Research Article
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“I Want to Conquer the World”: Chasing the Wild Goose, Tracing the Noise

Year 2025, Volume: 12 Issue: 1, 145 - 158, 30.06.2025
https://doi.org/10.26650/CONS2025-1686739

Abstract

This study explores the transnational influences and inspirations of Bad Religion within Türkiye underground punk scene. Using document and content analysis methodologies, the research focuses on fanzines in Türkiye that center around Bad Religion. The research universe consists of fanzines published in Türkiye about Bad Religion, with Backroads fanzine serving as the sample for analysis. The study is grounded in subculture theory to understand the relationship between punk culture and fanzines. To interpret the fanzine content, the critical hermeneutic approach proposed by Habermas is applied. This approach delves into the textual content of fanzines and aims to uncover the ideological structures shaping their creation and reception. The study examines Bad Religion’s role in shaping punk identity in Türkiye, while emphasizing the significance of fanzines in spreading these ideologies. It investigates how fanzines contribute to the ideological resistance of punk culture and the dissemination of alternative narratives. Ultimately, the study highlights the essential role of fanzines in the evolution of punk culture and the transmission of its ideologies. The findings demonstrate Bad Religion’s deep impact on Turkish punk music and its role in driving cultural transformation.

References

  • Bachelard, G. (1964). The poetics of space (M. Jolas, Trans.). Beacon Press. google scholar
  • Bestley, R. (2017). Art attacks: Punk methods and design education. In G. Smith, M. Dines, & T. Parkinson (Eds.), Punk pedagogies: Music, culture and learning (1st ed., pp. 13–29). Routledge. https://doi.org/10.4324/9781315276250 google scholar
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  • Dale, P. (2018). Are you scared to get punky? Indie pop, fanzines and punk rock. In K. Gildart (Ed.), Ripped, torn and cut: Pop, politics and punk fanzines from 1976 (pp. 170–188). Manchester University Press. https://doi.org/10.7228/manchester/9781526120595.003.0010 google scholar
  • Dog Juice. (2014). Blackening night, dreams, anger and an album (Anonymous, Ed.), 12-13. google scholar
  • Frith, S. (1996). Performing rites: On the value of popular music. Harvard University Press. google scholar
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  • Guerra, P., & Quintela, P. (2014). Spreading the message! Fanzines and the punk scene in Portugal. Punk & Post-Punk, 3(3), 203–221. https://doi.org/10.1386/punk.3.3.203_1 google scholar
  • Hebdige, D. (1979). Subculture: The meaning of style. Routledge. google scholar
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  • Karaöz, K. (2024). Backroads Fanzine, 1-20. google scholar
  • Kuş, B. (2024). Backroads Fanzine, 1-20. google scholar
  • Kourakis, F. (2020). Suffering and the Nietzschean affirmation of life in the work of Bad Religion. Punk & Post-Punk, 9(1), 41-58. google scholar
  • Lalama, A. (2013). Transnational punk: The growing push for global change through a music-based subculture. LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University, 3(1), 1-15. https://doi.org/10.5642/lux.2013.0301.09 google scholar
  • Lefebvre, H. (2023). Everyday life in the modern world (S. Rabinovitch, Trans.). Routledge. google scholar
  • Moran, I. P. (2010). Punk: The do^it^yourself subculture. Social Sciences Journal, 10(1), 58–65. google scholar
  • Negri, A. (2011). Art and multitude. Polity. google scholar
  • Nicu, V. (2020). Youth culture, music, and resistance: A qualitative investigation of the punk and electronic music scenes of Bucharest (Doctoral dissertation, University of Surrey). google scholar
  • O’Connor, A. (2002). Local scenes and dangerous crossroads: Punk and theories of cultural hybridity. Popular Music, 21, 225–236. https:// doi.org/10.1017/S0261143002002143 google scholar
  • Özbey, T. (2024). Backroads Fanzine, 1-20. google scholar
  • Prasad, A. (2002). The contest over meaning: Hermeneutics as an interpretive methodology for understanding texts. Organizational Research Methods, 5(1), 12-33. https://doi.org/10.1177/1094428102051002 google scholar
  • Sanasyan, L. (2024). Backroads Fanzine, 1-20. google scholar
  • Sennett, R. (1998). The corrosion of character: The personal consequences of work in the new capitalism. W. W. Norton & Company. google scholar
  • Serbes, H., Güzel, M., Gönden, M., & Kabaş, B. (2025). From underground publishing to the present: A multidimensional analysis of punk fanzine culture in Turkey. Punk & Post-Punk. https://doi.org/10.1386/punk_00291_1 google scholar
  • Serbes, H. (2024). Underground publishing from photocopy to digital: A genealogical analysis of the fanzine subculture in Türkiye (Doctoral thesis). Sakarya University. google scholar
  • Serbes, H., & Güzel, M. (2020). Gençlik altkültürleri: Punk estetiğinin ikonografik fanzinleri. TRT Akademi, 5(10), 686-713. google scholar
  • Shtreis, I. (2022). Time capsule: Fanzines as a signpost towards the cultural shift (Master’s thesis, University of Iceland). google scholar
  • Smiers, J., & van Schijndel, M. (2009). Imagine there is no copyright and no cultural conglomerates too. Amsterdam: Institute of Network Cultures. google scholar
  • Sontag, S. (2008). On photography. Penguin Books. google scholar
  • Sorkun, E. (2024). Backroads Fanzine, 1-20. google scholar
  • Vaneigem, R. (1974). Treatise on living for the young generation. Berkeley: Box 1044. google scholar
  • Ventsel, A. (2019). Eastern Europe as punk frontier. In E. Mazierska & Zs. Györi (Eds.), Eastern European Popular Music in a Transnational Context (pp. 101–116). Palgrave European Film and Media Studies. https://doi.org/10.1007/978-3-030-17034-9_5 google scholar
  • Welizarowicz, G. (2018). Feel like a gringo: Transnational consciousness in Los Angeles punk rock songs. Polish Journal for American Studies Yearbook of the Polish Association for American Studies, 12, 55–74. google scholar
  • Yanmaz, L. (2024). Backroads Fanzine, 1-20. google scholar
  • Young, T.-H. (1989). Break all rules! Punk rock and the making of a style. Ann Arbor, Michigan: UMI Research Press. google scholar

Year 2025, Volume: 12 Issue: 1, 145 - 158, 30.06.2025
https://doi.org/10.26650/CONS2025-1686739

Abstract

References

  • Bachelard, G. (1964). The poetics of space (M. Jolas, Trans.). Beacon Press. google scholar
  • Bestley, R. (2017). Art attacks: Punk methods and design education. In G. Smith, M. Dines, & T. Parkinson (Eds.), Punk pedagogies: Music, culture and learning (1st ed., pp. 13–29). Routledge. https://doi.org/10.4324/9781315276250 google scholar
  • Bert, J.-F. (2016). Introduction à Michel Foucault. La Découverte. google scholar
  • Boynik, S., & Güldalli, T. (2007). Türkiye’de punk ve yeraltı kaynaklarının kesintili tarihi 1978-1999. Bas. google scholar
  • Bridge, S.-K. (2020). Transnational music. In G. Stahl & J. M. Percival (Eds.), The Bloomsbury handbook of popular music and place (pp.123-145). Routledge. google scholar
  • Clark, D. (2003). The death and life of punk, The last subculture. In D. Muggleton & R. Weinzierl (Eds.), The post-subcultures reader (pp.223-236). Berg. google scholar
  • Curthoys, A., & Lake, M. (2005). Connected worlds: History in transnational perspective. Australian National University Press. google scholar
  • Dale, P. (2018). Are you scared to get punky? Indie pop, fanzines and punk rock. In K. Gildart (Ed.), Ripped, torn and cut: Pop, politics and punk fanzines from 1976 (pp. 170–188). Manchester University Press. https://doi.org/10.7228/manchester/9781526120595.003.0010 google scholar
  • Dog Juice. (2014). Blackening night, dreams, anger and an album (Anonymous, Ed.), 12-13. google scholar
  • Frith, S. (1996). Performing rites: On the value of popular music. Harvard University Press. google scholar
  • Goffman, E. (1961). Asylums: Essays on the social situation of mental patients and other inmates. Garden City, NY: Anchor Books. google scholar
  • Guerra, P., & Quintela, P. (2014). Spreading the message! Fanzines and the punk scene in Portugal. Punk & Post-Punk, 3(3), 203–221. https://doi.org/10.1386/punk.3.3.203_1 google scholar
  • Hebdige, D. (1979). Subculture: The meaning of style. Routledge. google scholar
  • Kara, F. (2024). Backroads Fanzine, 1-20. google scholar
  • Karaöz, K. (2024). Backroads Fanzine, 1-20. google scholar
  • Kuş, B. (2024). Backroads Fanzine, 1-20. google scholar
  • Kourakis, F. (2020). Suffering and the Nietzschean affirmation of life in the work of Bad Religion. Punk & Post-Punk, 9(1), 41-58. google scholar
  • Lalama, A. (2013). Transnational punk: The growing push for global change through a music-based subculture. LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University, 3(1), 1-15. https://doi.org/10.5642/lux.2013.0301.09 google scholar
  • Lefebvre, H. (2023). Everyday life in the modern world (S. Rabinovitch, Trans.). Routledge. google scholar
  • Moran, I. P. (2010). Punk: The do^it^yourself subculture. Social Sciences Journal, 10(1), 58–65. google scholar
  • Negri, A. (2011). Art and multitude. Polity. google scholar
  • Nicu, V. (2020). Youth culture, music, and resistance: A qualitative investigation of the punk and electronic music scenes of Bucharest (Doctoral dissertation, University of Surrey). google scholar
  • O’Connor, A. (2002). Local scenes and dangerous crossroads: Punk and theories of cultural hybridity. Popular Music, 21, 225–236. https:// doi.org/10.1017/S0261143002002143 google scholar
  • Özbey, T. (2024). Backroads Fanzine, 1-20. google scholar
  • Prasad, A. (2002). The contest over meaning: Hermeneutics as an interpretive methodology for understanding texts. Organizational Research Methods, 5(1), 12-33. https://doi.org/10.1177/1094428102051002 google scholar
  • Sanasyan, L. (2024). Backroads Fanzine, 1-20. google scholar
  • Sennett, R. (1998). The corrosion of character: The personal consequences of work in the new capitalism. W. W. Norton & Company. google scholar
  • Serbes, H., Güzel, M., Gönden, M., & Kabaş, B. (2025). From underground publishing to the present: A multidimensional analysis of punk fanzine culture in Turkey. Punk & Post-Punk. https://doi.org/10.1386/punk_00291_1 google scholar
  • Serbes, H. (2024). Underground publishing from photocopy to digital: A genealogical analysis of the fanzine subculture in Türkiye (Doctoral thesis). Sakarya University. google scholar
  • Serbes, H., & Güzel, M. (2020). Gençlik altkültürleri: Punk estetiğinin ikonografik fanzinleri. TRT Akademi, 5(10), 686-713. google scholar
  • Shtreis, I. (2022). Time capsule: Fanzines as a signpost towards the cultural shift (Master’s thesis, University of Iceland). google scholar
  • Smiers, J., & van Schijndel, M. (2009). Imagine there is no copyright and no cultural conglomerates too. Amsterdam: Institute of Network Cultures. google scholar
  • Sontag, S. (2008). On photography. Penguin Books. google scholar
  • Sorkun, E. (2024). Backroads Fanzine, 1-20. google scholar
  • Vaneigem, R. (1974). Treatise on living for the young generation. Berkeley: Box 1044. google scholar
  • Ventsel, A. (2019). Eastern Europe as punk frontier. In E. Mazierska & Zs. Györi (Eds.), Eastern European Popular Music in a Transnational Context (pp. 101–116). Palgrave European Film and Media Studies. https://doi.org/10.1007/978-3-030-17034-9_5 google scholar
  • Welizarowicz, G. (2018). Feel like a gringo: Transnational consciousness in Los Angeles punk rock songs. Polish Journal for American Studies Yearbook of the Polish Association for American Studies, 12, 55–74. google scholar
  • Yanmaz, L. (2024). Backroads Fanzine, 1-20. google scholar
  • Young, T.-H. (1989). Break all rules! Punk rock and the making of a style. Ann Arbor, Michigan: UMI Research Press. google scholar
There are 39 citations in total.

Details

Primary Language English
Subjects Music (Other)
Journal Section Research Article
Authors

Hüseyin Serbes 0000-0001-7913-6178

Publication Date June 30, 2025
Submission Date April 29, 2025
Acceptance Date May 30, 2025
Published in Issue Year 2025 Volume: 12 Issue: 1

Cite

APA Serbes, H. (2025). “I Want to Conquer the World”: Chasing the Wild Goose, Tracing the Noise. Konservatoryum, 12(1), 145-158. https://doi.org/10.26650/CONS2025-1686739