Abstract
What potential does interactive multimedia have as a documentary medium? We know it can serve as a convenient means of linking together a diverse set of documentary materials, but are there interactive paradigms available to enable a more sophisticated work of interpretation? This paper considers this question both at a general theoretical level and in terms of the issues raised by a recent Turkish/Australian interactıve documentary project.
References
- Kahn, D. (1996). "What Now the Promise?" In Burning the Interface. Sydney: Museum of Contemporary Art. 21-30.
Abstract
What potential does interactive multimedia have as a documentary medium? We know it can serve as a convenient means of linking together a diverse set of documentary materials, but are there interactive paradigms available to enable a more sophisticated work of interpretation? This paper considers this question both at a general theoretical level and in terms of the issues raised by a recent Turkish/Australian interactive documentary project.
Keywords
the Halfeti Project Interactive Documentary Turkish/Australian interactive documentary project
References
- Kahn, D. (1996). "What Now the Promise?" In Burning the Interface. Sydney: Museum of Contemporary Art. 21-30.
Details
| Primary Language | English |
|---|---|
| Subjects | Ethics, Regional Studies |
| Journal Section | Research Article |
| Authors | |
| Publication Date | July 7, 2001 |
| Published in Issue | Year 2001 Volume: 4(2) Issue: 8 |