Öz
The consequence of today’s design paradigm are billions of products and buildings, most destined to lead very short lives in order to stimulate production. This roller coaster of production is partly driven by an unswerving belief in economic growth as a given cultural good. However, new cultural conversations about the value of ‘slowness’ are emerging today and “Slow” is perceived as an antidote to “Fast”, in our everyday world. This paper aims to discuss slow design concept from the aspect of textile and fashion design and to look over different slow design approaches on various industrial practices
Anahtar Kelimeler
Kaynakça
- Beverland, Michael B, “Slow Design”, Design for the Triple Bottom Line—Society, Environment, Business, The Design Management Institute, 2011, 36.s
- Fiell, Charlotte ve Fiell, Peter, Designing the 21st Century, Taschen, 2001.
- Fletcher, Kate, Sustainable Fashion and Textiles Design Journeys, 121.
- Fuad-Luke, Alastair, “Reflection, Consciousness, Progress: Creatively Slow Designing the Present.” In: van Koten, H. (ed), Proceeds of Reflections on Creativity, 21 and 22 April 2006. Dundee: Duncan of Jordanstone College, 2007.
- http://www.slowlab.net/ideas.html, 05.01.2011
- Fuad-Luke Alastair, “Reflection, Consciousness, Progress: Creatively Slow Designing the Present.” In: van Koten, H. (ed)
- Proceeds of Reflections on Creativity, 21 and 22 April 2006. Dundee: Duncan of Jordanstone College, 2007.
- Bkz. ( 4 ), MAX-NEEF, 202.
- Fuad-Luke, Alastair, “Slow design: a paradigm shift in design philosophy?” Design by Deve- lopment, dyd02 conference, Bangalore, India, December 2002; see ThinkCycle, www.thinkcycle.com, July 2003 .
- Fuad-Luke, Alastair, “Slow Design”, in Ehrloff and Marshall eds., Design Dictionary: Perspectives on Design Terminology, Birkhäuser, Basel, 2008, pp 361-363
- Fuad-Luke, Alastair, “Slow designing the eco (r)evolution”, Design, Vol 298, Seoul, Korea April 2003, pp76-81.
- Hein, Kenneth, “Study: Value Trumps Price Among Shoppers,” Brandweek, Şubat 3, 2009, 6.
- Klara, Robert, “We’re an American Brand,” BrandWeek, Ağustos 31, 2009, 4-6.
- Max-Neef, Manfred, “Development and human needs, in P. Ekins and M. Max-Neef (eds)”, 197- 214. “Slow Activism”, New Internationalist, 2002.
- Walker, Stuard, “The Cage of Aesthetic Convention: Stasis in industrial design and the necessity of the avand-garde.” The Design Journal, (2002), Volume 5, Issue 2, pp3-7. “Well Dressed?”, University of Cambridge Institute for Manufacturing, 10. http://www.slowlab.net/ideas.html, 05.01.2011
Öz
Günümüzün yaygın tasarım modelinin meyveleri, çoğu üretimi-ve tüketimi- hızlandırmak amacıyla çok kısa ömürlü olacak şekilde tasarlanmış milyarlarca ürün ve bina halinde karşımıza çıkmaktadır. Bu üretim şekli, ekonomik büyümeye olan şaşmaz inancın yönlendirmesiyle de desteklenmektedir ancak son yıllarda, “yavaşlık” kavramının değeri üzerine yeni kültürel tartışmalar ortaya çıkmıştır ve bugünün gündelik yaşam temposunda “Yavaş”, “Hızlı” kavramının karşıtı ve olumsuz etkileri için bir çözüm olarak görülmeye başlamıştır. Bu makale, sürdürülebilirlik üzerine yapılmış farklı tasarım yaklaşımlarından biri olan Yavaş Tasarım kavramını tekstil ve moda açısından ele alarak bu alanda yapılmış çeşitli yavaş tasarım uygulamalarının örneklerle incelenmesini amaçlamaktadır
Anahtar Kelimeler
Kaynakça
- Beverland, Michael B, “Slow Design”, Design for the Triple Bottom Line—Society, Environment, Business, The Design Management Institute, 2011, 36.s
- Fiell, Charlotte ve Fiell, Peter, Designing the 21st Century, Taschen, 2001.
- Fletcher, Kate, Sustainable Fashion and Textiles Design Journeys, 121.
- Fuad-Luke, Alastair, “Reflection, Consciousness, Progress: Creatively Slow Designing the Present.” In: van Koten, H. (ed), Proceeds of Reflections on Creativity, 21 and 22 April 2006. Dundee: Duncan of Jordanstone College, 2007.
- http://www.slowlab.net/ideas.html, 05.01.2011
- Fuad-Luke Alastair, “Reflection, Consciousness, Progress: Creatively Slow Designing the Present.” In: van Koten, H. (ed)
- Proceeds of Reflections on Creativity, 21 and 22 April 2006. Dundee: Duncan of Jordanstone College, 2007.
- Bkz. ( 4 ), MAX-NEEF, 202.
- Fuad-Luke, Alastair, “Slow design: a paradigm shift in design philosophy?” Design by Deve- lopment, dyd02 conference, Bangalore, India, December 2002; see ThinkCycle, www.thinkcycle.com, July 2003 .
- Fuad-Luke, Alastair, “Slow Design”, in Ehrloff and Marshall eds., Design Dictionary: Perspectives on Design Terminology, Birkhäuser, Basel, 2008, pp 361-363
- Fuad-Luke, Alastair, “Slow designing the eco (r)evolution”, Design, Vol 298, Seoul, Korea April 2003, pp76-81.
- Hein, Kenneth, “Study: Value Trumps Price Among Shoppers,” Brandweek, Şubat 3, 2009, 6.
- Klara, Robert, “We’re an American Brand,” BrandWeek, Ağustos 31, 2009, 4-6.
- Max-Neef, Manfred, “Development and human needs, in P. Ekins and M. Max-Neef (eds)”, 197- 214. “Slow Activism”, New Internationalist, 2002.
- Walker, Stuard, “The Cage of Aesthetic Convention: Stasis in industrial design and the necessity of the avand-garde.” The Design Journal, (2002), Volume 5, Issue 2, pp3-7. “Well Dressed?”, University of Cambridge Institute for Manufacturing, 10. http://www.slowlab.net/ideas.html, 05.01.2011
Ayrıntılar
| Birincil Dil | Türkçe |
|---|---|
| Bölüm | Araştırma Makalesi |
| Yazarlar | |
| Yayımlanma Tarihi | 1 Nisan 2011 |
| Yayımlandığı Sayı | Yıl 2011 Sayı: 3 |