What potential does interactive multimedia have as a documentary medium? We know it can serve as a convenient means of linking together a diverse set of documentary materials, but are there interactive paradigms available to enable a more sophisticated work of interpretation? This paper considers this question both at a general theoretical level and in terms of the issues raised by a recent Turkish/Australian interactıve documentary project.
What potential does interactive multimedia have as a documentary medium? We know it can serve as a convenient means of linking together a diverse set of documentary materials, but are there interactive paradigms available to enable a more sophisticated work of interpretation? This paper considers this question both at a general theoretical level and in terms of the issues raised by a recent Turkish/Australian interactive documentary project.
the Halfeti Project Interactive Documentary Turkish/Australian interactive documentary project
Primary Language | English |
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Subjects | Ethics, Regional Studies |
Journal Section | Research Article |
Authors | |
Publication Date | July 7, 2001 |
Published in Issue | Year 2001 Volume: 4(2) Issue: 8 |