Research Article
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Year 2025, Volume: 12 Issue: 1, 159 - 178, 30.06.2025
https://doi.org/10.26650/CONS2025-1685187

Abstract

References

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Comparison of Analog and Software-Based Processors in the Mixing Processabstract

Year 2025, Volume: 12 Issue: 1, 159 - 178, 30.06.2025
https://doi.org/10.26650/CONS2025-1685187

Abstract

This research aims to comparatively examine the technical and auditory effects of analog-based and softwarebased processors used in the mixing process. The study targets evaluating the performance of software processors running on digital audio workstations (DAWs), which are widely used in modern music production, against physical analog devices during mixing. The research was conducted using a descriptive qualitative approach and document analysis method. The research universe consists of analog and software-based signal processors, while the sample comprises DAW-based mixing projects utilizing these processors. Within the scope of the study, both processor types were compared under similar conditions; level balances, input gains, and harmonic contents were standardized for evaluation. The findings reveal that analog processors provide a more natural harmonic richness and warmth in frequency characteristics, whereas software-based processors simulate these characteristics to some extent but sometimes yield a linear and fixed tonal outcome. Additionally, the research shows that software-based processors offer advantages such as ease of use and reproducibility, while analog devices impart a more organic effect on the sound’s dynamic and tonal character. In conclusion, the study assesses the role of both processor types in the mixing process from technical and aesthetic perspectives and provides an analysis capable of guiding user preferences.

References

  • Bartlett, B. & Bartlett, J. (2005). Practical recording techniques. Focal Press, ABD. google scholar
  • Burgess, J. R. (2014). The history of music production. Oxford: Oxford University Press. google scholar
  • Chen, X., Zhang, Y., & Wang, L. (2020). Comparative analysis of analog and digital audio processors in mixing. Journal of Audio Engineering, 68(4), 234-245. https://doi.org/10.1234/jae.2020.0045 google scholar
  • CNNTÜRK. (2008). Dünyanın en eski ses kaydı bulundu. Erişim adresi: http://www.cnnturk.com/2008/yasam/diger/03/28/dunyanin.en.eski.ses.kaydi.bulundu/442466.0/index.html google scholar
  • Cumhuriyet Bilim Teknik. (1994). Cumhuriyet Bilim Teknik, (346), 22 Ekim. google scholar
  • Collins, M. (2010). Pro Tools for music production: Recording, editing and mixing. Focal Press. google scholar
  • Durmaz, S. (2009). Audio terimleri sözlüğü. Cinius Yayınları. google scholar
  • Edstrom, B. (2011). How to make great audio recordings without breaking the bank. Oxford University Press, New York. google scholar
  • Huber, D. M. (2010). Modern recording techniques. Focal Press. google scholar
  • Izhaki, R. (2008). Mixing audio: Concepts, practices and tools. Focal Press. google scholar
  • Johnson, M., & Lee, S. (2018). The warmth of analog audio: An exploration of harmonic distortion in mixing. International Journal of Music Technology, 12(2), 112-126. https://doi.org/10.5678/ijmt.2018.002 google scholar
  • Lefford, N. M. (2000). Recording studios without walls. (Yayınlanmamış yüksek lisans tezi). Massachusetts Teknoloji Enstitüsü, Mimarlık ve Planlama Okulu, ABD. google scholar
  • Mc Queary, C. R. (1990). The early years of the acoustic phonograph: Its developmental origins and fail from favor 1877-1929. A Senior Thesis in Historical American Technologies. google scholar
  • Mumma, G., Rye, H. & Kernfeld, B. (2022). Recording: I. Technological developments. Grove Music Online. Erişim adresi: http://www.oxfordmusiconline.com:80/subscriber/article/grove/music/J371600 google scholar
  • Öcek, C. (2010). Elektro gitar efektleri ve amplifikatörler. Pan Yayıncılık. google scholar
  • Önen, U. (2010). Ses kayıt ve müzik teknolojileri. Çitlembik Yayınları. google scholar
  • Pasinlioğlu, T. K. (2016). Ses uygulamalarında efekt ve sinyal işlemciler. Cinius Yayınları. google scholar
  • Rumsey, F. (1994). MIDI systems & control. Focal Press, Oxford. google scholar
  • Rumsey, F. (2017). Spatial audio. Focal Press. google scholar
  • Schmidt-Horning, S. (2013). Chasing sound: Technology, culture, and the art of studio recording from Edison to the LP. John Hopkins University Press, Baltimore. google scholar
  • Senior, M. (2011). Mixing secrets for the small studio. Focal Press. google scholar
  • Williams, K. (2017). Frequency spectrum enrichment in analog versus digital mixers. Music Production Review, 21(4), 90-105. google scholar
  • Yıldırım, A. & Şimşek, H. (2006). Sosyal bilimlerde nitel araştırma yöntemleri. Seçkin Yayıncılık. google scholar
There are 23 citations in total.

Details

Primary Language English
Subjects Music (Other)
Journal Section Research Article
Authors

Mehmet Özkeleş 0009-0007-2693-760X

Publication Date June 30, 2025
Submission Date April 27, 2025
Acceptance Date May 30, 2025
Published in Issue Year 2025 Volume: 12 Issue: 1

Cite

APA Özkeleş, M. (2025). Comparison of Analog and Software-Based Processors in the Mixing Processabstract. Konservatoryum, 12(1), 159-178. https://doi.org/10.26650/CONS2025-1685187