Öz
What potential does interactive multimedia have as a documentary medium? We know it can serve as a convenient means of linking together a diverse set of documentary materials, but are there interactive paradigms available to enable a more sophisticated work of interpretation? This paper considers this question both at a general theoretical level and in terms of the issues raised by a recent Turkish/Australian interactıve documentary project.
Kaynakça
- Kahn, D. (1996). "What Now the Promise?" In Burning the Interface. Sydney: Museum of Contemporary Art. 21-30.
Öz
What potential does interactive multimedia have as a documentary medium? We know it can serve as a convenient means of linking together a diverse set of documentary materials, but are there interactive paradigms available to enable a more sophisticated work of interpretation? This paper considers this question both at a general theoretical level and in terms of the issues raised by a recent Turkish/Australian interactive documentary project.
Anahtar Kelimeler
the Halfeti Project Interactive Documentary Turkish/Australian interactive documentary project
Kaynakça
- Kahn, D. (1996). "What Now the Promise?" In Burning the Interface. Sydney: Museum of Contemporary Art. 21-30.
Ayrıntılar
| Birincil Dil | İngilizce |
|---|---|
| Konular | Etik, Bölgesel Çalışmalar |
| Bölüm | Araştırma Makalesi |
| Yazarlar | |
| Yayımlanma Tarihi | 7 Temmuz 2001 |
| Yayımlandığı Sayı | Yıl 2001 Cilt: 4(2) Sayı: 8 |