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An Alternative Aspect For The New Century: Slow Designs

Year 2011, Issue: 3, 98 - 105, 01.04.2011

Abstract

The consequence of today’s design paradigm are billions of products and buildings, most destined to lead very short lives in order to stimulate production. This roller coaster of production is partly driven by an unswerving belief in economic growth as a given cultural good. However, new cultural conversations about the value of ‘slowness’ are emerging today and “Slow” is perceived as an antidote to “Fast”, in our everyday world. This paper aims to discuss slow design concept from the aspect of textile and fashion design and to look over different slow design approaches on various industrial practices

References

  • Beverland, Michael B, “Slow Design”, Design for the Triple Bottom Line—Society, Environment, Business, The Design Management Institute, 2011, 36.s
  • Fiell, Charlotte ve Fiell, Peter, Designing the 21st Century, Taschen, 2001.
  • Fletcher, Kate, Sustainable Fashion and Textiles Design Journeys, 121.
  • Fuad-Luke, Alastair, “Reflection, Consciousness, Progress: Creatively Slow Designing the Present.” In: van Koten, H. (ed), Proceeds of Reflections on Creativity, 21 and 22 April 2006. Dundee: Duncan of Jordanstone College, 2007.
  • http://www.slowlab.net/ideas.html, 05.01.2011
  • Fuad-Luke Alastair, “Reflection, Consciousness, Progress: Creatively Slow Designing the Present.” In: van Koten, H. (ed)
  • Proceeds of Reflections on Creativity, 21 and 22 April 2006. Dundee: Duncan of Jordanstone College, 2007.
  • Bkz. ( 4 ), MAX-NEEF, 202.
  • Fuad-Luke, Alastair, “Slow design: a paradigm shift in design philosophy?” Design by Deve- lopment, dyd02 conference, Bangalore, India, December 2002; see ThinkCycle, www.thinkcycle.com, July 2003 .
  • Fuad-Luke, Alastair, “Slow Design”, in Ehrloff and Marshall eds., Design Dictionary: Perspectives on Design Terminology, Birkhäuser, Basel, 2008, pp 361-363
  • Fuad-Luke, Alastair, “Slow designing the eco (r)evolution”, Design, Vol 298, Seoul, Korea April 2003, pp76-81.
  • Hein, Kenneth, “Study: Value Trumps Price Among Shoppers,” Brandweek, Şubat 3, 2009, 6.
  • Klara, Robert, “We’re an American Brand,” BrandWeek, Ağustos 31, 2009, 4-6.
  • Max-Neef, Manfred, “Development and human needs, in P. Ekins and M. Max-Neef (eds)”, 197- 214. “Slow Activism”, New Internationalist, 2002.
  • Walker, Stuard, “The Cage of Aesthetic Convention: Stasis in industrial design and the necessity of the avand-garde.” The Design Journal, (2002), Volume 5, Issue 2, pp3-7. “Well Dressed?”, University of Cambridge Institute for Manufacturing, 10. http://www.slowlab.net/ideas.html, 05.01.2011

Yeni Yüzyıl İçin Alternatif Bir Bakış Açısı: Yavaş Tasarımlar

Year 2011, Issue: 3, 98 - 105, 01.04.2011

Abstract

Günümüzün yaygın tasarım modelinin meyveleri, çoğu üretimi-ve tüketimi- hızlandırmak amacıyla çok kısa ömürlü olacak şekilde tasarlanmış milyarlarca ürün ve bina halinde karşımıza çıkmaktadır. Bu üretim şekli, ekonomik büyümeye olan şaşmaz inancın yönlendirmesiyle de desteklenmektedir ancak son yıllarda, “yavaşlık” kavramının değeri üzerine yeni kültürel tartışmalar ortaya çıkmıştır ve bugünün gündelik yaşam temposunda “Yavaş”, “Hızlı” kavramının karşıtı ve olumsuz etkileri için bir çözüm olarak görülmeye başlamıştır. Bu makale, sürdürülebilirlik üzerine yapılmış farklı tasarım yaklaşımlarından biri olan Yavaş Tasarım kavramını tekstil ve moda açısından ele alarak bu alanda yapılmış çeşitli yavaş tasarım uygulamalarının örneklerle incelenmesini amaçlamaktadır

References

  • Beverland, Michael B, “Slow Design”, Design for the Triple Bottom Line—Society, Environment, Business, The Design Management Institute, 2011, 36.s
  • Fiell, Charlotte ve Fiell, Peter, Designing the 21st Century, Taschen, 2001.
  • Fletcher, Kate, Sustainable Fashion and Textiles Design Journeys, 121.
  • Fuad-Luke, Alastair, “Reflection, Consciousness, Progress: Creatively Slow Designing the Present.” In: van Koten, H. (ed), Proceeds of Reflections on Creativity, 21 and 22 April 2006. Dundee: Duncan of Jordanstone College, 2007.
  • http://www.slowlab.net/ideas.html, 05.01.2011
  • Fuad-Luke Alastair, “Reflection, Consciousness, Progress: Creatively Slow Designing the Present.” In: van Koten, H. (ed)
  • Proceeds of Reflections on Creativity, 21 and 22 April 2006. Dundee: Duncan of Jordanstone College, 2007.
  • Bkz. ( 4 ), MAX-NEEF, 202.
  • Fuad-Luke, Alastair, “Slow design: a paradigm shift in design philosophy?” Design by Deve- lopment, dyd02 conference, Bangalore, India, December 2002; see ThinkCycle, www.thinkcycle.com, July 2003 .
  • Fuad-Luke, Alastair, “Slow Design”, in Ehrloff and Marshall eds., Design Dictionary: Perspectives on Design Terminology, Birkhäuser, Basel, 2008, pp 361-363
  • Fuad-Luke, Alastair, “Slow designing the eco (r)evolution”, Design, Vol 298, Seoul, Korea April 2003, pp76-81.
  • Hein, Kenneth, “Study: Value Trumps Price Among Shoppers,” Brandweek, Şubat 3, 2009, 6.
  • Klara, Robert, “We’re an American Brand,” BrandWeek, Ağustos 31, 2009, 4-6.
  • Max-Neef, Manfred, “Development and human needs, in P. Ekins and M. Max-Neef (eds)”, 197- 214. “Slow Activism”, New Internationalist, 2002.
  • Walker, Stuard, “The Cage of Aesthetic Convention: Stasis in industrial design and the necessity of the avand-garde.” The Design Journal, (2002), Volume 5, Issue 2, pp3-7. “Well Dressed?”, University of Cambridge Institute for Manufacturing, 10. http://www.slowlab.net/ideas.html, 05.01.2011
There are 15 citations in total.

Details

Primary Language Turkish
Journal Section Research Article
Authors

Nesrin Türkmen This is me

Publication Date April 1, 2011
Published in Issue Year 2011 Issue: 3

Cite

APA Türkmen, N. (2011). Yeni Yüzyıl İçin Alternatif Bir Bakış Açısı: Yavaş Tasarımlar. MSGSÜ Sosyal Bilimler(3), 98-105.