Architecture of Control: Identity and Surveillance in Gattaca through the Marin County Civic Center
Abstract
This article critically examines the relationship between Andrew Niccol's film Gattaca (1997) and architecture's role in identity production and surveillance systems. The study argues that the architectural spaces in Gattaca function not merely as a backdrop accompanying the narrative, but as an active control mechanism that overshadows the appearance of a social order based on genetic determinism and influences bodies. This claim is reinforced by a spatial and cinematographic analysis of the Marin County Civic Center, designed by Frank Lloyd Wright, which is central to the film. Through the study of architectural devices —spatial arrangement, circulation, size, visual range, symmetry, illumination, and framing— in combination with cinematic techniques, it discloses the means by which architecture materializes biopolitics of control. This study follows an analytical method that combines Juhani Pallasmaa's understanding of bodily and experiential space with Michel Foucault's concepts of surveillance, discipline, and biopolitics. The article examines how a public structure conceived with democratic ideals transforms into a space that legitimizes institutional control and genetic discrimination in the context of film, revealing the ethical responsibility of architecture. In this respect, the study examines cinema's contribution to architectural theory as a critical tool that exposes architectural ideologies.
Keywords
Supporting Institution
Ethical Statement
References
- Althusser, L. (1971). Ideology and ideological state apparatuses (B. Brewster, Trans.). In Lenin and philosophy and other essays (pp. 127–186). Monthly Review Press.
- Bordwell, D., & Thompson, K. (2010). Film art: An introduction (9th ed.). McGraw-Hill.
- Bruno, G. (2002). Atlas of emotion: Journeys in art, architecture, and film. Verso.
- Butler, J. (1990). Gender trouble: Feminism and the subversion of identity. Routledge.
- Colomina, B. (1993). Privacy and publicity: Modern architecture as mass media. MIT Press.
- Colomina, B. (1996). Privacy and publicity: Modern architecture as mass media (Revised ed.). MIT Press.
- De Certeau, M. (1984). The practice of everyday life. University of California Press.
- Deleuze, G. (1992). Postscript on the societies of control. October, 59, 3–7.
Details
Primary Language
English
Subjects
Design (Other)
Journal Section
Research Article
Authors
Publication Date
July 20, 2026
Submission Date
January 16, 2026
Acceptance Date
June 17, 2026
Published in Issue
Year 2026 Volume: 8 Number: 1

