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Film Endüstrisinin ve Sinema Kültürünün Gelişmesinde Busan Film Komisyonu’nun Rolü

Year 2018, , 105 - 115, 15.06.2018
https://doi.org/10.17572/mj2018.1.105115

Abstract

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References

  • Ahn, S. J. (2012). The Pusan International Film Festival: South Korean Cinema and Globalization. Hong Kong: Hong Kong University Press.
  • Asian Cinema Fund. Erişim: 30 Mayıs 2018, http://acf.biff.kr/Template/Builder/00000001/page.asp?page_num=4018
  • Brown, W. (2018). Halkın Çözülüşü: Neoliberalizmin Sinsi Devrimi. (B. E., Aksoy. Çev.). İstanbul: Metis.
  • Busan Film Commission. Erişim: 30 Mayıs 2018, http://www.bfc.or.kr/homepage/default/page/subLocation.do?menu_no=30010701.
  • Busan International Film Festival. Erişim: 30 Mayıs 2018, http://www.biff.kr/structure/eng/default.asp
  • Diving Bell: The Truth Shall Not Sink with Sewol (Director’s cut / free release) Erişim: 30 Mayıs 2018, https://www.youtube.com/watch?v=dhME_nj5CWc/
  • Florida, R. (2018). Yeni Kentsel Kriz. (D. N. Özer, Çev.). İstanbul: Doğan Kitap.
  • KOFIC (2017). Korean Cinema 2017. Seul.
  • KOFIC (2017). Korea Shooting Guide. Seul.
  • Korean Film Council. Erişim tarihi: 30 Mayıs 2018, http://kofic.kr/kofic/business/main/main.do/
  • Park Kwang-sun. Erişim tarihi: 30 Mayıs 2018, https://en.wikipedia.org/wiki/Park_Kwang-su/
  • Pratt, A. C. (2008). Creative cities: the cultural industries and the creative class., In Geografiska Annaler: Series B, Human Geography. 90(2): 107-117.
  • Rapir, J. (2018) Black Panther Director Explains Why Busan is the Setting of the Movie’s Car Chase. Erişim: http://en.koreaportal.com/articles/44063/20180305/black-panther-director-explains-why-busan-is-the-setting-of-the-movie-s-car-chase.html
  • Shim, D. (2013). Korean Cinema Industry and Cinema Regionalizm in East Asia. In N. Otmazgin & E. Ben-Ari (Eds.) Popular Culture CoPructions and Colobarations in East Asia. (52-67) Singapore: NUS Press & Koyoto University Press.
  • Thiel, J. (2017). Creative cities and the reflexivity of the urban creative economy, European Urban and Regional Studies. 24 (1): 21-34.
  • Train to Busan. Erişim tarihi: 30 Mayıs 2018, https://en.wikipedia.org/wiki/Train_to_Busan/
  • Unesco Creative Cities Network/Busan. Erişim tarihi: 30 Mayıs 2018, https://en.unesco.org/creative-cities/busan
  • Unesco Creative Cities Network. Erişim tarihi: 30 Mayıs 2018, https://en.unesco.org/creative-cities/
  • Unesco Creative Cities Network/ Management Documents. Erişim tarihi: 30 Mayıs 2018, https://en.unesco.org/creative-cities/content/management-documents/

The Role of Busan Film Commission on Film Industry and Development of the Cinema Culture

Year 2018, , 105 - 115, 15.06.2018
https://doi.org/10.17572/mj2018.1.105115

Abstract

--

References

  • Ahn, S. J. (2012). The Pusan International Film Festival: South Korean Cinema and Globalization. Hong Kong: Hong Kong University Press.
  • Asian Cinema Fund. Erişim: 30 Mayıs 2018, http://acf.biff.kr/Template/Builder/00000001/page.asp?page_num=4018
  • Brown, W. (2018). Halkın Çözülüşü: Neoliberalizmin Sinsi Devrimi. (B. E., Aksoy. Çev.). İstanbul: Metis.
  • Busan Film Commission. Erişim: 30 Mayıs 2018, http://www.bfc.or.kr/homepage/default/page/subLocation.do?menu_no=30010701.
  • Busan International Film Festival. Erişim: 30 Mayıs 2018, http://www.biff.kr/structure/eng/default.asp
  • Diving Bell: The Truth Shall Not Sink with Sewol (Director’s cut / free release) Erişim: 30 Mayıs 2018, https://www.youtube.com/watch?v=dhME_nj5CWc/
  • Florida, R. (2018). Yeni Kentsel Kriz. (D. N. Özer, Çev.). İstanbul: Doğan Kitap.
  • KOFIC (2017). Korean Cinema 2017. Seul.
  • KOFIC (2017). Korea Shooting Guide. Seul.
  • Korean Film Council. Erişim tarihi: 30 Mayıs 2018, http://kofic.kr/kofic/business/main/main.do/
  • Park Kwang-sun. Erişim tarihi: 30 Mayıs 2018, https://en.wikipedia.org/wiki/Park_Kwang-su/
  • Pratt, A. C. (2008). Creative cities: the cultural industries and the creative class., In Geografiska Annaler: Series B, Human Geography. 90(2): 107-117.
  • Rapir, J. (2018) Black Panther Director Explains Why Busan is the Setting of the Movie’s Car Chase. Erişim: http://en.koreaportal.com/articles/44063/20180305/black-panther-director-explains-why-busan-is-the-setting-of-the-movie-s-car-chase.html
  • Shim, D. (2013). Korean Cinema Industry and Cinema Regionalizm in East Asia. In N. Otmazgin & E. Ben-Ari (Eds.) Popular Culture CoPructions and Colobarations in East Asia. (52-67) Singapore: NUS Press & Koyoto University Press.
  • Thiel, J. (2017). Creative cities and the reflexivity of the urban creative economy, European Urban and Regional Studies. 24 (1): 21-34.
  • Train to Busan. Erişim tarihi: 30 Mayıs 2018, https://en.wikipedia.org/wiki/Train_to_Busan/
  • Unesco Creative Cities Network/Busan. Erişim tarihi: 30 Mayıs 2018, https://en.unesco.org/creative-cities/busan
  • Unesco Creative Cities Network. Erişim tarihi: 30 Mayıs 2018, https://en.unesco.org/creative-cities/
  • Unesco Creative Cities Network/ Management Documents. Erişim tarihi: 30 Mayıs 2018, https://en.unesco.org/creative-cities/content/management-documents/
There are 19 citations in total.

Details

Primary Language Turkish
Journal Section Essays
Authors

Mutlu Binark

Publication Date June 15, 2018
Submission Date June 15, 2018
Acceptance Date June 15, 2018
Published in Issue Year 2018

Cite

APA Binark, M. (2018). Film Endüstrisinin ve Sinema Kültürünün Gelişmesinde Busan Film Komisyonu’nun Rolü. Moment Dergi, 5(1), 105-115. https://doi.org/10.17572/mj2018.1.105115