudi-duru, C. (2025). Overview of Textile Arts/Design in Habitable Places: A Beauty to Behold in the Built Environment. Journal of Design Studio, 7(1), 49-65. https://doi.org/10.46474/jds.1626498

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