Discoursal Formation of Identity in Philip Roth’s The Human Stain
Abstract
Philip Roth’s The Human Stain (2000) simply tells the story of a New England classics professor, Coleman Silk, who is forced to quit his job for alleged racism. The charge is a lie, but the truth about Silk is more shocking because it turns out that for his entire adult life, Silk has been covering up the fact that he is neither Jewish nor white although he is actually a very light-skinned man. The stain given in the title of this novel stands for both a mark on the skin and the mark of our experienced-based stories and which, consequently construct our identities. This paper, therefore, analyzes how the idea of ‘stain’ is ironically inscribed both socially and individually into our identities.
Keywords
References
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Details
Primary Language
English
Subjects
Creative Arts and Writing
Journal Section
Research Article
Authors
M. Önder Göncüoğlu
Türkiye
Publication Date
July 2, 2019
Submission Date
November 23, 2018
Acceptance Date
May 23, 2019
Published in Issue
Year 2019 Volume: 18 Number: 3