A TRANSNATIONAL FEMINIST ANALYSIS OF KAY ADSHEAD’S THE BOGUS WOMAN (2001)

Year 2017, Volume: 14 Issue: 37, 105 - 126, 01.03.2017

Nursen Gömceli

Abstract

Kay Adshead’s The
Bogus Woman (2001), which dramatises through the experiences of its
asylum-seeking African protagonist the inhumane treatment of asylum-seekers and
the violation of human rights at the detention centres in Britain, has so far been
analysed within the frame of asylum theatre and feminism (by Elaine Aston in
2003), trauma drama and trauma theory (by Hildegard Klein in 2012) and from the
perspective of cultural theory (by Sarah Gibson in 2013). In all these works,
the analysis of the play has been conducted together with its so-called
‘companion piece’, Credible Witness
(2001) by Timberlake Wertenbaker, which, too, dramatises the atrocities of
political asylum in a transnational world and has been staged in the same year
as Adshead’s play, in 2001. The aim of this paper, which will focus its
attention solely on The Bogus Woman,
will be to analyse the play from a transnational feminist perspective and to
present how the issue of human rights is discussed within this feminist position.

Keywords

Kay Adshead, Human rights, First World women, Third World women, Transnational feminism

KAY ADSHEAD’İN THE BOGUS WOMAN (2001) ESERİNİN TRANSNASYONEL FEMİNİZM BAḠLAMINDA ÇÖZÜMLEMESİ

Abstract

Kay Adshead’in, mülteci
Afrika’lı ana karakterinin yaşadığı olaylar vasıtasıyla sığınmacılara uygulanan
insanlık dışı muameleyi ve Britanya gözalti merkezlerinde yaşanan insan hakları
ihlalini canlandıran The Bogus Woman
(2001) oyunu bugüne kadar mülteci tiyatrosu ve feminizm (2003’te Elaine Aston
tarafından), travma tiyatrosu ve travma teorisi (2012’de Hildegard Klein
tarafından) ve kültürel teori bağlamında (2013’te Sarah Gibson tarafından)
incelenmiştir. Tüm bu çalışmalarda oyunun incelemesi, Adshead’in oyunu ile aynı
yılda, 2001’de sahnelenen ve ‘kardeş oyun’ olarak tanımlanan, ve yine
transnasyonel (uluslarötesi) bir dünyada siyasi ilticanın tahammül edilmez
zorluklarını anlatan, Timberlake Wertenbaker’ın eseri Credible Witness (2001) ile birlikte yapılagelmiştir. İnceleme
boyunca sadece The Bogus Woman
üzerine yoğunlaşacak olan bu çalışmanın amacı, oyunu transnasyonel feminizm baḡlamında
irdelemek ve insan hakları meselesinin bu feminist yaklaşımda nasıl
tartışıldığını ele almak olacaktır.

Keywords

Kay Adshead, İnsan hakları, Birinci Dünya kadınları, Üçüncü Dünya kadınları, Transnasyonel feminizm

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