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Özgür İrade Üzerine Bir Çalışma: Joseph Conrad’ın Batılı Gözler Altında Romanında Kim Neyi Görüyor?

Year 2019, Volume: 18 Issue: 4, 1232 - 1241, 18.10.2019
https://doi.org/10.21547/jss.517613

Abstract

Bu makalenin amacı, bir psikolojik roman olarak Batılı Gözler Altında(1911) adlı eserine odaklanarak İzlenimci (empresyonist)yazar Joseph Conrad’ın (1857-1924) sanatınıincelemektir.Romanını yazmaya iten gerekçeleri ve yazarken kullandığı üslubu anlayabilmek için Conrad’ın roman türünden ne anladığını ve romanında tekrar eden temaların neler olduğu incelenmelidir çünkü eserin tahlili için ancak bu yolla doğru bir başlangıç yapılabilir. Bu makalede altı çizilen temel noktalar ihanet olgusu ve ihanetin roman karakterleri için sebep ve sonuçları ve güdüleyen bir güç olarak baba kavramının yokluğudur. Kim neyi görüyor, görmeye karşıt olarak anlamak ve özgür iradenin imkansızlığı gibi felsefi mesele ve sorular da bu makalede tartışılmaktadır ve bu bağlamda, bu çalışma Conrad’ınedebi metinleri üzerine yazılmış olan eleştirel literatüre de katkı sağlamayı amaçlamaktadır.    

References

  • Bakhtin, M. (1984). Problems of Dostoevsky’s poetics. Emerson, C. (Ed.). Minneapolis: Uni-versity of Minnesota Press.
  • Carabine, K. (1996). The life and the art: a study of Conrad’s Under Western Eyes. Amster-dam-Atlanta: Rodopi.
  • Conrad, J. (1912). A personal record. Najder, Z. and Stape, J. H. (Eds). Cambridge: CUP.
  • Conrad, J. (1919). Preface. The nigger of the Narcissus: a tale of the forecastle: volume 23 of complete works. New York: Doubleday.
  • Conrad, J. (2008). Under western eyes. [1911]. New York: ReadHowYouWant.
  • Gurko, L. (1960). Under Western Eyes: Conrad and the question of “where to?”. College English, 21(8), 445-452. doi:10.2307/373158.
  • Hamilton, A. (1995). The construction and deconstruction of national identities through lan-guage in the narratives of Ngũgĩ Wa Thiong’o’s a grain of wheat and Joseph Conrad’s Under Western Eyes. African Languages and Cultures, 8(2), 137-151. http://www.jstor.org/stable/1771689.
  • Melnick, D. C. (2001). Under Western Eyes and silence. The Slavic and East European Jour-nal, 45(2), 231-242. doi:10.2307/3086326.
  • Middleton, T. (2006). Joseph Conrad. Oxon: Routledge.
  • Panichas, G. A. (2005). Joseph Conrad: his moral vision. Georgia: Mercer University Press.
  • Peters, J. G. (2006). Cambridge introduction to Joseph Conrad. Cambridge: CUP.
  • Rimmon-Kenan, S. (1983). Narrative fiction: contemporary poetics. New York: Routledge. Szittya, P. (1981). Metafiction: the double narration in Under Western Eyes. ELH, 48(4), 817-840. doi:10.2307/2872963.
  • Watt, I. (1979). Conrad in the nineteenth century. California: University of California Press.
  • West, R. (1996). Conrad and Gide: translation, transference and intertextuality. Atlanta: Rodopi.
  • Yılmaz, V. B. (2018.) Bakhtinian act of “decrowning” in Virginia Woolf’s To The Light-house. Manisa Celal Bayar Üniversitesi Sosyal Bilimler Dergisi. 16(3), 501-518. http://dergipark.gov.tr/cbayarsos/issue/39491/465750.

A Study on Free Will: Who Sees What in Joseph Conrad’s Under Western Eyes?

Year 2019, Volume: 18 Issue: 4, 1232 - 1241, 18.10.2019
https://doi.org/10.21547/jss.517613

Abstract

The aim of this paper is to explore the art of Joseph Conrad (1857-1924) as an impressionist writer by focusing on one of his novels, Under Western Eyes(1911) as a psychological novel. In order to understand Conrad’s motives and style to write this novel one should start with a sound beginning by looking at his concept of narrative fiction and recurring themes in the novel. The points that are highlighted in the paper are the concept of betrayal and its reasons and results for the characters, and the absence of a father as a driving force. Also, such philosophical issues and questions as ‘who sees what?’, seeing versus understanding and the impossibility of free will be explored in this article, which also aims to contribute to the scholarship on Conrad’s narrative fiction.

References

  • Bakhtin, M. (1984). Problems of Dostoevsky’s poetics. Emerson, C. (Ed.). Minneapolis: Uni-versity of Minnesota Press.
  • Carabine, K. (1996). The life and the art: a study of Conrad’s Under Western Eyes. Amster-dam-Atlanta: Rodopi.
  • Conrad, J. (1912). A personal record. Najder, Z. and Stape, J. H. (Eds). Cambridge: CUP.
  • Conrad, J. (1919). Preface. The nigger of the Narcissus: a tale of the forecastle: volume 23 of complete works. New York: Doubleday.
  • Conrad, J. (2008). Under western eyes. [1911]. New York: ReadHowYouWant.
  • Gurko, L. (1960). Under Western Eyes: Conrad and the question of “where to?”. College English, 21(8), 445-452. doi:10.2307/373158.
  • Hamilton, A. (1995). The construction and deconstruction of national identities through lan-guage in the narratives of Ngũgĩ Wa Thiong’o’s a grain of wheat and Joseph Conrad’s Under Western Eyes. African Languages and Cultures, 8(2), 137-151. http://www.jstor.org/stable/1771689.
  • Melnick, D. C. (2001). Under Western Eyes and silence. The Slavic and East European Jour-nal, 45(2), 231-242. doi:10.2307/3086326.
  • Middleton, T. (2006). Joseph Conrad. Oxon: Routledge.
  • Panichas, G. A. (2005). Joseph Conrad: his moral vision. Georgia: Mercer University Press.
  • Peters, J. G. (2006). Cambridge introduction to Joseph Conrad. Cambridge: CUP.
  • Rimmon-Kenan, S. (1983). Narrative fiction: contemporary poetics. New York: Routledge. Szittya, P. (1981). Metafiction: the double narration in Under Western Eyes. ELH, 48(4), 817-840. doi:10.2307/2872963.
  • Watt, I. (1979). Conrad in the nineteenth century. California: University of California Press.
  • West, R. (1996). Conrad and Gide: translation, transference and intertextuality. Atlanta: Rodopi.
  • Yılmaz, V. B. (2018.) Bakhtinian act of “decrowning” in Virginia Woolf’s To The Light-house. Manisa Celal Bayar Üniversitesi Sosyal Bilimler Dergisi. 16(3), 501-518. http://dergipark.gov.tr/cbayarsos/issue/39491/465750.
There are 15 citations in total.

Details

Primary Language English
Subjects Creative Arts and Writing
Journal Section English Language and Literature
Authors

Hilal Kaya 0000-0001-6190-8694

Publication Date October 18, 2019
Submission Date January 25, 2019
Acceptance Date September 27, 2019
Published in Issue Year 2019 Volume: 18 Issue: 4

Cite

APA Kaya, H. (2019). A Study on Free Will: Who Sees What in Joseph Conrad’s Under Western Eyes?. Gaziantep University Journal of Social Sciences, 18(4), 1232-1241. https://doi.org/10.21547/jss.517613