Research Article

From Bauhaus to Swiss Style: A Structural and Comparative Analysis of Visual Language in Modern Graphic Design

Volume: 8 Number: 1 July 20, 2026

From Bauhaus to Swiss Style: A Structural and Comparative Analysis of Visual Language in Modern Graphic Design

Abstract

This study examines the influence of Bauhaus design theory on modern graphic design through a comparative analysis of visual language in poster design. The research aims to investigate how fundamental Bauhaus principles, including geometric abstraction, typographic organization, compositional structure, visual hierarchy, and reduction, have been sustained, transformed, and reinterpreted within Swiss Style. A qualitative research methodology was adopted, combining literature review and visual analysis. The sample was determined through purposive sampling and consists of four historically significant posters designed by Herbert Bayer, Joost Schmidt, Josef Müller-Brockmann, and Armin Hofmann. The selected posters were analyzed according to five criteria: geometric form usage, typographic structure, grid system and compositional organization, visual hierarchy, and minimalist design approach. Following the individual analyses, a comparative evaluation was conducted to identify patterns of continuity and transformation between Bauhaus and Swiss Style. The findings suggest that Bauhaus established the conceptual foundations of modern graphic design through its emphasis on geometric reduction, functional typography, and systematic organization. While these principles continued within Swiss Style, they evolved into a more rational, measurable, and grid-based design system. The results further indicate that the relationship between Bauhaus and Swiss Style should be understood not as a linear progression but as a process of adaptation and reinterpretation in which shared design principles are transformed according to changing design contexts. Bauhaus design theory remains a foundational framework for understanding the development of modern visual language. Its influence extends beyond its historical period and continues to shape the structural organization of visual communication through its transformation within Swiss Style.

Keywords

Ethical Statement

This study does not involve human participants or personal data. Therefore, ethics committee approval is not required.

References

  1. Bayer, H. (1923). Bauhaus Ausstellung (Poster). Staatliches Bauhaus. Retrieved from https://artposterarchive.com/products/herbert-bayer-bauhaus-exhibition-poster-1923 (Accessed March 12, 2026).
  2. Creswell, J. W. (2014). Research design: Qualitative, quantitative, and mixed methods approaches (4th ed.). Sage.
  3. Dondis, D. A. (1973). A primer of visual literacy. MIT Press.
  4. Droste, M. (2002). Bauhaus, 1919–1933. Taschen.
  5. Hofmann, A. (1959). Giselle (Poster). Basler Freilichtspiele. Museum of Modern Art (MoMA). https://www.moma.org/collection/works/6775 (Accessed April 01, 2026).
  6. Işık, M. (2023). Origins of the Bauhaus movement and its influence on modern design. Kesit Akademi Dergisi, 9(37), 107–121.
  7. Lupton, E., & Miller, J. A. (1991). Design writing research: Writing on graphic design. Princeton Architectural Press.
  8. Lupton, E., & Miller, J. A. (1993). The ABCs of [triangle, square, circle]: The Bauhaus and design theory. Princeton Architectural Press.

Details

Primary Language

English

Subjects

Visual Communication Design (Other), Design (Other)

Journal Section

Research Article

Publication Date

July 20, 2026

Submission Date

April 11, 2026

Acceptance Date

July 2, 2026

Published in Issue

Year 2026 Volume: 8 Number: 1

APA
Sözüneri, G. (2026). From Bauhaus to Swiss Style: A Structural and Comparative Analysis of Visual Language in Modern Graphic Design. Journal of Design Studio, 8(1), 109-121. https://doi.org/10.46474/jds.1928282
AMA
1.Sözüneri G. From Bauhaus to Swiss Style: A Structural and Comparative Analysis of Visual Language in Modern Graphic Design. JDS. 2026;8(1):109-121. doi:10.46474/jds.1928282
Chicago
Sözüneri, Göknur. 2026. “From Bauhaus to Swiss Style: A Structural and Comparative Analysis of Visual Language in Modern Graphic Design”. Journal of Design Studio 8 (1): 109-21. https://doi.org/10.46474/jds.1928282.
EndNote
Sözüneri G (July 1, 2026) From Bauhaus to Swiss Style: A Structural and Comparative Analysis of Visual Language in Modern Graphic Design. Journal of Design Studio 8 1 109–121.
IEEE
[1]G. Sözüneri, “From Bauhaus to Swiss Style: A Structural and Comparative Analysis of Visual Language in Modern Graphic Design”, JDS, vol. 8, no. 1, pp. 109–121, July 2026, doi: 10.46474/jds.1928282.
ISNAD
Sözüneri, Göknur. “From Bauhaus to Swiss Style: A Structural and Comparative Analysis of Visual Language in Modern Graphic Design”. Journal of Design Studio 8/1 (July 1, 2026): 109-121. https://doi.org/10.46474/jds.1928282.
JAMA
1.Sözüneri G. From Bauhaus to Swiss Style: A Structural and Comparative Analysis of Visual Language in Modern Graphic Design. JDS. 2026;8:109–121.
MLA
Sözüneri, Göknur. “From Bauhaus to Swiss Style: A Structural and Comparative Analysis of Visual Language in Modern Graphic Design”. Journal of Design Studio, vol. 8, no. 1, July 2026, pp. 109-21, doi:10.46474/jds.1928282.
Vancouver
1.Göknur Sözüneri. From Bauhaus to Swiss Style: A Structural and Comparative Analysis of Visual Language in Modern Graphic Design. JDS. 2026 Jul. 1;8(1):109-21. doi:10.46474/jds.1928282

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