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KİŞİSEL HALKLA İLİŞKİLER BAĞLAMINDA BENLİK SUNUMU: ÜNLÜLERİN INSTAGRAM PAYLAŞIMLARI ÜZERİNE BİR ANALİZ

Year 2023, , 396 - 425, 27.07.2023
https://doi.org/10.14783/maruoneri.1164967

Abstract

Halkla ilişkiler, kurumlara yönelik olduğu kadar kişilere de yönelik bir alandır. İlişki ve iletişim inşası açısından özellikle kamuoyunda görünür bireyler olarak nitelendirilmesi mümkün olan ünlüler halkla ilişkiler faaliyetlerine yönelmektedir. Çalışmanın amacı ünlülerin Instagram paylaşımlarını benlik sunumu çerçevesinde analiz etmektir. Bu kapsamda ünlülerin Instagram hesapları Goffman’ın (2014) yaklaşımından hareketle birer “sahne” olarak nitelendirilmiş ve bu sahnedeki performansları ise kişisel halkla ilişkiler çerçevesinde yorumlanmıştır. Araştırma sonuçlarına göre Instagram platformuna ve diline uygun paylaşımlarda bulunan ünlüler, performatif davranışlarla “idealize benlik” duruşu sergilemektedir. Bu bağlamda ünlüler “görüntüler dünyası” olan Instagram’ı profesyonel şekilde yönetmekte; en ideal, çarpıcı, çekici ve sansasyonel pozlarla resim vermektedir. Sosyal medya personası ve davranış kalıpları anlamında platforma uygun çoklu ortam bileşenleri kullanan ünlüler, sahnede olma durumunu ve duygusunu içeriklerine yansıtmaktadır. Temsili benlik sunum ve izlenim yönetim mekanizması olan Instagram, ünlülerin içerik yönetimi üzerinden inşa etmek istedikleri sosyal imaja destek olmaktadır.

Supporting Institution

Yok

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SELF PRESENTATION IN THE CONTEXT OF PERSONAL PUBLIC RELATIONS: AN ANALYSIS ON THE INSTAGRAM POSTINGS OF CELEBRITIES

Year 2023, , 396 - 425, 27.07.2023
https://doi.org/10.14783/maruoneri.1164967

Abstract

Public relations is a field for individuals as well as organisations. Celebrities, who can be described as individuals visible in the public in terms of relationship and communication construction, tend to engage in public relations activities. The purpose of the study is to analyse the Instagram posts of celebrities within the framework of self-presentation. In this context, the Instagram accounts of celebrities were described as “stage” based on the approach of Goffman (2014), and their performances on this stage were interpreted within the framework of personal public relations. According to the results of the research, celebrities who share in accordance with the Instagram platform and language display an “idealised self” stance with performative behaviours. In this context, celebrities professionally manage the “image world” of Instagram; gives pictures with the most ideal, striking, attractive and sensational poses. Celebrities, who use multimedia components suitable for the platform in terms of social media personas and behaviour patterns, reflect the state and emotion of being on the stage. As a representative self-presentation and impression management mechanism, Instagram supports the social image that celebrities want to build through content management.

References

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  • Barron, L. (2015). Celebrity cultures: An introduction. Thousand Oaks, CA: Sage.
  • Bolino, M. C., & Turnley, W. H. (2003). More than one way to make an impression: Exploring profiles of impression management. Journal of Management, 29(2), 141-160. doi: 10.1177%2F014920630302900202
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  • Brown, J. D. (2007). The self. NY: Psychology Press.
  • Brown, Z., & Tiggemann, M. (2016). Attractive celebrity and peer images on Instagram: Effect on women's mood and body image. Body Image, 19, 37-43. doi: 10.1016/j.bodyim.2016.08.007
  • Brown, Z., & Tiggemann, M. (2020). A picture is worth a thousand words: The effect of viewing celebrity Instagram images with disclaimer and body positive captions on women’s body image. Body Image, 33, 190-198. doi: 10.1016/j.bodyim.2020.03.003
  • Bruns, A., & J. Burgess. (2011). The use of Twitter hashtags in the formation of ad hoc publics. 6th European Consortium for Political Research General Conference, University of Iceland, Reykjavik.
  • Campbell, C., & Farrell, J. R. (2020). More than meets the eye: The functional components underlying influencer marketing. Business Horizons, 63(4), 469-479. doi: 10.1016/j.bushor.2020.03.003
  • Centeno, D., & Wang, J. J. (2017). Celebrities as human brands: An inquiry on stakeholder-actor co-creation of brand identities. Journal of Business Research, 74, 133-138. doi: 10.1016/j.jbusres.2016.10.024
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  • Ekman, M., & Widholm, A. (2017). Political communication in an age of visual connectivity: Exploring Instagram practices among Swedish politicians. Northern Lights: Film & Media Studies Yearbook, 15(1), 15–32. doi: 10.1386/nl.15.15_1
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  • Evans, N. J., Phua, J., Lim, J., & Jun, H. (2017). Disclosing Instagram influencer advertising: The effects of disclosure language on advertising recognition, attitudes, and behavioral intent. Journal of Interactive Advertising, 17(2), 138-149. doi: 10.1080/15252019.2017.1366885
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  • Goffman, E. (2014). Günlük yaşamda benliğin sunumu (Çev. B. Cezar). İstanbul: Metis Yayınları.
  • Guadagno, R. E., Okdie, B. M., & Kruse, S. A. (2012). Dating deception: Gender, online dating, and exaggerated self-presentation. Computers in Human Behavior, 28(2), 642-647. doi: 10.1016/j.chb.2011.11.010
  • Guo, Y., & Ren, W. (2020). Managing image: The self-praise of celebrities on social media. Discourse, Context & Media, 38, 100433. doi: 10.1016/j.dcm.2020.100433
  • Haastrup, H. K. (2020). The mother of dragons in Dior: fashion, star image and self-presentation on Instagram. Popular Communication, 18(4), 327-340. doi: 10.1080/15405702.2020.1839078
  • Haenlein, M., Anadol, E., Farnsworth, T., Hugo, H., Hunichen, J., & Welte, D. (2020). Navigating the new era of influencer marketing: How to be successful on Instagram, TikTok, & Co. California Management Review, 63(1), 5-25. doi: 10.1177%2F0008125620958166
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  • Harris, E., & Bardey, A. C. (2019). Do Instagram profiles accurately portray personality? An investigation into idealized online self-presentation. Frontiers in Psychology, 10, 1-13. doi: 10.3389/fpsyg.2019.00871
  • Hearn, A. (2008). Meat, mask, burden: Probing the contours of the brandedself. Journal of Consumer Culture, 8(2), 197-217. doi: 10.1177%2F1469540508090086
  • Hogan, B. (2010). The presentation of self in the age of social media: Distinguishing performances and exhibitions online. Bulletin of Science, Technology & Society, 30(6), 377-386. doi: 10.1177%2F0270467610385893
  • Hollander, P. (2010). Why the celebrity cult?. Society, 47(5), 388-391. doi: 10.1007/s12115-010-9348-9
  • Hong, S., Jahng, M. R., Lee, N., & Wise, K. R. (2020). Do you filter who you are?: Excessive self-presentation, social cues, and user evaluations of Instagram selfies. Computers in Human Behavior, 104, 106159. doi: 10.1016/j.chb.2019.106159
  • Hu, Y., Manikonda, L., & Kambhampati, S. (2014). What we Instagram: A first analysis of Instagram photo content and user types. Eighth International AAAI Conference on Weblogs and Social Media (pp. 595-598). Palo Alto, CA: The AAAI Press.
  • Hudders, L., De Jans, S., & De Veirman, M. (2021). The commercialization of social media stars: A literature review and conceptual framework on the strategic use of social media influencers. International Journal of Advertising, 40(3), 327-375. doi: 10.1080/02650487.2020.1836925
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Details

Primary Language Turkish
Subjects Public Relations
Journal Section Makale Başvuru
Authors

Ali Arıcı 0000-0003-4027-8288

Özgür Kılınç 0000-0002-8697-162X

Early Pub Date July 26, 2023
Publication Date July 27, 2023
Published in Issue Year 2023

Cite

APA Arıcı, A., & Kılınç, Ö. (2023). KİŞİSEL HALKLA İLİŞKİLER BAĞLAMINDA BENLİK SUNUMU: ÜNLÜLERİN INSTAGRAM PAYLAŞIMLARI ÜZERİNE BİR ANALİZ. Öneri Dergisi, 18(60), 396-425. https://doi.org/10.14783/maruoneri.1164967

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