Research Article
BibTex RIS Cite

Sonik Öz Kontrol: Orfik Medyanın Duyumsal Deneyimi

Year 2022, , 305 - 319, 30.12.2022
https://doi.org/10.26650/CONS2022-1177428

Abstract

Bu araştırmada ilkin bireyin sonik mekândan soyutlanıp, sonik öz-kontrolünü sağlamasına olanak tanıyan bir medya cinsi olarak orfik medyanın temellendirildiği kavramsal zemin irdelenmiştir. Bu irdelemeyle birlikte orfik medya, mitos ile ilişkisi, soyut mekân ve milieu gibi kavramlarla olan bağlantısı ve politik kapsamı dolayısıyla, internet bazlı bir medya formatı olan kurgusal soundscape’in irdelenmesi adına tezgen bir kavram olarak benimsenmiştir. Sonik öz-kontrol fikrini merkezine alan yapısıyla ses ve müzik araştırmaları için güncel bir çerçeve sunduğu varsayılan orfik yaklaşım, kurgusal soundscape’in, şayet öyleyse, hangi yönleriyle orfik medya olarak ele alınabileceği problemiyle sınanmıştır. Bu nitel araştırmada, orfik medyanın dolayımı aydınlatılmış ve bu dolayım içinde değerlendirilen kurgusal soundscape’in hem üretim hem de tüketim biçimi bakımından orfik medya karakteristikleri taşıdığı sonucuna ulaşılmıştır.

Supporting Institution

İstanbul Teknik Üniversitesi

Thanks

Prof. Dr. Rahim Horuz, Doç. Dr. Ozan Baysal, Dr. Öğr. Üyesi Eray Cömert

References

  • Alias, N., Razak, S. H., ElHadad, G., Kunjambu, N. R. ve Muniandy, P. (2013). A content analysis in the studies of YouTube in selected journals. Procedia - Social and Behavioral Sciences,103, 10-18. doi:10.1016/j.sbspro.2013.10.301 google scholar
  • Apollonios, R. (2009). Argo Gemicileri Destanı. İstanbul: Yapı Kredi Yayınları. google scholar
  • Elliott, D. J. (2000). Music and Affect: The Praxial View. Philosophy of Music Education Review, 8(2), 79-88. Eri-şim adresi: http://www.jstor.org/stable/40495437?origin=JSTOR-pdf google scholar
  • Fisher, A. (1999). The Value of Natural Sounds. The Journal of Aesthetic Education, 33(3), 26-42. doi:10.2307/3333700 google scholar
  • Hagood, M. (2011). Quiet Comfort: Noise, Otherness, and the Mobile Production of Personal Space. American Quarterly, 63(3), 573-589. Erişim adresi: https://www.jstor.org/stable/41237567 google scholar
  • Hagood, M. (2019). Hush: Media and Sonic Self Control. London: Duke University Press. google scholar
  • Kelman, A. Y. (2010). Rethinking the Soundscape. The Senses and Society, 5(2), 212– 234. do-i:10.2752/174589210x12668381452 google scholar
  • Malitoris, J. (2019, Mart 22). Q&A with Mack Hagood. Erişim adresi: https://dukeupress.wordpress.com/2019/03/22/qa-with-mack-hagood-author-of-hush/ google scholar
  • Marazi, K. (2020). Mack Hagood, Hush: Media and Sonic Self-Control. European Journal of American Studies.Erişim adresi: https://journals.openedition.org/ejas/15991 google scholar
  • Nemo’s Dreamscapes. (t.y.). Ana Sayfa [YouTube Kanalı]. Erişim adresi: https://www.youtube.com/c/nemosdream-scapes. Erişim Tarihi: 17 Aralık 2022. google scholar
  • Nemo’s Dreamscapes. (t.y.). Hakkında [YouTube Kanalı]. Erişim adresi: https://www.youtube.com/@NemosDre-amscapes/about. Erişim Tarihi: 17 Aralık 2022 google scholar
  • Sotirios, S. (2021). Orpheus’ Argonautica: The Voyage of the Argonauts. Annals of Archaeology. 4(1), 1-7. doi:10.22259/2639-3662.0401001 google scholar
  • Sterne, J. (2013). Soundscape, Landscape, Escape. K. Bijsterveld (Ed.), Soundscapes of the Urban Past, (s. 181-194) içinde. Erişim adresi: https://www.jstor.org/stable/j.ctv1xxsqf.11?seq=1s google scholar

Sonic Self Control: The Sensory Experience of Orphic Media

Year 2022, , 305 - 319, 30.12.2022
https://doi.org/10.26650/CONS2022-1177428

Abstract

In this research, the conceptual basis of orphic media, which has the utilization that allows the individual to achieve sonic self-control by abstracting from the sonic space, has been analyzed. With this analysis, orphic media has been adopted as a tentative concept in order to examine the fictional soundscape, which is an internet-based media format, due to its relation with mythos, its connection with concepts such as abstract space and milieu, and its political scope. With its structure focused on the concept of sonic self-control, the orphic approach—which is meant to provide a current framework for future sound and music research—has been put to the test with the issue of determining whether any components of the fictional soundscape can be categorized as orphic media. In this qualitative research, the mediation of orphic media has been clarified with the conceptual analysis method and it has been concluded that the fictional soundscape, which has been evaluated in this mediation, has orphic media characteristics in terms of both production and consumption style.

References

  • Alias, N., Razak, S. H., ElHadad, G., Kunjambu, N. R. ve Muniandy, P. (2013). A content analysis in the studies of YouTube in selected journals. Procedia - Social and Behavioral Sciences,103, 10-18. doi:10.1016/j.sbspro.2013.10.301 google scholar
  • Apollonios, R. (2009). Argo Gemicileri Destanı. İstanbul: Yapı Kredi Yayınları. google scholar
  • Elliott, D. J. (2000). Music and Affect: The Praxial View. Philosophy of Music Education Review, 8(2), 79-88. Eri-şim adresi: http://www.jstor.org/stable/40495437?origin=JSTOR-pdf google scholar
  • Fisher, A. (1999). The Value of Natural Sounds. The Journal of Aesthetic Education, 33(3), 26-42. doi:10.2307/3333700 google scholar
  • Hagood, M. (2011). Quiet Comfort: Noise, Otherness, and the Mobile Production of Personal Space. American Quarterly, 63(3), 573-589. Erişim adresi: https://www.jstor.org/stable/41237567 google scholar
  • Hagood, M. (2019). Hush: Media and Sonic Self Control. London: Duke University Press. google scholar
  • Kelman, A. Y. (2010). Rethinking the Soundscape. The Senses and Society, 5(2), 212– 234. do-i:10.2752/174589210x12668381452 google scholar
  • Malitoris, J. (2019, Mart 22). Q&A with Mack Hagood. Erişim adresi: https://dukeupress.wordpress.com/2019/03/22/qa-with-mack-hagood-author-of-hush/ google scholar
  • Marazi, K. (2020). Mack Hagood, Hush: Media and Sonic Self-Control. European Journal of American Studies.Erişim adresi: https://journals.openedition.org/ejas/15991 google scholar
  • Nemo’s Dreamscapes. (t.y.). Ana Sayfa [YouTube Kanalı]. Erişim adresi: https://www.youtube.com/c/nemosdream-scapes. Erişim Tarihi: 17 Aralık 2022. google scholar
  • Nemo’s Dreamscapes. (t.y.). Hakkında [YouTube Kanalı]. Erişim adresi: https://www.youtube.com/@NemosDre-amscapes/about. Erişim Tarihi: 17 Aralık 2022 google scholar
  • Sotirios, S. (2021). Orpheus’ Argonautica: The Voyage of the Argonauts. Annals of Archaeology. 4(1), 1-7. doi:10.22259/2639-3662.0401001 google scholar
  • Sterne, J. (2013). Soundscape, Landscape, Escape. K. Bijsterveld (Ed.), Soundscapes of the Urban Past, (s. 181-194) içinde. Erişim adresi: https://www.jstor.org/stable/j.ctv1xxsqf.11?seq=1s google scholar
There are 13 citations in total.

Details

Primary Language Turkish
Subjects Music
Journal Section Research Article
Authors

Bahadırhan Koçer 0000-0001-5800-2541

Publication Date December 30, 2022
Submission Date September 20, 2022
Published in Issue Year 2022

Cite

APA Koçer, B. (2022). Sonik Öz Kontrol: Orfik Medyanın Duyumsal Deneyimi. Konservatoryum, 9(2), 305-319. https://doi.org/10.26650/CONS2022-1177428