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Year 2017, , 52 - 94, 30.12.2017
https://doi.org/10.33906/musicologist.373163

Abstract

References

  • Abuladze, Ilia (ed.). (1964). Udzvelesi redaktsiebi basili kesarielis “ekusta dghetaisa” da grigol noselis targmanebisa “katsisa agebulebisatvis” X-XIII ss-is khelnatserta mikhedvit (“Ancient editions of "Six Days of Creation" by Basili of Caesaria translated by Gregory Nyssa’s, taken from 10th–13th centuries manuscripts Nino”). Tbilisi: Metsniereba.
  • Chijavadze, Otar. [audiorecorder] (1959). Fieldwork in Samegrelo, tape #82 [audio filed recordings of music]. Tbilisi: The Archive of Georgian Folk Music Laboratory of Tbilisi State Conservatoire.
  • Chikhladze, Vera. (2013). “Arkeologiuri gatkhrebis dros sakartveloshi aghmochenili musikaluri instrumentebi” (Musical Instruments Revealed in Georgia during the Archaeological Excavations) Iberia-kolkheti – sakartvelos klasikuri da adremedievuri periodis arkeologiur-istoriuli kvlevani (Iberia-Colchis, Researches on the Archaeology and History of Georgia in the Classical and Early Medieval Period). 9: 88–100. Tbilisi: Georgian National Museum, Journal of Otar Lortkipanidze Centre of Archaeology.
  • Chkhikvadze, Grigol. (2014). “Panpipe: 5. Central Europe and Asia”. The Grove Dictionary of Musical Instruments, Second Edition. 4: 20.
  • Civallero, Edgardo. (2014). Flautas de Pan de Europa (Panflute of Europe). Madrid: Edgardo Civallero Dvoretski, Iosip Khananovich (comp.). (1958). Drevnegrechesko-russkiy slovar' (Ancient Greek-Russian Dictionary), vol. II. Moskva: Gosudarstvennoye izdatel'stvo inostrannykh i natsional'nykh slovarey.
  • Janelidze, Dimitri. (1965). Kartuli teatris istoria (History of Georgian Theatre). Tbilisi: khelovneba. (In Georgian)
  • Javakhishvili, Aleksandre. (1958). “Khaishis gandzi” (Khaishi treasure). Mnatobi. 3: 149–157.
  • Javakhishvili, Ivane. (1938). Kartuli musikis istoriis dziritadi sakitkhebi (The Basic Issues of Georgian Music History). Tbilisi: pederatsia.
  • Jzvania, Tinatin. (2006). [No title]. Materials for PhD thesis, manuscript. Stored in the Archive of the Folklore Laboratory of Tbilisi Conservatoire.
  • Kraveishvili, Giorgi. (2011). “Khalkhuri musikis etnograpiuli da musikalur-teologiuri aspektebi” (Ethnographic and Musical-Theological Aspects of Folk Music). BA diploma project, Tbilisi State Conservatoire. Tbilisi: Georgia.
  • MakalaTia, Sergi. (1941). Samegrelos istoria da etnograpia (History and Ethnography of Samegrelo).Tbilisi: sakartvelos mkharetmtsodneobis sazogadoeba.
  • Mshvelidze, Shalva. (2007). In Echoes from the Past: Georgian Folk Music from Phonograph Wax Cylinders 5. [CD]. Tbilisi: International Research Center for Traditional Polyphony of Tbilisi State Conservatoire.
  • Orbeliani, Sulkhan-Saba. (1940). Mogzauroba evropashi (Traveling in Europe). Prepared for publication by Solomon Iordanishvili. Tbilisi: Pederatsia.
  • Orbeliani, Sulkhan-Saba. (1993). Leksikoni kartuli (Georgian Dictionary). Prep. Abuladze, Ilia. Korneli Kekelidze Georgian National Centre of Manuscripts. Tbilisi: Merani.
  • Razmadze, Nino. (2014). “Larchemi”. The Grove Dictionary of Musical Instruments, Second Edition. 3: 260-261.
  • Rosebashvili, Kakhi. [audiorecorder] (1958). Fieldwork in Samegrelo and Guria, tape #99 [audio filed recordings of music]. Tbilisi: Archive of Georgian Folk Music Laboratory of Tbilisi State Conservatoire.
  • Rosebashvili, Kakhi. (1960). “Megruli larchemi” (Megrelian Larchemi) Sabchota khelovneba (Soviet Art). 7: 49-52. Tbilisi: sakartvelos ssr kulturis saministros organo.
  • Rosebashvili, Kakhi. (1975). “Dasavlet sakartveloshi gavrtselebuli chasaberi sakravebi”. (Aerophones Widespread in Western Georgia). Annual scholarly work, manuscripts. Stored in the Archive of the Folklore Laboratory of Tbilisi Conservatoire.
  • Rosebashvili, Kakhi. (1981). Kartuli khalkhuri simgherebi (Georgian Folk Songs) [Musical score]. Tbilisi: ssr kavshiris musikaluri pondis sakartvelos gankopileba.
  • Rosebashvili, Kakhi. (1985). “Kartuli chasaberi sakravebi: larchem-soinari, pilili da ugudo chiboni” (Georgian Aerophones: Larchemi and Soinari, Pilili and Chiboni without bag). Annual scholarly work, manuscripts. Stored in the Archive of the Folklore Laboratory of Tbilisi Conservatoire.
  • Rosebashvili, Kakhi. (1986). “Larchemi, pilili da ugudo chiboni” (Larchemi, Pilili and Chiboni without bag). Annual scholarly work, manuscripts. Stored in the Archive of the Folklore Laboratory of Tbilisi Conservatoire.
  • Saygun, Adnan. (1937). “Rize, Artvin ve Kars Havalisi: Türkü, Saz ve Oyunları Hakkında Bazı Malûmat” (Some Information about Folk Songs, Instruments and Dances of Rize, Artvin and Kars districts). Istanbul: Nümune Matbaası.
  • Sharashidze, Giorgi. (2014). Guruli leksikoni (Gurian Dictionary). Tbilisi: guriis sidzveleta kvlevis centri.
  • Shvelidze, Nina. (2003). “Georgian Multistemmed Salamuri – Larchemi /Soinari/” The I. International Symposium on Traditional Polyphony Proceedings 2002. [The 1st International Symposium on Traditional Polyphony] Tsurtsumia, Rusudan; Jordania, Joseph (Eds.), (pp. 402–412). Tbilisi: International Research Center for Traditional Polyphony of Tbilisi State Conservatoire.
  • Shilakadze, Manana. (1970). Kartuli khalkhuri sakravebi da sakravieri musika (Georgian Folk Instruments and Instrumental Music). Tbilisi: metsniereba.
  • Shilakadze, Manana. (2007). Traditsiuli musikaluri sakravebi da kartul-chrdilokavkasiuri etnokulturuli utrtiertobani (Traditional Musical Instruments and Georgian – North Caucasian Ethnocultural Relations). Tbilisi: kavkasiuri sakhli.
  • Simvulidi, Giorgi. (1978). “Kartuli khalkhuri chasaberi sakravebi” (“Georgian Folk Aerophones”). Diploma project, Tbilisi State Conservatoire. Tbilisi: Georgia.
  • Steshenko-Kuptina, Valentina (1936). Drevneyshiye instrumental'nyye osnovy gruzinskoy narodnoy muzyki, t. 1. Fleyta Pana (Ancient Instrumental Foundations of Georgian Folk Music. Vol. 1. Panpipe). Tbilisi: gosmuzei gruzii.

Larchemi/Soinari - The Georgian Panpipe

Year 2017, , 52 - 94, 30.12.2017
https://doi.org/10.33906/musicologist.373163

Abstract

This article focuses on the panpipe, one of
the ancient instruments of the Georgian traditional instrumentarium. Some
Georgian traditional instruments remain popular today, with playing and
construction techniques still preserved. Others, however, have disappeared from
everyday life and stage folklore. Today, an instrument considered as one of the
most ancient Georgian traditions – the panpipe, which we can discuss based on
documentation and materials from the first half of the 20th century – is among
those that have disappeared from everyday life.

The article aims to collate information about
the instrument from different works by various researchers, and also to study
its organological, ethnographic and musical features. It offers in-depth
analysis of audio recordings and notated scores from fieldwork expeditions of
the 1930s and 1950s.





Nowadays, there are some attempts in the
regions as well as in the capital of Georgia to restore this instrument,
although construction and repertoire are significantly different from the
traditional forms.

References

  • Abuladze, Ilia (ed.). (1964). Udzvelesi redaktsiebi basili kesarielis “ekusta dghetaisa” da grigol noselis targmanebisa “katsisa agebulebisatvis” X-XIII ss-is khelnatserta mikhedvit (“Ancient editions of "Six Days of Creation" by Basili of Caesaria translated by Gregory Nyssa’s, taken from 10th–13th centuries manuscripts Nino”). Tbilisi: Metsniereba.
  • Chijavadze, Otar. [audiorecorder] (1959). Fieldwork in Samegrelo, tape #82 [audio filed recordings of music]. Tbilisi: The Archive of Georgian Folk Music Laboratory of Tbilisi State Conservatoire.
  • Chikhladze, Vera. (2013). “Arkeologiuri gatkhrebis dros sakartveloshi aghmochenili musikaluri instrumentebi” (Musical Instruments Revealed in Georgia during the Archaeological Excavations) Iberia-kolkheti – sakartvelos klasikuri da adremedievuri periodis arkeologiur-istoriuli kvlevani (Iberia-Colchis, Researches on the Archaeology and History of Georgia in the Classical and Early Medieval Period). 9: 88–100. Tbilisi: Georgian National Museum, Journal of Otar Lortkipanidze Centre of Archaeology.
  • Chkhikvadze, Grigol. (2014). “Panpipe: 5. Central Europe and Asia”. The Grove Dictionary of Musical Instruments, Second Edition. 4: 20.
  • Civallero, Edgardo. (2014). Flautas de Pan de Europa (Panflute of Europe). Madrid: Edgardo Civallero Dvoretski, Iosip Khananovich (comp.). (1958). Drevnegrechesko-russkiy slovar' (Ancient Greek-Russian Dictionary), vol. II. Moskva: Gosudarstvennoye izdatel'stvo inostrannykh i natsional'nykh slovarey.
  • Janelidze, Dimitri. (1965). Kartuli teatris istoria (History of Georgian Theatre). Tbilisi: khelovneba. (In Georgian)
  • Javakhishvili, Aleksandre. (1958). “Khaishis gandzi” (Khaishi treasure). Mnatobi. 3: 149–157.
  • Javakhishvili, Ivane. (1938). Kartuli musikis istoriis dziritadi sakitkhebi (The Basic Issues of Georgian Music History). Tbilisi: pederatsia.
  • Jzvania, Tinatin. (2006). [No title]. Materials for PhD thesis, manuscript. Stored in the Archive of the Folklore Laboratory of Tbilisi Conservatoire.
  • Kraveishvili, Giorgi. (2011). “Khalkhuri musikis etnograpiuli da musikalur-teologiuri aspektebi” (Ethnographic and Musical-Theological Aspects of Folk Music). BA diploma project, Tbilisi State Conservatoire. Tbilisi: Georgia.
  • MakalaTia, Sergi. (1941). Samegrelos istoria da etnograpia (History and Ethnography of Samegrelo).Tbilisi: sakartvelos mkharetmtsodneobis sazogadoeba.
  • Mshvelidze, Shalva. (2007). In Echoes from the Past: Georgian Folk Music from Phonograph Wax Cylinders 5. [CD]. Tbilisi: International Research Center for Traditional Polyphony of Tbilisi State Conservatoire.
  • Orbeliani, Sulkhan-Saba. (1940). Mogzauroba evropashi (Traveling in Europe). Prepared for publication by Solomon Iordanishvili. Tbilisi: Pederatsia.
  • Orbeliani, Sulkhan-Saba. (1993). Leksikoni kartuli (Georgian Dictionary). Prep. Abuladze, Ilia. Korneli Kekelidze Georgian National Centre of Manuscripts. Tbilisi: Merani.
  • Razmadze, Nino. (2014). “Larchemi”. The Grove Dictionary of Musical Instruments, Second Edition. 3: 260-261.
  • Rosebashvili, Kakhi. [audiorecorder] (1958). Fieldwork in Samegrelo and Guria, tape #99 [audio filed recordings of music]. Tbilisi: Archive of Georgian Folk Music Laboratory of Tbilisi State Conservatoire.
  • Rosebashvili, Kakhi. (1960). “Megruli larchemi” (Megrelian Larchemi) Sabchota khelovneba (Soviet Art). 7: 49-52. Tbilisi: sakartvelos ssr kulturis saministros organo.
  • Rosebashvili, Kakhi. (1975). “Dasavlet sakartveloshi gavrtselebuli chasaberi sakravebi”. (Aerophones Widespread in Western Georgia). Annual scholarly work, manuscripts. Stored in the Archive of the Folklore Laboratory of Tbilisi Conservatoire.
  • Rosebashvili, Kakhi. (1981). Kartuli khalkhuri simgherebi (Georgian Folk Songs) [Musical score]. Tbilisi: ssr kavshiris musikaluri pondis sakartvelos gankopileba.
  • Rosebashvili, Kakhi. (1985). “Kartuli chasaberi sakravebi: larchem-soinari, pilili da ugudo chiboni” (Georgian Aerophones: Larchemi and Soinari, Pilili and Chiboni without bag). Annual scholarly work, manuscripts. Stored in the Archive of the Folklore Laboratory of Tbilisi Conservatoire.
  • Rosebashvili, Kakhi. (1986). “Larchemi, pilili da ugudo chiboni” (Larchemi, Pilili and Chiboni without bag). Annual scholarly work, manuscripts. Stored in the Archive of the Folklore Laboratory of Tbilisi Conservatoire.
  • Saygun, Adnan. (1937). “Rize, Artvin ve Kars Havalisi: Türkü, Saz ve Oyunları Hakkında Bazı Malûmat” (Some Information about Folk Songs, Instruments and Dances of Rize, Artvin and Kars districts). Istanbul: Nümune Matbaası.
  • Sharashidze, Giorgi. (2014). Guruli leksikoni (Gurian Dictionary). Tbilisi: guriis sidzveleta kvlevis centri.
  • Shvelidze, Nina. (2003). “Georgian Multistemmed Salamuri – Larchemi /Soinari/” The I. International Symposium on Traditional Polyphony Proceedings 2002. [The 1st International Symposium on Traditional Polyphony] Tsurtsumia, Rusudan; Jordania, Joseph (Eds.), (pp. 402–412). Tbilisi: International Research Center for Traditional Polyphony of Tbilisi State Conservatoire.
  • Shilakadze, Manana. (1970). Kartuli khalkhuri sakravebi da sakravieri musika (Georgian Folk Instruments and Instrumental Music). Tbilisi: metsniereba.
  • Shilakadze, Manana. (2007). Traditsiuli musikaluri sakravebi da kartul-chrdilokavkasiuri etnokulturuli utrtiertobani (Traditional Musical Instruments and Georgian – North Caucasian Ethnocultural Relations). Tbilisi: kavkasiuri sakhli.
  • Simvulidi, Giorgi. (1978). “Kartuli khalkhuri chasaberi sakravebi” (“Georgian Folk Aerophones”). Diploma project, Tbilisi State Conservatoire. Tbilisi: Georgia.
  • Steshenko-Kuptina, Valentina (1936). Drevneyshiye instrumental'nyye osnovy gruzinskoy narodnoy muzyki, t. 1. Fleyta Pana (Ancient Instrumental Foundations of Georgian Folk Music. Vol. 1. Panpipe). Tbilisi: gosmuzei gruzii.
There are 28 citations in total.

Details

Primary Language English
Journal Section Articles
Authors

Nino Razmadze 0000-0002-7871-5394

Publication Date December 30, 2017
Published in Issue Year 2017

Cite

APA Razmadze, N. (2017). Larchemi/Soinari - The Georgian Panpipe. Musicologist, 1(1), 52-94. https://doi.org/10.33906/musicologist.373163