Year 2011,
Volume: 6 Issue: 21, 3561 - 3571, 01.06.2011
Abstract
Keywords
References
- Bakker , K (2002). ,The Contract of (Un) Truth; Looking for the difference between Documentary and Fiction
- Film, The Fiction of Reality Catalogue of the Creative Documentary Seminar, Ma’alot, Israel, 7-9 March. Baudrillard, J. (2005). Şeytana Satılan Ruh ya da Kötülüğün Egemenliği, Doğu-Batı Yayınları, Çev. Oğuz
- Adanır, Ekim , Ankara,p. 32. Baudillard, J.(1994). Simulacra and Simulation, translated by Sheila Faria Glaser, University of Michigan,1994,p.1
- Berger, Arthur Asa, (1998). The Postmodern Presence; Readings On Postmodernism in American Culture and Society, Sage Publications, p.157
- BBC News Online. May 23, 2004, http://en.wikipedia.org/wiki/Fahrenheit_9/11#cite_note-36, Moore film
- 'won Cannes on merit', Chisholm, Kennet, (2004). Fahrenheit 9/11, http://www.imdb.com/title/tt0361596/plotsummary
- Cook, D.A (1997). A History Of Narrative Film. W.W. Norton, New York p.222.
- Dovey, J (2000). Freakshow; First Person Media and Factual Television, London, GBR:Pluto Press, p.80.
- Godmilow, J. 82008). “How Real is the reality in Documentary Film”, Jill Godmilow, in conversation with Ann-Louise Shapiro”, 1997, http://www.nd.edu./ ~jgodmillo/reality.html, 06.05.2008
- Hitchens, C. (2004-6-21). Unfahrenheit 9/11: The Lies of Michael Moore, Slate com. Retrieved on 2007-07-12
- Hardy, F. (Ed.) (1996). “ Grierson on Documentary”, Faber and Faber, London & Boston, p. 112.
- Hopper, Trevor (2005). “ Accounting The Social and The Political; Classics, Contemporary and Beyond”, Elsevier Inc. , p.325
- Jordan, R. (2003) “The Gap: Documentary Truth between Reality and Perception”, Off Screen, January 31,2003 htpp//www.tc.umn.edu.
- Merrin, Willam,(2005). Baudrillard and The Media; A Critacal Introduction, Polity Press,p.67
- Moore, M. (2003), “From the speech Academy Award for Best Documentary Feature for Bowling for Columbine,
- March 23, 2003. http://www.sanluisobispo.com/mld/sanluisobispo/news/nation/5466481.htm
- Moore film (2004). “Won Cannes on merit'” ,BBC News Online May 23.
- Nichols, Bill ‘Representing Reality: Issues and Concepts in Documentary’. Indiana University Press, Bloomington ,p.3. Nelmes Jill (Ed.)( 1999). “ An Introduction to Film Studies”, Routledge, London & New York, 1999, p.213.
- Kenneth C. (2008). “Plot summary of 9\11,” 01.07 http://www.imdb.com/title/tt0361596/plotsummary.
- Kopel, D. (2008) ''Fiftynine Deceits in Fahrenheit 9/11,http://www.davekopel.org/terror/59Deceits.pdf
- Rotha, Paul, (1975) Some Principles of Documentary, ed. Daniel Talbot, Film; An Antology, University of
- California Press, London, p.245 Simon Jenkins, 02,02,2008, Radikal Online.
- Wage, J. (2008). “The Portrayal Of Terrorism and Terrorists in Large-Scale Fictional Hollywood Media”, Northern
- Kentucky Univ, http://appstate.edu/stefenov/proceedings/wagge.htm. Williams, Linda, (1993). “Mirrors Without Memories; Truth, History and The New Documentary”, Film Quarterly, Vol. 46, No.3, Spring. P.14
- Zizek, S.( 1996). “Müstehcen Efendi” , Çev. Mustafa Yılmazel, Toplum ve Bilim, Güz Sayı:70.
Year 2011,
Volume: 6 Issue: 21, 3561 - 3571, 01.06.2011
Abstract
Reality seems to be lost its reliability and authenticity within the simulation era where the distinction between the real and unreal is blurred and we have difficulty to find the truth while being surrounded by the mess of hyper-reality. The ‘thing” that we consider as cinema today, is a tangible allegory of life ranging from politics to wars and religions to economy which are all captured by a cinematographic form. It’s increasingly being difficult to perceive for the spectator to make distinction between virtual world and the real one. This paper aims to draw the attentions to this dilemma of modern subject and analyze the films 9/11 (documentary) and Swordfish(fiction) from this point of view
Keywords
References
- Bakker , K (2002). ,The Contract of (Un) Truth; Looking for the difference between Documentary and Fiction
- Film, The Fiction of Reality Catalogue of the Creative Documentary Seminar, Ma’alot, Israel, 7-9 March. Baudrillard, J. (2005). Şeytana Satılan Ruh ya da Kötülüğün Egemenliği, Doğu-Batı Yayınları, Çev. Oğuz
- Adanır, Ekim , Ankara,p. 32. Baudillard, J.(1994). Simulacra and Simulation, translated by Sheila Faria Glaser, University of Michigan,1994,p.1
- Berger, Arthur Asa, (1998). The Postmodern Presence; Readings On Postmodernism in American Culture and Society, Sage Publications, p.157
- BBC News Online. May 23, 2004, http://en.wikipedia.org/wiki/Fahrenheit_9/11#cite_note-36, Moore film
- 'won Cannes on merit', Chisholm, Kennet, (2004). Fahrenheit 9/11, http://www.imdb.com/title/tt0361596/plotsummary
- Cook, D.A (1997). A History Of Narrative Film. W.W. Norton, New York p.222.
- Dovey, J (2000). Freakshow; First Person Media and Factual Television, London, GBR:Pluto Press, p.80.
- Godmilow, J. 82008). “How Real is the reality in Documentary Film”, Jill Godmilow, in conversation with Ann-Louise Shapiro”, 1997, http://www.nd.edu./ ~jgodmillo/reality.html, 06.05.2008
- Hitchens, C. (2004-6-21). Unfahrenheit 9/11: The Lies of Michael Moore, Slate com. Retrieved on 2007-07-12
- Hardy, F. (Ed.) (1996). “ Grierson on Documentary”, Faber and Faber, London & Boston, p. 112.
- Hopper, Trevor (2005). “ Accounting The Social and The Political; Classics, Contemporary and Beyond”, Elsevier Inc. , p.325
- Jordan, R. (2003) “The Gap: Documentary Truth between Reality and Perception”, Off Screen, January 31,2003 htpp//www.tc.umn.edu.
- Merrin, Willam,(2005). Baudrillard and The Media; A Critacal Introduction, Polity Press,p.67
- Moore, M. (2003), “From the speech Academy Award for Best Documentary Feature for Bowling for Columbine,
- March 23, 2003. http://www.sanluisobispo.com/mld/sanluisobispo/news/nation/5466481.htm
- Moore film (2004). “Won Cannes on merit'” ,BBC News Online May 23.
- Nichols, Bill ‘Representing Reality: Issues and Concepts in Documentary’. Indiana University Press, Bloomington ,p.3. Nelmes Jill (Ed.)( 1999). “ An Introduction to Film Studies”, Routledge, London & New York, 1999, p.213.
- Kenneth C. (2008). “Plot summary of 9\11,” 01.07 http://www.imdb.com/title/tt0361596/plotsummary.
- Kopel, D. (2008) ''Fiftynine Deceits in Fahrenheit 9/11,http://www.davekopel.org/terror/59Deceits.pdf
- Rotha, Paul, (1975) Some Principles of Documentary, ed. Daniel Talbot, Film; An Antology, University of
- California Press, London, p.245 Simon Jenkins, 02,02,2008, Radikal Online.
- Wage, J. (2008). “The Portrayal Of Terrorism and Terrorists in Large-Scale Fictional Hollywood Media”, Northern
- Kentucky Univ, http://appstate.edu/stefenov/proceedings/wagge.htm. Williams, Linda, (1993). “Mirrors Without Memories; Truth, History and The New Documentary”, Film Quarterly, Vol. 46, No.3, Spring. P.14
- Zizek, S.( 1996). “Müstehcen Efendi” , Çev. Mustafa Yılmazel, Toplum ve Bilim, Güz Sayı:70.
There are 25 citations in total.
Details
| Primary Language | Turkish |
|---|---|
| Journal Section | Articles |
| Authors | |
| Publication Date | June 1, 2011 |
| Published in Issue | Year 2011 Volume: 6 Issue: 21 |