Abstract
1960'1ardan beri, 'Kadın Sorunu', Hollywood film yapımcıları açısından, deyımı bulan Marksistler için olduğundan daha önemli bir olgu haline gelmiştir. Kadınlar, Amerikan yaşamının toplumsal ve politik yelpazesinin neresinde yer almaktadır? Geleneksel rollerin ve yaşam tarzlarının şaşırtıcı bir düzen sizlik içinde olduğu bu toplumda aileler ve çocuklar nelerle karşılaşmaktadır? Belki çok daha acil olanı, toplum olarak bizler feminizm ve feminizmin çoğunlukla "yıkıcı" görülen amaç ve değerlerine ilişkin olarak neler yapmaktayız?
Abstract
The role of women in social and political life has been an important issue for American filmmakers since 7960s. lnitially, Hollywood had a liberal approa0, telling stories of women in pursuit of their own goals, leaving traditional social structures. in the 1980s, however, Hollywood took a reactionary standpoint where liberation of women has been despised. 'Films portrayed feminist lifestyle as miserable and women as emotionally incapable of /iving their own lives. What women in those movies really wanted was marriage and ehi/dren. More importantly, even in the films that seemed to defend feminist values, the subtext emphasized weakness of free women and bliss of marriage. Artide makes an in depth analysis of those fi/ms arguing that they are a sign of the dominant attitudes toward sex and family issues and present the challenge in liberation of women
Details
| Primary Language | Turkish |
|---|---|
| Journal Section | Translation |
| Authors | |
| Publication Date | September 1, 2004 |
| Published in Issue | Year 2004 Issue: 6 |